supergiant age

Chapter 1038 Singing skills and figure

The story happened in Kyoto in 1924. The mother, who was a prostitute, brought her 9-year-old son Cheng Dieyi to the Guan family's Keban, begging to take him in to study Peking opera...

Under the subtle infiltration of the theater environment, Cheng Dieyi finally accepted the role of "female Jiao'e".

Slowly, Cheng Dieyi's heart changed, and he became confused about his identity...

When Cheng Dieyi would rather die than sing "I am a female Jiao'e", Shang Huiqiu couldn't help but clenched her fists. Every male singer has such a hurdle in his heart, but the possible ways to overcome it are different.

So Shang Huiqiu empathizes with Cheng Dieyi's stubbornness.

But when he heard Duan Xiaolou poking his mouth with a pipe, and the last line of defense of this belief collapsed, his heart was filled with indescribable feelings.

Cheng Dieyi, who finally sang "I am a female Jiao'e", has completely entered another personality, and walked to the other end with the same persistence.

So he is neither crazy nor mature, lacks consideration of all reality, and only hopes that he and Duan Xiaolou will continue to act and act forever.

From the first time she shared the bed with her senior brother in Dongye when she was a child to the first time she sang "Farewell My Concubine" with her senior brother, Cheng Dieyi knew that he wanted to be the Concubine Yu for the rest of his life, and stay by Bawang's side.

So when he performed "The Drunken Concubine" solo, what fell on the stage was Yuhuan's body, but Yuji's despair appeared on his face.

After 11 years, finally waiting for the reunion, Duan Xiaolou is not the kind of person he imagined, nor the kind of person he expected.

Decades of obsession, shattered by epiphany at this moment...

Hearing this, Shang Huiqiu finally burst into tears. Cheng Dieyi's obsession and obsession with Peking Opera has even reached the point of not distinguishing between human and opera.

As far as he is concerned, Cheng Dieyi in the script is another version of himself. Fortunately, he has enjoyed a peaceful old age.

But Cheng Dieyi died along with Peking Opera...

Shang Huiqiu felt dejected, while Yi Shuihan waited quietly beside him.

After a long time, Shang Huiqiu sighed: "Well written, well written..."

"Shanglao Liao praises it. Although this story is complete, it lacks the atmosphere and charm of Peking opera of that era, so I invite Shanglao out of the mountain..." Yi Shuihan then put forward his own idea.

Without a Peking Opera master like Shang Huiqiu to control the overall situation, no matter how superb the director's technique and the actors' acting skills are, it will be paradoxical after all, and the desired effect will not be achieved.

Shang Huiqiu pondered for a long time before raising her head and asking, "Can I ask, who will play the role of Cheng Dieyi in this play?"

Yi Shuihan smiled lightly and said, "What does Shang Lao think of me?"

Shang Huiqiu's eyes lit up, and he looked at Yi Shuihan with burning eyes. He had thought before that this kid would be a good candidate for a male role, but he never thought that he really planned to play the role of Cheng Dieyi!
"What about the performance on the stage?" Shang Huiqiu continued to ask.

"If possible... I also hope that I can fight in person!" Yi Shuihan said seriously: "So please teach me too!"

"Can you bear Cheng Dieyi's suffering?" Shang Huiqiu looked at him seriously and said, he has always been the most serious and even the most pious attitude towards Peking Opera.

"Eat it!" Yi Shuihan didn't hesitate at all!
"Okay!" Shang Huiqiu stood up and said with a big smile, "The old man has complied with your request."

Yi Shuihan was overjoyed, and just as he was about to thank, Shang Huiqiu waved his hand and said, "But old man, I have something to say first, if I am not satisfied with what you have done, then I will leave my burden and leave!"

"Don't dare to force it!" Yi Shuihan nodded in response, which was considered to have agreed to Shang Huiqiu's request.

After having Shang Huiqiu as a guide, everyone in the screenwriting department started a new round of draft revision.

In terms of the background of the times and the specialty of Peking Opera, this script has made great progress compared with the previous ones.

After all, it is a profession, and many things cannot be imagined by imagination alone, but Shang Huiqiu's arrival has made up for this vacancy.

And Yi Shuihan, also under the guidance of Shang Huiqiu, began to train the figure of the male role.

Yi Shuihan originally wanted to perform in person because of his figure and singing, but he soon discovered the difficulty.

His vocal condition is very good, but it is only limited to male voices, and it is really difficult for him to sing female voices with countless twists and turns!
He tried to learn female voice for a while, but finally chose to give up.

This is not a question of whether you are willing to train or not. Some things have to be traded off. If you get into a dead end, it will affect the whole even more.

It would be a real joke if other people's skills in the past few decades can be surpassed by you after a few months of hard training.

Regarding this point, Shang Huiqiu did not force it. Of course, force cannot be forced.

But for Yi Shuihan's performance training, Shang Huiqiu is extremely strict!

Fortunately, Yi Shuihan seems to have some talent in Peking Opera.

In just over a month, he actually performed well.

Although there is still a big gap with the professional, as a beginner, Shang Huiqiu is very satisfied with such progress.

He even felt a little pity, if Yi Shuihan could learn Peking Opera from an early age, it would not be impossible for him to become a master of Peking Opera with his talent.

As for Yi Shuihan's attitude towards learning... Shang Huiqiu has nothing to say.

In other words, Shang Huiqiu has never seen a person studying and studying can be so obsessed, and it can even be described as forgetting to eat and sleep.

At first, he thought about urging Yi Shuihan to train well, and also let him know the pain of learning Peking Opera at that time.

But in the end, instead, he wanted to persuade Yi Shuihan to rest more and relax...

This Peking Opera teacher has been unique in his role since ancient times.

However, he also admired Yi Shuihan even more because of this.

If a person's attitude towards things can be serious and persistent to this point, then he can succeed in whatever he does.

He can see that Yi Shuihan's attitude towards acting seems to be no less than Cheng Dieyi's attitude towards Peking Opera in the play.

In addition to the lack of Peking Opera, the biggest difference between Yi Shuihan and Cheng Dieyi is Cheng Dieyi's softness from the inside out.

Unlike many homosexual sissies in today's society, but a kind of elegance and tenderness exuded from the bones.

He also can't imitate the city women of the old era, they have too many traces of life honing, they are not as pure as Cheng Dieyi.

So he is also studying the mentality and thoughts of the character Cheng Dieyi during this time.

To a certain extent, Yi Shuihan needs to ponder and study carefully.

Time is passing without rush, and the preparations for "Farewell My Concubine" are constantly being improved.

(End of this chapter)