What kind of bad thoughts can the director have?

Chapter 230

Apart from copying something, Yang Shu's judgment on the situation around the world did not benefit much from the experience of time travel, and there are many things that he has no experience to learn from.

After all, this is another world, and all the similarities are found by his observation from his own perspective. In fact, it is very different from the overall real situation.

And as time goes by, the foresight he barely had before has gradually disappeared, and he can feel the freshness more and more obviously.

It was only the third day after playing leisurely in the Mage Hotel, when President Hua of Tiange Media called.

"Chairman, I heard that you went back to your hometown to attend a relative's wedding. I didn't want to disturb you at first, but there are two urgent matters that you need to decide as soon as possible."

The group has only been established for a short time. If he hadn't been called out by others, Yang Shu would often forget that he is the chairman, and more and more people have followed him.

One of the two urgent matters Mr. Hua mentioned was about hiring a Japanese actress to play Tomoko.

In fact, this time Yang Shu could have come to Japan in the name of selecting an actor. "Three-Body Problem" needed a Japanese actress to play the synthetic human Tomoko. .

However, he didn't make this excuse. It seemed too grand to make a special trip to invite an actor, and Liu Man and Jiang Shiyu were likely to follow, so it was self-defeating.

No matter what the name is, it took only three days to break his busy schedule and had to start telecommuting.

The role of Tomoko could have been played by a Chinese actress. East Asians look similar, and Tomoko’s dialogue in the original book is in Chinese. It seems unnecessary to find a foreigner who does not understand the language to play it.

However, after much deliberation, Yang Shu decided to use Japanese actors. He would rather go to the trouble of speaking Japanese during the live performance, and then dubbing Chinese in the later stage.

Film and television is an art of pictures, as well as an art of feeling. The expression habits of the Japanese people from childhood are different from those of people in other places. There is a very special feeling of surprise. Yangshu needs the sense of reality brought by this difference.

If you want to find it, look for the most popular one. Last year, I found Kagawa Teruyuki for the filming of "The Last Days of Devils". She is the second highest-paid actor in Japan, so Yang Shu first wanted to find Ayase Haruka. She was the highest-paid actor in Japan last year. actress.

Moreover, mainland audiences have a good impression of Haruka Ayase. The year before last, she hosted a documentary about Japan’s use of gas bombs in the war of aggression against China, Haruka Ayase Listening to the War~The Secret Island that Disappeared from the Map~. It was aired on TBS TV station, and the response was great in both China and Japan.

However, the most expensive does not mean the most suitable. The aesthetics of the Japanese are not exactly the same as those of the mainland, and the difference has become more and more wide in recent years.

Although Ayase Haruka is also beautiful and is the national goddess of the Japanese, it seems that she is no longer the Japanese beauty in everyone's impression. She feels more like a Dongying beauty, with our local characteristics.

Not only Yang Shu thinks so, but the Japanese also say the same. The reason why actors like Ayase Haruka and Xinhuan Yui are very popular in China is because they are more in line with Chinese aesthetics. In fact, Japanese people prefer Hashimoto Huannai's kind of small and exquisite.

Not very satisfied with Ayase Haruka, Yang Shu thought of Nagasawa Masami of Toho Entertainment Office, because Tiange and Toho Co., Ltd. have a very good cooperative relationship, and they have jointly issued "Heavenly Love Letter" before, and can continue cooperate.

In Yang Shu's impression, Nagasawa Masami is a typical Japanese beauty.

But after watching her latest suspenseful comedy "Cheating the World JP", I had to give up.

Unfortunately, although Nagasawa Masami and Liu Yifei are the same age, both in their early thirties, she seems to be even less fresh, and it is already difficult for her to play roles in her early 20s.

So Yang Shu began to search among Japanese post-[-]s actresses. He watched Saki Takei, Kasumi Arimura, Kanna Hashimoto, Ayaka Miyoshi, etc., but was not very satisfied.

It has to be said that the aesthetic tastes of people from Japan and mainland China have gone in two directions. In his opinion, these post-[-]s actresses are not as good as those post-[-]s actresses, and many of them have the characteristics of mixed blood.

Especially the traditional kimono style, it seems that Japan has not considered this much in the selection of actresses in the past ten years, and what Yang Shu needs is a serious beauty in kimono.

If you have to choose from the post-[-]s generation, Minami Hamabe is the most suitable one. In Japan, she is also known as the number one kimono beauty in Reiwa.

