What kind of bad thoughts can the director have?
Chapter 115
Chapter 115
After the post-production started, Yang Shu kept in touch with Luo Xue to report the progress of the work.
According to the previous agreement, once the film production is completed, Tiange will be responsible for the follow-up approval and other work, and the familiar people will be more experienced, which can save a lot of trouble.
The content of "Love Letter from the Kingdom of Heaven" is pure and there is no possibility of violating the rules, but it is of course good if someone can take care of it.
In addition, it took Yang Shu a long time to realize that Luo Xue was not a national security officer, or even a civil servant.
After returning from studying abroad, she co-founded a research institute with the School of International Relations, specializing in psychological research related to national security. She is indeed a top polygraph expert in China, but she is not what Yang Shu thought.
Fu Yaming said that it is right for his wife to be engaged in work related to national security, but it is easy to think too much in other people's ears when he says it too simply.
As for which department her research serves, there is no need to care about He Dehe Neng cooperating with a university research institute at a young age. In short, her identity tends to be more like a scholar, a free and shrewd scholar .
When the production of "Love Letter from Heaven" was about to be completed, Yang Shu and Liu Man went to China Film Group to visit Mr. Fu again, and talked about the creation situation and the subsequent release plan.
Sure enough, as expected before, Mr. Fu didn't say anything, just encouraged him with a smile, and didn't mention the issue of China Film Distribution at all.
So according to Luo Xue's guidance, the two went to Lei Shing Hong Plaza in Wangjing, Jiuxianqiao. Tiange Media worked there, and were warmly received by General Manager Hua Sixing and Marketing Director Huang Xuefei.
Hua Sixing and Huang Xuefei, a man and a woman in their 40s, have both worked in the film industry for many years. One is from Guangdong and the other is from Henan. They look smart and capable.
Both of them also joined Tiange shortly after its establishment five years ago. They belonged to the veterans and fought many tough battles. Apart from "Dwelling in the Fuchun Mountains", they have successfully managed no less than ten movies.
They expressed their confidence and confidence in the success of the release before even reading "Love Letters from the Kingdom of Heaven", so they further discussed the follow-up specific work, and first finalized the matter of submitting for review in the near future.
After he came out, Yang Shu sighed in a pretentious manner: "The reason why the mainland film market is full of bad movies is because of these distributors who are capable of turning clouds and rain."
Liu Man smiled and said, "Don't act like a good boy when you get cheap."
In terms of being cheap and putting on a good show, Yang Shu is more sincere, at least part of the point is better than Feng Xiaogang.
Two years later, at a film festival symposium, Chen Kexin asked Feng Xiaogang a question: "Why are there so many trash movies?"
Chen Kexin is a well-known director in Hong Kong. He has filmed films such as "Sweet Honey" and "Voice of Name", and is the husband of comedy star Sandra Ng.
This is a white lotus problem with a big hole. The Hong Kong film market was very prosperous in the 80s and [-]s, but most of the films were bad films. Did Director Chen really think about this problem before?
It's like a chicken farm manager who has been raising chickens for 20 years asks another old chicken farm manager: "Why are there so many unsanitary eggs on the market?"
Feng Xiaogang is a fine individual, and he shouldn't have fallen into the pit originally, but he has also suffered from the chaotic market in the past few years, and he is a little angry.
So he answered this way: "Domestic movies are full of rubbish, which must be related to the large number of rubbish audiences. If there are no rubbish audiences to support, rubbish movies will have no room to survive, and producers will not make rubbish movies."
In a relatively closed market, a large number of substandard products are flooded because consumers are blind and blind shopping?
As soon as this remark came out, Director Feng was immediately pushed to the forefront of public opinion, and he was scolded to the point where he was scolded.
In fact, Director Feng should know in his heart that bad movies will exist no matter what, stronger than Hollywood, most of them will be bad movies after a year.
