Happy days in the world of martial arts

Chapter 83
Seeing Xiaoyi's attack, Gao Miao knew that he had underestimated this woman. Unlike the martial arts in the movie, which was similar to rhythmic gymnastics ribbon dance, what Xiaoyi used at this time was swordsmanship, or a well-known swordsmanship.

Those ribbons were not thrown out to bind people, but were tied to the sword. With Xiaoyi's purple clothes, this sword technique turned out to be the technique of sword dance.

More than [-]% of people who mention sword dance will naturally think of Tang Dynasty. The stunning beauty Gongsun who is good at sword dance and the poet Du Fu who is watching the performance are the real style. Gongsun's sword dance and poetry Sheng Sheng's famous works add another color to the prosperous Tang Dynasty.

Some famous martial arts masters of later generations also used sword dance in the magnificent world they wrote.

There is no description of sword dance in the gold series, but in the ancient novels, Gongsun Jianwu is a unique skill. In the Lu Xiaofeng series, Gongsun Lan, the leader of the red shoes, uses Gongsun Jianwu, which can be called the No.1 female master in this series. The protagonist Lu Xiaofeng is a master of the same level.

In the past, she only knew Mrs. Wen's name was Xiaoyi, but she didn't know her surname. Now, it seems that her surname might be Gongsun.

In the old days, there was a beautiful woman, Gongsun, who used a sword to move around.

The viewer is as depressed as a mountain, and the world has been low for a long time.

Huo Ruyi shot nine sunsets, like a group of emperors and dragons flying.

Come like a thunderbolt to receive anger, stop like a Jianghai condensing clear light.

Crimson lips and pearl sleeves are lonely, and at night some disciples pass on the fragrance.

The beauty of Linying is in Baidi, and she dances this song wonderfully.

Since I had a question and answer with Yu, I feel more regretful and hurt when I care about it.

Among the 8000 maids of the first emperor, Gongsun Jianqi was the first.

In the past 50 years, it seems to have turned the palm of your hand, and the royal family has been stunned by the wind and dust.

The disciples of the Liyuan are scattered like smoke, and the rest of the female singers reflect the cold sun.

The golden millet heap and the south wood have been arched, and the grass in the stone city of Qutang is bleak.

Dai Yan is in a hurry to return to the end of the song, and the moon comes out in the east with great joy and sorrow.

The old man doesn't know where he's going, and he's full of cocoons and barren mountains.

Although there was no stage or music, the full moon was approaching at this time, and the moon was sparse. Under the moonlight, the sword dance performed by Mrs. Wen, who was dressed in purple, also gave people a sense of shock.

The moves are endless, graceful and moving, and every sword move must be supplemented by a ribbon phantom. This kind of beauty makes Gao Miao unconsciously think of Du Fu's long poem, the sword dance method used by the stunning beauty. .

Not to mention Gao Miao, even Yuan Chengzhi, Wuhake, Wen Qingqing, He Tieshou, and the Wen family's farmer guards who came to help the battle were dumbfounded. Mrs. Wen has never made a move in the past ten years. Everyone thought she was an ordinary person who didn't know martial arts, but they didn't expect to have such sword skills.

The moon stick is a knife and a spear for a lifetime, and the sword is hidden with him. This Mrs. Wen has not touched the sword for ten years. Where did this fencing come from?

Mrs. Wen's sword energy was like a rainbow, and she looked beautiful under the moonlight, but her opponent was even more formidable. territory.

"Good thief, die!" Uhak's slender triangular eyes have extraordinary eyesight. Based on the information of the past few days, he knew that the person who came was the Golden Snake Lord, and that the Golden Snake Lord had a relationship with Mrs. Wen. Run or fight, Mrs. Wen has nothing to do with Mr. Golden Snake, but at least she has another bargaining chip against Mr. Golden Snake.

Uhak didn't use Qijue Whirlwind Sword, which he is most proficient in, but his own sword skills are also extraordinary, otherwise he wouldn't have won the attention of Huang Taiji and Dorgon.

With a sword in his hand, Uhak's original gentle appearance was completely gone, his eyes were slightly squinted, full of murderous aura, and the swordsmanship he used was even more surprising, it was a woman's swordsmanship.

Generally speaking, there is no distinction between men and women in swordsmanship, but some martial arts are suitable for women to practice, such as the ancient tomb school's beauty boxing, jade girl swordsmanship, etc., Huashan school's jade girl nineteen-style swordsmanship is also a female swordsmanship, these are light and agile Elegant martial arts, winning with change, require extremely high physical toughness, and men use it to get twice the result with half the effort.

Of course, if the realm reaches Feng Qingyang's level, any sword technique can be easily mastered and powerful.

In the realm of Feng Qingyang, Uhak is still a thousand miles away, otherwise all the crowds present may not be able to beat him, but Uhak is still a very famous woman who uses female swordsmanship in this way. Swordsmanship, Hengshan School's hidden needles in the cotton.

The Heng-Shan School is a Buddhist sect with compassion as its essence. The Heng-Shan School's swordsmanship is round and round, and is known for its denseness. Every move in its swordsmanship contains a feminine power. The moves are all defensive, and only one move is used to make a surprise attack. The moves are perfect, and there are endless meanings.

The needle hidden in the cotton, as the name suggests, is like a ball of cotton wadding that hides the steel needle.

If others do not offend, the cotton wool is soft and soft, and there is no offense to others, but if you pinch it with your hands, the steel needle hidden in the cotton wool will penetrate into the palm of your hand. The depth of penetration does not depend on the steel needle, but on the palm. The size of the force, if the force is small, the injury will be light, and if the force is large, the injury will be severe.

The essence of this martial art comes from the Buddhist idea of ​​karma, self-made karma, and self-control of good and evil.

It is impossible for Uhak, a sinister man, to be proficient in any Buddhist culture, so the artistic conception of the sword technique has been greatly changed. The dense sword force traps the opponent, waiting for the opportunity to attack with the sword energy like a steel needle, turning the Buddhist compassionate sword technique into The swordsmanship of the sneak attack, this Uhak, is also a master.

However, there are gains and losses. Uhak modified the sword technique, which seems to greatly increase the power of the sword technique, but it conflicts with the true meaning of Buddhism. Most of the Buddhist martial arts need to understand Buddhism to exert their true power. Not Shaolin, but also a Buddhist sect, Uhak's manners are gentle and polite, but no matter how you look at it, he feels gloomy, which is the result of the hostility in his swordsmanship that cannot be suppressed.

Yuan Chengzhi didn't make a move. On the one hand, he didn't want to make a move on Xia Xueyi. On the other hand, he also recognized the Hengshan sword technique used by Wuhake. It was modified so viciously and treacherously.

Gao Miao also recognized this sword technique. During the Taishan Martial Arts Conference, Gao Miao took time to exchange Buddhism and sword techniques with Master Yuqing of the Hengshan School. Mu Renqing also explained the mystery of the Hengshan Sword Technique. Even if you change it, you can't change the foundation of swordsmanship.

Gao Miao didn't care how Uhak got the Hengshan Sword Art. What Gao Miao was curious about was Uhak's Qijue Whirlwind Sword, whether it was the Hengshan School's seven-person sword formation, seven people and seven swords, each long sword pointed at the tip of the sword. One of the opponent's vital points, head, throat, chest, abdomen, waist, back, ribs, the sword formation is condensed and does not move, the seven swords attack the enemy and then defend themselves, the seven swords are linked together, there is absolutely no flaw to be found.

The spectators were playing soy sauce, but the scene on the field had changed greatly.

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(End of this chapter)