Nozomi Sasaki, who was born in the [-]s, is also in good condition. In Yang Shu's original world, she acted in "Beauty Tax".

Mr. Hua's phone call was about Minami Hamabe. Like Masami Nagasawa, she is also an artist of Toho Entertainment. Although she was voted as one of the top ten beauties of the new generation two years ago, she still belongs to the Newcomer, graduated from high school next month.

"Toho Entertainment Office is very interested in our invitation. The novel "Three-Body Problem" is also very popular in Japan. This is undoubtedly a good opportunity for them to create their own artists, so they quickly agreed."

As for Hamabe Minami, she has also stated that she does not plan to go to university after high school, and will concentrate on her acting career, and is willing to obey the agency's arrangement to work in China for a period of time.

In fact, Japanese entertainers are similar to servants in the family, and they have to obey the arrangement of the firm unconditionally, which is not something she wants to do.

Just like Haruka Ayase's anti-war documentary broadcast, many people in Japan were not very happy, but they basically didn't blame the artists. programme.

This is different from South Korea and mainland China. In South Korea, artists are blamed for accidents, while mainland artists have a strong right to speak. Like Hollywood, it is basically a real star responsibility system. Some people even themselves are bosses. I have to take responsibility for any problems.

"The price of Minami Hamabe is also very cheap. It only costs 1000 million yen to appear in the five episodes of the third season of "Three-Body Problem", which is about 65 RMB."

This price is indeed very cheap. Sister Tao can be regarded as a guest star in "The Last Days of Devils", and it costs 100 million RMB for two episodes.

However, for Japanese artists, this price is already very high. The price for Xinhuan Yui to appear in an episode of a drama in Japan is 10 RMB.

However, since the little girl had to leave her hometown to work in China after graduating from high school, Yang Shu didn't intend to bargain for the one hundred and eighty thousand yuan.

In this case, he instructed Mr. Hua to sign a contract with Dongbao Entertainment: "This matter is well done, what else is there?"

"One more thing about Japan's TBS TV station."

Unexpectedly, Yang Shuren was in Japan, and the two things about Mr. Hua were also about Japan.

Japan's TBS TV station contacted Wonderful Film and Television through Kagawa Teruyuki, saying that it would buy the Japanese broadcasting rights of "The Devil's Doom Is Coming".

After "The Last Days of Devils" was broadcast, Yang Shu sent Kagawa Teruyuki a piece of work as a commemoration of cooperation, which is also the custom of the crew.

TBS TV station is the one that broadcast Ayase Haruka's anti-war documentary before. It is one of the five major TV stations in Japan.

"It was Kagawa Teruyuki who suggested TBS TV to buy our work?"

"It doesn't seem to be the case. Kagawa Teruyuki used to be a staff member of TBS TV station before engaging in artist work, and the relationship has always been good.

Half a month ago, the TBS special "New King" starring Kagawa and Fujiwara Tatsuya aired, and the response was very good. Next month, "The Group Moves Left!" co-starring with Masaharu Fukuyama! ! " will also be broadcast, so TBS TV station seems to want to make this year the year of Kagawa Teruyuki. "

According to Mr. Hua, TBS TV station therefore noticed Kagawa's "The Last Days of Devils" starring in China, and saw that the network broadcast hit more than 20 billion, and immediately stunned the Japanese.

Yang Shu was also very interested in this matter, and shook his head with a smile: "This TBS TV station really dares to broadcast anything, and now it actually wants to broadcast anti-Japanese dramas."

"Chairman, it's more than that. As far as I know, TBS TV has produced anti-Japanese dramas a few years ago, and it has always been particularly anti-war."

"I know, it's called "Red Cross~Women's Enlistment Notice~", a Japanese drama starring Nanako Matsushima, the queen of the Japanese TV series, is a commemorative drama for the 70th anniversary of TBS's anti-war war. The Japanese female nurse was first captured by the Soviet army after the war, suffered all kinds of hardships, and was rescued by us eight ways, so she followed the Chinese army to save lives and heal the wounded, and fell in love by the way, and finally someone stayed in China for the revolution, which is worse than our drama Dog blood."

"Now they want to cooperate with us, but the price is not high. The price of broadcasting rights in Japan is much lower than ours."

"Cooperation is a good thing. We have also pioneered the broadcast of anti-Japanese dramas in Japan. It doesn't matter whether the price is high or not, just follow the Japanese market."

(End of this chapter)