The worst thing is that everyone knows that his early films, and even most of his works, can be labeled as bad movies. He is a vested interest in the bad movie industry, but he says the opposite.
And he also understands in his heart that there is a real problem with the market for bad movies, one of which is the unfair distribution mechanism, and he is the pioneer when it comes to tricky distribution.
At the end of the 90s, the so-called Spring Festival stalls in mainland China were jointly organized by him and China Film, the only distributor at the time. He occupied them every year, and no one else could get a needle in.
Now that the market has been liberalized, there are many people from all walks of life doing this, and their tricks are all showing their talents, even his old driver is a little confused.
Especially this year when his backer in China Film Group officially retired, his advantage was further lost, so two years later he finally couldn't hold back his dissatisfaction, and was sprayed randomly when he was teased.
This incident fully proves that Director Feng's little steel cannon is fake, he is a fine individual, and it is true that he is not sincere.
The end of the year is here, and the lease term of Zicaowu is also here. The modern house has been decorated and ventilated, ready to move in at any time.
"Heavenly Love Letter" is coming to an end, and the busyness is about to come to an end. On the contrary, Yang Shu has to think more about how the studio will develop in the future.
So far he has followed a pure film and television studio model, only shooting works, and outsourcing everything else.
The equipment is not self-purchased, it is leased when needed, and the commercial advertising endorsement business has never hired its own agent. It is entrusted by Junqi Feiyang Media of Sister Qin. To Tiange Media.
So far, this system has been running smoothly. Yang Shu does not need to set foot in unfamiliar fields, and entrusts the work to the most professional people.
So in the future, should we develop and strengthen our own team, or continue to take the road of specialization?
This question is magnified and easy to understand. If we change to the world pattern, is it to continue the globalization and international division of labor, or to engage in the entire industrial chain by ourselves?
Of course, the best way is to develop your own entire industrial chain, and at the same time, globalize the international division of labor. If you are strong and not afraid of wind and rain, you can maximize your benefits if you have many friends.
Yang Shu doesn't have the ability to separate himself. Liu Man and Jiang Shiyu are both engaged in art like him. To do this, you have to hire the most professional people to do it, just like Sister Qin and Luo Xue.
In addition, don’t blindly benchmark your personal development against the world pattern. Yang Shu understands that the development focus of Miracle Studio is creation, and the benefits brought by brokerage endorsements only account for a small part, and the release of such things depends on the theater relationship. It's very complicated, and it's not something you can do well with your own efforts.
After the second season of "Wonderful Events in the World" was aired in late October, Yang Shu began to discuss this matter seriously with Liu Man and Jiang Shiyu, trying to formulate a short-term, medium-term and long-term development plan for the studio .
The world is unpredictable, and things in the medium and long term are easy to be false. All three of them understand that they can't figure it out in the short term, and everything else is nonsense.
The development in the past year has been very successful, creating a wealth of more than 3 million yuan. Next year, "Love Letter from Heaven" will be released, and it should be both famous and rich without accident.
The three of them discussed and finally agreed that they should keep their feet on the ground and continue to focus on creation. As for the work of brokerage and distribution, if it is only for their own business, it is not worth being distracted now.
Since the move is imminent, the studio should also be moved from Zicaowu to a nearby location. There is no need to expand the scale of many offices, so there are only two options.
One is to rent an office in a nearby high-end office building. If there is business to discuss or guests come to receive.
The second is to choose a suitable place to buy a house and decorate it into an office salon, which is more artistic and does not need to get together with some irrelevant companies. Some powerful studios in the capital usually buy a courtyard house for this purpose.
The experience of the past year is that, except for special visitors like Sister Tao, there are very few guests in the wonderful studio, and it can't receive two calls a year, so leasing an office is not very practical.
But it doesn't mean that there will be no customers in the future, so after discussion, the three of them finally agreed to buy their own salon, a suitable suite or courtyard house is fine, anyway, the money from the second season will be cashed out, so that much money is not wasted.
