What kind of bad thoughts can the director have?

Chapter 29 Life is a process of regret
A month passed in the blink of an eye, there was a heavy rain at dusk, the film and television city looked extraordinarily clean, the clouds covered the setting sun, and the sky was as pale as ink and wash, a touch of distance and ethereal.

The filming of "Legend of Miyue" has been very busy, and Yang Shu has gained another nickname "Scumbag" in the crew.

The promotion of "Lovers at the Table" is posted on the homepage of each platform, and there will always be people in the crew of [-] who are curious about what Liu Man filmed, so I found that Xiao Baiyang, who usually uses the light meter in the crew, is not only the screenwriter but also a "scumbag". .

This is a benefit, since then his life in the crew has become easier, and no one has the nerve to ask him to do something like running errands to buy cigarettes.

But everyone was also surprised: "The drama you wrote seems to be very profitable, why don't you continue to work as a screenwriter, why do you go to the crew to do odd jobs?"

All problems are simple in the eyes of outsiders. Everyone comes out to work for a common ideal, to make money. I don’t understand why this is so strange.

In addition, as a colleague, Yang Shu caught the attention of the screenwriter of "Miyue Biography" within two days.

"The Legend of Miyue" is adapted from the novel of the same name. The screenwriter is none other than Wang Xiaoping, the wife of director Zheng Xiaolong, and Jiang Shengnan, the original author of the novel.

Jiang Shengnan is a woman, and the one who can beat a man is of course a woman, and it cannot be other creatures.

Wang Xiaoping is very capable, not only is the screenwriter of "The Legend of Miyue", but also the screenwriter of "The Legend of Zhen Huan" before, and the husband and wife follow each other to write and direct.

In fact, "The Legend of Zhen Huan" is also adapted from the novel of the same name. The author of the novel, Wu Xuelan, is also a woman, and later wrote "Ruyi's Royal Love in the Palace". Screenwriter, also participated in the TV show.

In addition, "Langya Bang" is also an adaptation of the novel of the same name. The author is the female writer Hai Yan, who is also the screenwriter of this drama. Yang Shu met her in the crew of "Langya Bang", and she looks very beautiful.

Why is it difficult for professional screenwriters to mix?
The answer is obvious. Most of the good works of TV series are adapted from novels, and writers can also enjoy the job of screenwriting.

However, Wang Xiaoping called Yang Shu over not out of professional sympathy, but just asked a few questions out of curiosity.

"How many plays have you signed with Ruhe?"

""The Lovers at the Table" performed well, why didn't we continue to cooperate?"

"Does Ruhe know that you are working on the crew of "The Legend of Miyue"?"

"Legend of Miyue" is jointly invested by Huaer Film and Television and Ruhe, and Huaer Film and Television is actually led by Zheng Xiaolong and his wife. She is probably wondering why the director and screenwriter who cooperated with Ruhe came to her crew up.

Only at this moment did Yang Shu suddenly realize what the problem with Confucianism was.

Sister Tao's analysis is correct, but it is not the root cause of Ruhe's blacklisting.

According to Yang Shu's reasoning, Director Ke should soon know that he and Liu Man are both currently on the crew of "The Legend of Miyue", so he has a similar question to Wang Xiaoping: What are the two of them doing at Zheng Xiaolong's side? Going down to cooperate?
If it is true, this situation is very delicate. It is neither job-hopping nor poaching, and it is impossible to put it on the table and ask for clarification.

In order to prevaricate Nie Wen, Liu Man said casually that morning that he didn't know where Yang Shu was, which undoubtedly aggravated the other party's suspicion: "Why are they sneaking around? Why are they lying? It's a hell of a trick."

What else can Director Ke do in this situation?
Of course, it is better to be cautious, so he probably instructed Nie Wen not to contact Yang Shu again, so as not to destroy the good cooperative relationship between Ruhe and Hua'er Film and Television.

Therefore, there is no arrogance of capital, and there is no inexplicable narrow-mindedness of Director Ke. They have more important factors to consider, and they are unwilling to lose the big because of the small.

Yang Shu figured this out in a blink of an eye, and chose to keep a low profile in desperation, not wanting to complicate the problem.

He wrote an explanation lightly: "We have only cooperated with Ru He on "Lovers at the Table", and currently have no other plans."

"I worked in Pinghu Film and Television City before, and joining the crew has nothing to do with Confucianism."

Wang Xiaoping has no reason not to believe it, the matter should have passed like this.

But this also gave Yang Shu a very clear reminder: the film and television industry is a world full of interests, and it is turbulent, so you should think twice before doing anything in the future.

Of course, it is best to focus on film and television production honestly, and don't chat with colleagues. Interpersonal relationships are very complicated, and people of Yang Shu's age can't handle them proficiently.

While he was having a question and answer with Wang Xiaoping, Jiang Shengnan, the original author of "The Legend of Miyue", was sitting not far away and flipping through the script.

Jiang Shengnan and Wang Xiaoping are about the same age, and they are white, chubby and kind-hearted, with a typical appearance of Jiangsu and Zhejiang people.

During the filming, the relationship between the two was very good, and they seemed like sisters.

However, Yang Shu heard about the famous and absurd reputation dispute between them in the last life.

After "Legend of Miyue" was broadcast, Jiang Shengnan found out that the first screenwriter was not her but Wang Xiaoping. He thought this was inconsistent with the facts, so he sued Wang Xiaoping and Hua'er Film and Television to court.

Because the six-volume "Legend of Miyue" novels had not been published when the TV series was broadcast, Huaer Film and Television also sued Jiang Shengnan to court, saying that she plagiarized the TV series for subsequent plots.

The two lawsuits have been fought for more than a year, and finally both sides have lost and won. First of all, the court found that the first screenwriter of the TV series "Legend of Miyue" was Wang Xiaoping, and Jiang Shengnan lost the lawsuit.

In another lawsuit, it was determined that the novel "Legend of Miyue" did not plagiarize the plot of the TV series, Hua'er Film and Television lost the lawsuit, and Jiang Shengnan won the lawsuit.

These two lawsuits are really weird, the plot is worse than the TV series, the novel was adapted into a TV series, and he also participated in the screenwriting, and in the end the defendant's novel plagiarized the TV series, and the result was embarrassing for both parties.

It is said that there is nothing new in the world, but it is difficult for most people to learn from the vast amount of lessons in the past. It is obvious that there is still a lot to learn from Yang Shu's life experience.

But there is one thing that doesn't require much life experience to figure it out. There is only a misunderstanding between him and Ruhe, and the relationship can be redeemed.

As long as he softens his body, calls Nie Wen, asks about the draft, and explains the situation explicitly or implicitly, maybe he will see the bright moon through the fog.

For business development and to make money, this is the most sensible approach.

Of course Yang Shu has a soft figure, and he can see his buttocks when he lowers his waist, but he is unwilling to make this call.

Ruhe and Wonderful Studio are not couples who broke up due to misunderstanding. Compared with the huge interest relationship between Ruhe and Huaer Film and Television, the two basically belong to hiring and being hired, and they are not on the same level.

As long as Ruhe doesn't want to complicate the issue, or doesn't believe in Yang Shu's words too much, it doesn't matter if he is soft enough to see his little brother from behind.

"Let's go with the flow, not all opportunities have opportunities to profit."

He didn't want to make it too difficult for himself, and he didn't even tell Liu Man about it, so he let the matter pass by quietly.

"Film and TV is an art of regret, and life is a process of regret. Sometimes you have to give up something during the journey forward. There is no need to go back and try to get it back, not to mention that you may not find it."

(End of this chapter)