My disciple is Sun Wukong

Chapter 550 Shocking the Works of the Painting and Calligraphy Exhibition
【558】Shocking works of calligraphy and painting exhibition

"The map of thousands of miles of rivers and mountains, the ocean is unrestrained, and the power penetrates the back of the paper! Tsk tsk, looking at the ancient and modern times, these are all first-class super-class poems!" An old man in a Tang suit concluded.

Others who were still immersed in the artistic conception of calligraphy and painting also nodded heavily.

"Tsk tsk, who is this Mr. Ye Jiuxuan from ancient times? It's a pity that the old man was born at an untimely time. It is a great pity in life that he cannot see such a sage."

The old man in Tang suit spoke again, with seven points of amazement, two points of regret, and one point of regret appearing on his face.

At this time, someone recognized the identity of the old man in Tang suit and said, "Are you the old Mr. Confucius from Qufu? The 63rd generation descendant of Confucius?"

The old man in Tang suit nodded with a smile.

Seeing the old man acquiescing, the people around immediately became excited. The people gathered here are not lovers of calligraphy and painting. Mr. Confucius Wen is not only proficient in Chinese studies, but also has studied calligraphy and painting all his life. The research on calligraphy and painting is definitely an authority in China and even in the world.

When he retired ten years ago, he donated to the country his precious collections over the past few decades, as many as 100 pieces, of which more than 40 works are worth hundreds of millions of dollars.

He is indifferent to fame and wealth, and has a broad mind, which is admired by everyone in the painting and calligraphy circles. How can it not be a surprise to meet Mr. Kong Lao here today?
"Mr. Kong, why do you say that this work is the work of the ancients? Not the work of the present?" A young man asked cautiously while holding the student etiquette.

The others also instantly quieted down, looking eagerly at Confucius, waiting for him to clarify their doubts.

Confucius Wen didn't pay attention to the looks of others, but walked to the front of the picture scroll, observed it carefully, and said:
"The ingenuity of the brush used in this calligraphy and painting is incredible. I don't know what kind of person can achieve this level of control and delicacy!"

The more he watched, the more shocked he became: "The strength of the brush touching the paper is different. Each line is composed of many subtle stitches. The intervals in the middle are so small that they are invisible to the naked eye and the control of the ink marks makes this painting strong. Concave-convex, that is, realistic.

The most important artistic conception of the painting is even stronger. Combined with the inscription next to it, I believe that even people who do not understand painting can feel the grandeur of the painting. The person who can draw such an artistic conception is definitely not inferior to any famous artist in the past and present. "

When the people around heard the last comment, they were in an uproar.

After a pause, Confucius continued:
"Looking at this picture again, the highest state of writing is to engrave people with words. To engrave people with words is to completely melt yourself into the words, so that others can know what kind of person you are when they see your words.

Therefore, those who can become a generation of calligraphers never inherit the calligraphy style of the predecessors, but have different calligraphy from the predecessors, probably because each person has a different personality and the artistic conception contained in the characters is also different. "

Speaking of this, Kong Ru narrowed his eyes slightly, with yearning in his eyes:
"Look at the inscription next to it. It is unrestrained, unrestrained and unrestrained. It is absolutely appropriate to say that it is the most affectionate and insane. The arrogant and unrestrained and freehand brushwork are reflected in the words, so that everyone can feel the depth of their hearts. His arrogance, and his indifference to everything. If such a person can meet, this life is really not in vain."

"Mr. Kong, you haven't answered why these two paintings and calligraphy are not works of today's people? Do you know the life of Master Ye Jiuxuan?"

Hearing this, Confucius shook his head and sighed heavily:

"The author of this painting has the style of a madman in the Wei and Jin Dynasties. How can such a level be cultivated overnight?
I, Confucius Wen, visited famous calligraphers and painters all over the world. I am familiar with them in today’s world, including all dynasties, but I have never heard of this painting alone! !
Therefore, it can only be an orphan product of a famous artist who has been missed in history. As for who Ye Jiuxuan is, I still need to do more research. I think this may be a great historical discovery. "

After a pause, he looked at the painting again, his eyes shining brightly, as if muttering to himself:

"If this painting is the work of a modern person, I will immediately kneel down three times and kowtow nine times to worship him as my teacher."

Hearing the words, the bystanders took a breath and looked at the work again with shocking eyes.

"Look! The old Mr. Feng Daozi is here, and the people next to him are all big names in the painting and calligraphy world."

Feng Daozi is the president of the Huaguo Painting and Calligraphy Association. His Chinese paintings are collected in major art galleries and museums. He himself is considered the most talented Chinese painting master in the [-]th century.

A master of art at the national treasure level.

He is also the main person in charge of this painting and calligraphy exhibition.

And this "Ten Thousand Miles of Rivers and Mountains" was what he asked Ye Xuan for, one for his own appreciation, and the other for displaying it!

Feng Daozi walked over quickly, looked at Confucius Wen, and said enthusiastically:
"Old Kong, why didn't you say hello when you came? Let me treat you nicely."

They are all big names in the cultural circle, and they all know each other.

According to the age, Confucius Wen is similar to Feng Daozi, but Confucius Wen is an academic authority, while Feng Daozi is an absolute authority in the field of calligraphy and painting because of his intensive study of calligraphy and painting.

At the same time, everyone admires his contributions to the Chinese calligraphy and painting circles, and his integrity and selflessness, so he has won the respect of everyone.

When Confucius saw Feng Daozi, he quickly went up to him:

"Brother Feng, it's been a long time. I'm just an idler now, and I'm used to being leisurely. This time I came to the emperor and wanted to visit the famous Summer Palace, but I didn't expect it to happen just in time for this calligraphy and painting exhibition. What a shocking work, what a blessing in life!"

Both of them are Confucian scholars of the time, Taishan Beidou, although they don't know each other deeply, they both have admiration for each other.

After chatting for a while, Confucius said seriously:
"Brother Feng, you brought this work to the exhibition, right?
In addition to the museum’s own collections in the calligraphy and painting exhibition, the contact information of the collectors is generally marked under the rest of the exhibition works. This is for the convenience of mutual communication, and also provides contact information for those who want to buy and sell works. The contact person for this work is Feng Daozi.

Feng Daozi nodded, his expression straightened, and he said proudly: "To tell you the truth, this work is made by a master today!"

Confucius trembled his hands, trembling, and shouted:

"What did you say? An expert today? This is the work of today's people!!! I don't know where this expert is? The younger generation must visit!! No, I wonder if this expert is still willing to accept apprentices? "

The people around were shocked when they heard this. Most of the ancient painting methods have been lost. Many of the modern people draw ancient paintings using the techniques of modern paintings. Therefore, in today's modern times, it is difficult to come up with the kind of astonishing masters.

At this time, they were shocked to hear that this shocking work was actually painted by today's people.
I didn't expect that the society can still cultivate such a grand master, how can it not be shocking,
For a while, the exhibition hall that was supposed to be quiet became noisy.

(End of this chapter)