(End of this chapter)
After the post-production started, Yang Shu kept in touch with Luo Xue to report the progress of the work.
According to the previous agreement, once the film production is completed, Tiange will be responsible for the follow-up approval and other work, and the familiar people will be more experienced, which can save a lot of trouble.
The content of "Love Letter from the Kingdom of Heaven" is pure and there is no possibility of violating the rules, but it is of course good if someone can take care of it.
In addition, it took Yang Shu a long time to realize that Luo Xue was not a national security officer, or even a civil servant.
After returning from studying abroad, she co-founded a research institute with the School of International Relations, specializing in psychological research related to national security. She is indeed a top polygraph expert in China, but she is not what Yang Shu thought.
Fu Yaming said that it is right for his wife to be engaged in work related to national security, but it is easy to think too much in other people's ears when he says it too simply.
As for which department her research serves, there is no need to care about He Dehe Neng cooperating with a university research institute at a young age. In short, her identity tends to be more like a scholar, a free and shrewd scholar .
When the production of "Love Letter from Heaven" was about to be completed, Yang Shu and Liu Man went to China Film Group to visit Mr. Fu again, and talked about the creation situation and the subsequent release plan.
Sure enough, as expected before, Mr. Fu didn't say anything, just encouraged him with a smile, and didn't mention the issue of China Film Distribution at all.
So according to Luo Xue's guidance, the two went to Lei Shing Hong Plaza in Wangjing, Jiuxianqiao. Tiange Media worked there, and were warmly received by General Manager Hua Sixing and Marketing Director Huang Xuefei.
Hua Sixing and Huang Xuefei, a man and a woman in their 40s, have both worked in the film industry for many years. One is from Guangdong and the other is from Henan. They look smart and capable.
Both of them also joined Tiange shortly after its establishment five years ago. They belonged to the veterans and fought many tough battles. Apart from "Dwelling in the Fuchun Mountains", they have successfully managed no less than ten movies.
They expressed their confidence and confidence in the success of the release before even reading "Love Letters from the Kingdom of Heaven", so they further discussed the follow-up specific work, and first finalized the matter of submitting for review in the near future.
After he came out, Yang Shu sighed in a pretentious manner: "The reason why the mainland film market is full of bad movies is because of these distributors who are capable of turning clouds and rain."
Liu Man smiled and said, "Don't act like a good boy when you get cheap."
In terms of being cheap and putting on a good show, Yang Shu is more sincere, at least part of the point is better than Feng Xiaogang.
Two years later, at a film festival symposium, Chen Kexin asked Feng Xiaogang a question: "Why are there so many trash movies?"
Chen Kexin is a well-known director in Hong Kong. He has filmed films such as "Sweet Honey" and "Voice of Name", and is the husband of comedy star Sandra Ng.
This is a white lotus problem with a big hole. The Hong Kong film market was very prosperous in the 80s and [-]s, but most of the films were bad films. Did Director Chen really think about this problem before?
It's like a chicken farm manager who has been raising chickens for 20 years asks another old chicken farm manager: "Why are there so many unsanitary eggs on the market?"
Feng Xiaogang is a fine individual, and he shouldn't have fallen into the pit originally, but he has also suffered from the chaotic market in the past few years, and he is a little angry.
So he answered this way: "Domestic movies are full of rubbish, which must be related to the large number of rubbish audiences. If there are no rubbish audiences to support, rubbish movies will have no room to survive, and producers will not make rubbish movies."
In a relatively closed market, a large number of substandard products are flooded because consumers are blind and blind shopping?
As soon as this remark came out, Director Feng was immediately pushed to the forefront of public opinion, and he was scolded to the point where he was scolded.
In fact, Director Feng should know in his heart that bad movies will exist no matter what, stronger than Hollywood, most of them will be bad movies after a year.
The worst thing is that everyone knows that his early films, and even most of his works, can be labeled as bad movies. He is a vested interest in the bad movie industry, but he says the opposite.
