Spring and Autumn Confucian Heroes

Chapter 490 Spring and Autumn Brushwork
Huan Chang left, he walked very gracefully and calmly, leaving behind many astonished warriors.

The mountain road is rugged, insects and birds are singing, flowers are blooming, and butterflies are dancing.

"The Art of War says: Only by knowing your enemy and yourself can you fight a hundred battles without imperil."

"If studying the Songshan School's martial arts can help me understand my enemies, I won't be so passive when I encounter Zuo Qingcheng in the future."

"Then if I want to defeat Zuo Qingcheng, I must understand myself better."

Huan Chang strolled on the rugged mountain road, looked at the trees beside him and muttered to himself, his eyes flashed with thought.

Many people can judge others, but it is difficult to really recognize themselves.

Although Huan Chang is already a half-step metamorphosis warrior, this rapid improvement of martial arts does not come from his own step-by-step cultivation.

In the beginning, because Mozi made great ambitions to establish the Mohist school, Huanchang quickly improved his cultivation with the help of the mysterious wordless heavenly scriptures.

Later on Samsara Island, Huan Chang first soaked in the Yinyang Spring for a long time, and then drank the blood of the golden dragon python to further his cultivation.

Not long ago, Ji Er realized the natural way of doing nothing and achieved transformation, and the Wordless Heavenly Book had another change, helping Huan Chang understand the natural way of doing nothing.

Although all kinds of adventures made Huan Chang's martial arts advance rapidly, they also left many hidden dangers.

Whether it is Mo Ziren's universal love and non-aggressive way, or Ji Er's inaction and natural way, they all have a great influence on Huan Chang.

In fact, Huan Chang was completely able to rely on himself, through the understanding of the natural way of inaction through the Wordless Book of Heaven, to directly break through to transformation.

Influenced by other people's Tao, if Huan Chang can't recognize his original heart, he may gradually lose himself.

"Where is my way?"

"Where is my advantage?"

Huan Chang unconsciously walked forward, but his eyes gradually showed confusion.

After walking for an unknown amount of time, the bewilderment in Huan Chang's eyes gradually receded, and a bright light shone instead.

"I am the successor of Shujiange, and the inheritance of Shujiange is the foundation of standing in the rivers and lakes."

"The real unique skill of Shujian Pavilion, other than the Spring and Autumn Nine Swords, is the weird and frightening Spring and Autumn Brushwork!"

Although the Spring and Autumn Nine Swords are powerful, they are still slightly inferior to the stunts of the other four great hermit sects.

Not only that, even the top five super sects and the unique skills of those top sects may not be much worse than the Spring and Autumn Nine Swords.

Otherwise, those sects would not have the momentum they have today.

The unique skill that really made Shujian Pavilion famous all over the world and made everyone dare not underestimate it is the spring and autumn brushwork that is not afraid of group battles.

300 years ago, although the founder of Shujian Pavilion finally fell, there were countless people who were buried with him because of the Spring and Autumn brushwork.

Even the two peerless powerhouses of Huashan School and Wan Jianzong fell because of this.

The founder of Shujiange used his own strength to fight against the two super sects and many sects in the Song Dynasty, relying on the Shujiange's unique spring and autumn brushwork.

It was also after that battle that Shujiange's unique knowledge changed the color of many sects.

However, after 300 years, the prestige of Shujiange has gradually faded away. How many people still remember the once-famous Spring and Autumn brushwork?
Let's not talk about Huan Chang today, but I have only learned a little bit of Spring and Autumn brushwork.

Even Xu Wang, who was about to reach the pinnacle of martial arts, could not truly display the power of this Shujian Pavilion stunt.

"Guarding the treasure mountain in vain but not knowing the treasure, it seems that I am really lost."

Huan Chang's back was dripping with cold sweat, and a wry smile appeared on his face.

"From now on, I will abandon distracting thoughts, concentrate on practicing spring and autumn brushwork, and improve the realm of calligraphy and painting."

Huan Chang clenched his fists and secretly made up his mind.

Beside the path, Huan Chang waved the magic brush of spring and autumn, dancing in the air quickly, and in the blink of an eye, a beautiful flower bloomed in the void.

"Buzz!"

After the flower bloomed, the bees, who were gathering honey, seemed to smell the most fragrant flower fragrance, and flew towards the flower in the void.

Not only that, but the dancing butterflies followed closely behind the bees, regardless of continuing to show off their beautiful figures.

"Have you finally reached the state where the joy of pens and pens is fragrant?"

Huan Chang watched the bees and butterflies flying around the flowers with joy in his eyes.

Spring and Autumn brushwork is based on the way of calligraphy and painting, which is why when Huanchang was young, Xu Wang forbade him to practice martial arts and instead allowed him to learn the way of calligraphy and painting.

Only with a deep comprehension in the way of calligraphy and painting can the power of Spring and Autumn brushwork be brought into full play.

The way of calligraphy and painting is also divided into several realms.

If you want to enter Taoism with calligraphy and painting, the minimum requirement is to achieve the finishing touch, to give life to animals and plants with brush and ink, so that the objects in the painting can appear holy from the void.

The so-called holiness in the void is to make the objects in the painting show their original shape in the real world, just like real living things.

It was at the beginning that Huan Chang had reached the realm of painting the finishing touch, so he became a martial artist directly through calligraphy and painting.

However, although the Void Manifestation also has a little power of a real thing, and can become powerful through the infusion of true energy, it does not have the characteristics of a living thing after all.

In other words, the appearance of the emptiness is just a superficial appearance.

The second realm of calligraphy and painting is the fragrance of the pen, which can not only make the dead appear sacred, but also give the opponent certain characteristics of the creature.

Just like the flower that Huan Chang just painted in the void, it already has the same smell as the real flower, even worse.

This involves the martial artist's comprehension of the way of nature.

If it wasn't for Huan Chang who had already reached half-step metamorphosis, and had comprehended the way of nature with the help of wordless heavenly scriptures, he might not have been able to endow illusory flowers with life characteristics.

It is no exaggeration to say that although this flower is not a real flower now, as long as the realm of Huanchang continues to improve, it is not impossible to turn reality into reality in the future.

Back when Haotian appeared on Yingshou Ferry and confronted the master of Piaoxue Peak, those wonderful scenes of flowers blooming in the snow and ice in the sky were also similar to the fragrance of writing.

In the final analysis, both are able to do this because of the understanding of natural knowledge.

This kind of comprehension has already transcended the scope of ordinary people, it is the exploration and analysis of the origin of Tao by warriors, and it is also the only way for warriors to step into the transformation.

Of course, the fragrance of writing is just a general statement, and it does not mean that after Huan Chang used the spring and autumn brushwork, everything he painted has fragrance.

Fragrance is characteristic of real flowers.

By analogy, after reaching the advanced level of pens and fragrances, the rest of the drawn things will not just have a superficial appearance, but will have some real characteristics of the creature.

For example, when Huan Chang painted the tiger rhubarb with the finishing touch, the rhubarb in the painting is just a superficial appearance. The power of this tiger is related to the amount of true energy that Huan Chang injected.

However, when Huan Chang painted the rhubarb in the state of pen and ink, the rhubarb in the painting will have a little power of the real rhubarb, pouring the same amount of true energy into it, but the strength of the two tigers is not the same.

The rhubarb painted by the latter can even be like a tiger, and the wind and clouds can be swept away when walking, just like the clouds follow the dragon and the wind follow the tiger.

(End of this chapter)