supergiant age

Chapter 1041 True Concubine Yu, False Overlord

In the practice room, Yi Shuihan looked at the person in the mirror.

There is a bit of elegance in his expression, sad and proud eyes between his brows, gentle but full of emotion in his gestures...

There is no original Yi Shuihan at all, only a sad and distressed Cheng Dieyi.

"What is one-to-one. One-to-one means a lifetime. A year, a month, a day, or an hour is missing, and it is not a lifetime..."

Yi Shuihan read this line, but felt a little crazy in his heart, not because of Cheng Xiaolou, but because of Cheng Dieyi.

From the very beginning, Cheng Dieyi was a simple but stubborn person.

"I'm a man, not a girl." Yi Shuihan remembered this line again.

Cheng Dieyi was forced by his master to sing Kunjiao since childhood, but he would say this sentence every time.

He is for Xiao Shitou, for the elder brother who has always taken care of him and cared for him.

Later, he stayed for the sake of the overlord Duan Xiaolou, and he willingly sang later: I was originally a female Jiao'e, not a man.

Cheng Dieyi didn't know that after that, all his moods and emotions were subverted in this sentence.

From then on, Xiaodouzi became Cheng Dieyi; or, more precisely, just became "Concubine Yu".

Although he also plays "The Drunken Concubine" and "The Peony Pavilion", his wish is to stay with his overlord and sing for the rest of his life, as his master said in the past - from one end to the end.

But as Duan Xiaolou said, he has forgotten that drama and life are two different things. He wants to pour all the thoughts and emotions in drama into life, so stubborn, obsessed with no regrets.

On this point, Cheng Dieyi and Yi Shuihan have a lot in common, or they are very similar to Yi Shuihan in the previous life.

Cheng Dieyi is obsessed with singing duets, and regards Beijing opera as his belief, even because of this, he can't tell the difference between people and dramas, and finally dies in the arms of Bawang... But, Concubine Yu is real Concubine Yu, and Bawang is a fake Bawang...

And Yi Shuihan in the previous life was also crazy about acting. He took acting as his lifelong pursuit and nothing else.

So after he was disfigured by the fire, he stepped up to the top floor of the fifteenth floor, where the breeze was blowing.

In a daze, he saw the pitch-black downstairs was the rolling soldiers attacking.

He glared angrily and shouted: "How can I, Fu Chai, the overlord who went west to destroy Chu, die at the hands of Gou Jian, a lowly surviving person like him!"

Then he jumped down, until the moment before he died, he was still alive in the play.

As the so-called madman, nothing more!

It's just that Yi Shuihan after his rebirth has more worries and thoughts, so that he can bring Yi Shuihan back from the drama again and again.

But because he has the same persistence, emotions and feelings, he has a particularly deep understanding of the role of Cheng Dieyi!

Looking at himself in the mirror, he often couldn't tell whether the person inside was Yi Shuihan or Cheng Dieyi.

Yi Shuihan picked up a prop sword with a dazed expression on his face. This would be the sword that Cheng Dieyi committed suicide in the play...and also the one he gave to Duan Xiaolou!
"Brother, I will give you this sword"

Cheng Dieyi remembered Xiaolou's joke all his life.

In the script, the Overlord said: If you had this sword, you would have cut Liu Bang long ago, and you would be the emperor by then, then you would be the empress of the palace.

Cheng Dieyi was taken aback, "Brother, I will definitely give you this sword."

For a joke-like promise, what kind of promise is this?He has searched for this sword all his life.

This is an obsession of Cheng Dieyi, and I only mourn the life you stick to, but he is careless.

Until the appearance of Juxian, until this famous prostitute snatched his "overlord".

I don't know why, but when everyone in the script congratulated Duan Xiaolou on getting married to Juxian, and Cheng Dieyi suddenly opened the door and quietly appeared among the lively crowd, Yi Shuihan felt deep regret in his heart and sad.

He was moved by the character's pure persistence, so that he always had sympathy and regret for the most injured person in this entanglement.

Apart from Duan Xiaolou, Peking Opera should be the most difficult thing for him to let go.

In fact, the distinction between human and drama can reflect his obsession with drama from another aspect.

Cheng Dieyi sang opera for the Japanese at first just to rescue Duan Xiaolou, but Aoki's respect and love for Peking opera made him feel relieved.

In contrast, the so-called "working people" represented by Duan Xiaolou and Xiaosi show a kind of ridiculous ignorance.

Until the end, Dieyi and Duan Xiaolou stood on the stage again after experiencing various hardships.

The two cooperated again in the "Farewell My Concubine" that witnessed all the ups and downs of their emotional stories.

When Duan Xiaolou suddenly sang "I am a man", Dieyi said so naturally: It's not a girl Jiao'e.

Duan Xiaolou just said, wrong, wrong again.

Cheng Dieyi suddenly realized at that moment: the emotion that had been indulging in the drama for many years turned out to be "wrong, wrong again".

He finally had no choice, he drew his sword calmly, and fell to the ground under the sword that had witnessed the whole story of their seniors from beginning to end.

So calm and calm.

In the end, he betrayed his emotions in his sobriety; or, he has been consistent...

Because he appeared in front of his senior brother as "Little Douzi", and died as a recovered "Little Douzi"...

Sad, pity, pitiful, and deplorable...

Yi Shuihan put down the script, but he couldn't let go of Cheng Dieyi in his heart!
Affected by this role, Yi Shuihan's mood was a little low, and even when He Ke asked him to discuss things, Yi Shuihan still didn't get rid of this heavy emotion.

As the director of the movie, He Ke could tell Yi Shuihan's state of being in the movie at a glance.

Of course, he wasn't worried about Yi Shuihan's acting skills, but he also didn't expect Yi Shuihan to be obsessed with the characters in the play so early - the crew had just been prepared, and the actors hadn't been selected yet...

He was a little worried. Yi Shuihan entered the role too early, and this state was often interrupted. He might not be able to find the state when shooting in the future.

Another worry is Yi Shuihan's body... Being immersed in the role of Cheng Dieyi for a long time is not a good thing for the actor himself!
Out of kindness, he reminded Yi Shuihan, but Yi Shuihan, whose mind was full of Cheng Dieyi, could not listen.

He Ke could only sigh secretly, and let him go!

Perhaps, it is precisely because of his attitude that he can achieve such great success at this age...

And he came to look for Yi Shuihan this time, naturally because of the cast selection of the crew.

Compared with other movies, the actors in this movie need to spend more time and work harder to figure out their roles.

Especially the actors of different ages in the long span of time in the movie.

Neither Yi Shuihan nor He Ke will treat this movie as an ordinary commercial movie.

Therefore, both of them are extremely cautious in the selection of actors.

(End of this chapter)