And he also understands in his heart that there is a real problem with the market for bad movies, one of which is the unfair distribution mechanism, and he is the pioneer when it comes to tricky distribution.
At the end of the 90s, the so-called Spring Festival stalls in mainland China were jointly organized by him and China Film, the only distributor at the time. He occupied them every year, and no one else could get a needle in.
Now that the market has been liberalized, there are many people from all walks of life doing this, and their tricks are all showing their talents, even his old driver is a little confused.
Especially this year when his backer in China Film Group officially retired, his advantage was further lost, so two years later he finally couldn't hold back his dissatisfaction, and was sprayed randomly when he was teased.
This incident fully proves that Director Feng's little steel cannon is fake, he is a fine individual, and it is true that he is not sincere.
The end of the year is here, and the lease term of Zicaowu is also here. The modern house has been decorated and ventilated, ready to move in at any time.
"Heavenly Love Letter" is coming to an end, and the busyness is about to come to an end. On the contrary, Yang Shu has to think more about how the studio will develop in the future.
So far he has followed a pure film and television studio model, only shooting works, and outsourcing everything else.
The equipment is not self-purchased, it is leased when needed, and the commercial advertising endorsement business has never hired its own agent. It is entrusted by Junqi Feiyang Media of Sister Qin. To Tiange Media.
So far, this system has been running smoothly. Yang Shu does not need to set foot in unfamiliar fields, and entrusts the work to the most professional people.
So in the future, should we develop and strengthen our own team, or continue to take the road of specialization?
This question is magnified and easy to understand. If we change to the world pattern, is it to continue the globalization and international division of labor, or to engage in the entire industrial chain by ourselves?
Of course, the best way is to develop your own entire industrial chain, and at the same time, globalize the international division of labor. If you are strong and not afraid of wind and rain, you can maximize your benefits if you have many friends.
Yang Shu doesn't have the ability to separate himself. Liu Man and Jiang Shiyu are both engaged in art like him. To do this, you have to hire the most professional people to do it, just like Sister Qin and Luo Xue.
In addition, don’t blindly benchmark your personal development against the world pattern. Yang Shu understands that the development focus of Miracle Studio is creation, and the benefits brought by brokerage endorsements only account for a small part, and the release of such things depends on the theater relationship. It's very complicated, and it's not something you can do well with your own efforts.
After the second season of "Wonderful Events in the World" was aired in late October, Yang Shu began to discuss this matter seriously with Liu Man and Jiang Shiyu, trying to formulate a short-term, medium-term and long-term development plan for the studio .
The world is unpredictable, and things in the medium and long term are easy to be false. All three of them understand that they can't figure it out in the short term, and everything else is nonsense.
The development in the past year has been very successful, creating a wealth of more than 3 million yuan. Next year, "Love Letter from Heaven" will be released, and it should be both famous and rich without accident.
The three of them discussed and finally agreed that they should keep their feet on the ground and continue to focus on creation. As for the work of brokerage and distribution, if it is only for their own business, it is not worth being distracted now.
Since the move is imminent, the studio should also be moved from Zicaowu to a nearby location. There is no need to expand the scale of many offices, so there are only two options.
One is to rent an office in a nearby high-end office building. If there is business to discuss or guests come to receive.
The second is to choose a suitable place to buy a house and decorate it into an office salon, which is more artistic and does not need to get together with some irrelevant companies. Some powerful studios in the capital usually buy a courtyard house for this purpose.
The experience of the past year is that, except for special visitors like Sister Tao, there are very few guests in the wonderful studio, and it can't receive two calls a year, so leasing an office is not very practical.
But it doesn't mean that there will be no customers in the future, so after discussion, the three of them finally agreed to buy their own salon, a suitable suite or courtyard house is fine, anyway, the money from the second season will be cashed out, so that much money is not wasted.
(End of this chapter)
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