What kind of bad thoughts can the director have?

Chapter 227
In addition to going to the Spring Festival Gala in 2019, Sister Tao has two dramas "Dear Marriage" and "We Are All Well" aired in May, but these are all works made in the past two years, and they are only broadcast now due to various reasons , Not much energy is spent on publicity.

At present, the jobs she has confirmed this year are basically variety shows, and "I am an art candidate" will be the focus.

At the Christmas dinner a few days ago, Yang Shu suggested to be a counselor with her. Sister Tao didn't object at that time, but she vetoed it afterwards.

"I'm not going to double perform with you in front of a national audience, that's too tiring."

The older sister quit the younger sister, Liu Man took her place and partnered with Yang Shu.

Sister Tao is in charge of hosting, connecting the activities of the four groups together.

This is her favorite thing to do in the past two years, but it is the first time to be an independent host.

In addition, she and Jiang Shiyu were in charge of the planning and preparation of the show. The reason why she devoted herself so seriously was because she was interested in hosting work on the one hand, and on the other hand, she had invested in it.

In the past two years, Poplar has been walking on the road of common prosperity, and will not forget to leave shares for relatives and friends for promising projects.

Sister Tao's interest in hosting will probably last for a while. In Yang Shu's impression, her highest achievement in this area is hosting several large-scale programs including the Spring Festival Gala in the capital.

CCTV Spring Festival Gala rehearsals started in January, and Sister Tao was unable to pick up work from other places. During this time, as long as Yang Shu was in Zhuanta Hutong, she would often turn around and spend time discussing and planning programs here, feeling very happy both physically and mentally.

"I have never worked with Chen Jianbin, but I have worked with his wife Jiang Qinqin on "Returning the Pearl 3" and "The Last Empress."

Their cooperation has been more than ten years ago. In "Returning the Pearl 3", the two did not have a rivalry scene, and they had never met in the crew.

Later, they collaborated in "The Last Empress" and played a pair of friends in the play, but they were only in the play and had no contact with each other in private.

Both Chen Jianbin and his wife belong to the kind of people who are straightforward and don't talk about Jianghu affection. They don't have many friends in the circle.

The two met when they were filming "Qiao's Courtyard". At that time, the crew felt that Chen Jianbin was domineering and liked to make his own decisions when filming. Sometimes even the director had to listen to him.

Everyone avoided him, and didn't call him when they went out to sing, and then sat together and complained about his various problems, including Jiang Qinqin.

However, the two actually have similar personalities, and finally came together in love. After marriage, Qinqin basically faded out of the show business circle and stayed at home with her husband and children.

Sister Tao is also very sophisticated: "Although Lili and your sister Qin are both on the show as husband and wife, Chen Jianbin should separate the invitations. I think Lili's suggestion is right, invite him together with the new drama heroine Zhou Xun It's better, I'd rather spend more money."

Yang Shu agreed: "At home, husband and son have basically left the front-line work. How can I tutor students? It is the best to invite Zhou Xun."

Zhou Xun’s acting skills are impeccable. She is the highest earning female artist in mainland China, with 4 billion in the past 16 years. No.2 is the empress with 14 billion. No.3 to No.5 are Yang Mimi, Zhao Liying and Tao Jie, all of which are 13 billion Many, not much difference.

To invite three of the most expensive female artists for a program, the production cost cannot be lowered.

Chen Jianbin and Zhou Xun's new play is called "No. 11", which was written, directed and acted by Chen Jianbin.

This play is about a murder case 30 years ago. It was adapted into a stage play by the city repertory troupe. The group entangled with reasoning, while looking for a lawyer to reverse the case and seek the truth to clear his innocence.

Zhou Xun plays Chen Jianbin's wife in the play, while Dou Wei and Wang Fei's daughter Dou Qingtong plays their daughter.

I have to say that Zhou Xun is very nostalgic. Back then, she and Dou Wei's younger brother were in love and almost got married. Now they are filming with his daughter.

In addition, Chen Jianbin is also nostalgic, he weekly news ex-boyfriend, Wang Fei's ex-husband Li Yapeng is a fellow, classmate, good friend, and the meat of the entertainment industry is stewed in the pot.

Needless to say, Chen Jianbin's development in these years has been active in the front line. Qiao Zhiyong in "The Qiao Family Courtyard", Cao Cao in "Three Kingdoms", and Yongzheng in "The Legend of Zhen Huan" are all classic characters.

Acting is good and directing. Two years ago, he wrote, directed and acted in "A Spoon". His wife, Jiang Qinqin, was the heroine. He won the Golden Rooster Award for Best Director's Debut, the Golden Horse Award for Best New Director and Best Actor prize.

Because the "Military Paradise" he starred in also won the Golden Horse Award for Best Supporting Actor, so Chen Jianbin won three awards at that Golden Horse.

"No. 11" is his second directorial work. It is worth mentioning that he used Wang Xuebing in both works. Like Li Yapeng, he is also his fellow villager, classmate, friend, and also the ex-boyfriend of Sister Bingbing.

He insisted on using this old classmate twice. Yang Shu still admires his courage and persistence. After all, this person was arrested by the police three years ago on suspicion of drug involvement. Although it was later clarified that it was a misunderstanding, the public image was greatly damaged.

It was unexpectedly easy to invite Chen Jianbin and Zhou Xun to participate in the program. Sister Qin and Zhou Xun had collaborated on the TV series "Red Sorghum". After a phone call, the agreement was quickly settled, and Zhou Xun persuaded Director Chen, so the four groups of counselors in the program It's all set.

Liu Man and Jiang Shiyu refused to be counselors at the beginning, because they were young, and because they were lazy, they were all used to it under the guidance and protection of Yang Shu, and they didn't want to be so tiring in front of the camera.

However, the younger sister is not as good as the older sister, nor can she resist the strength of the older sister. In the end, the burden of the counselor still falls on Liu Man.

She was quite ambitious when she was filming "Lovers at the Table", but after a few years, she fully saw the gap with Yang Shu, and she accepted her fate.

When the two got tired of being together in the evening, she also made arrangements for the follow-up program: "Fortunately, I am in the same group as you. You have to make a plan first about how to coach and train students, and we have to be in sync on the spot."

So Yang Shu had to draw up the lines for the two of them in the show first, and of course he also decided the training plan, and of course the woman behind Wang had to stand behind her all the time.

The production of the first season of "Three-Body Problem" was completed on January 1, and Yang Li immediately sent it to various platforms for review, aiming to broadcast it in April.

He is still more cautious about this job. Although he has fully communicated and revised the script before the shooting, some sensitive content of the subject matter cannot be avoided, and he hopes to pass the review smoothly.

In the next few days, he assisted Sister Tao and Jiang Shiyu to plan and design the audition work of "I am an art candidate". The general idea was the same as that of many programs that required auditions in the early stage. In the audition area, after several rounds of assessment, two hundred students were finally selected and sent to the capital.

The two hundred trainees were assessed and selected by four groups of counselors, and finally [-] were left for training.

Talent shows have been running in mainland China for more than ten years. Although the form and content of each show are different, in fact the operating mechanism behind them is similar, and an industrial chain has already been formed.

As long as the funds are in place, cultural companies in various places can start immediately, publicize and select people according to the requirements.

Yang Shu made some calculations. In the audition stage alone, this program had to invest more than 1000 million yuan in publicity and selection funds.

Of course, putting in so much effort is to support Jiang Shiyu's cultural management work. When the two got tired of being together at night, she was very satisfied with Yang Shu's attention: "I know you love me, so I mobilized a lot of resources to support me at all costs."

This is support for cultural undertakings, walking on the right path, doing the right thing, and achieving a win-win situation for all parties. Everyone is satisfied.

It is already the beginning of 2019, and Yang Shu has not forgotten the agreement with Luo Xue.

Last year was a busy year, and this year is the same. At the end of February, I may be filming the second and third seasons of "Three-Body Problem".

He planned to take some time out of his busy schedule, and before starting work after the Spring Festival, he would go to Tokyo with Luo Xue as agreed to completely relax for a few days.

"Even if the donkey is born, it should rest for a few days during the Chinese New Year."

(End of this chapter)