From traffic to movie star

Chapter 346 Performing a Great Shock in the Academia
"So in fact, you really tailored this song for Sister Lin Zi yourself?"

"Excellent, Director Wei, I have never seen a Chinese person who can compose English songs in such an Omi style, cool and wild."

"I think that with Director Wei as the composer of golden songs and Sister Lin Zi as the talented singer, the two will join forces, and "Shake It Off" will really achieve good results overseas."

It takes a lot of time to record a song.

Lin Zi recorded all night without recording a few words. Wei Xun stayed by his side to follow up on quality issues.

The musicians of those bands heard that "Shake It Off" was created by Wei Xun, and even their attitudes towards Wei Xun were different before and after, and they all expressed admiration when chatting.

If we said that Wei Xun was a very powerful director and actor in the eyes of everyone before, then now he is a gold medal music creator worthy of respect.

People will always worship the strong.

Especially this strong one is strong enough in your field.

As Chinese musicians, everyone understands how amazing it is to write a high-quality English song.

This song "Shake It Off" completely conquered everyone present, including Lin Zi.

The song was recorded until midnight, but Lin Zi took the initiative to stop it.

She sent Wei Xun out, and said apologetically, "Boss Wei, you still have to film tomorrow. I will handle the recording of the follow-up songs by myself. After the recording is completed every day, I will send it to you for review."

In this way, Wei Xun's time would not be wasted too much.

After all, Wei Xun still has "I'm Not the God of Medicine" to shoot. I heard that he was still writing the script of the TV series "In the Name of the People" while filming.

It can only be said that the young man in front of him is really all-round and powerful, and he can do everything from movies, songs to three living things.

It is really admirable.

"Okay, if you think there are any problems during the recording, please contact me at any time. In the next period of time, you don't have to go back to Beijing, just finish recording this song in Jinling."

Wei Xun said with a smile: "This is also convenient for us to communicate in time."

In the early morning night, it was pitch black outside.

Lin Zi sent Wei Xun out, seeing Wei Xun bent over to get into the car, she hesitated for a moment, and asked: "Mr. Wei, I want to ask, how much do you expect from the song "Shake It Off"?" ?”

Wei Xun pressed the car door with one hand, turned around and said with a smile: "I look forward to your being able to parachute to the bulletin board and kill all the way up."

Even though he was mentally prepared, Lin Zi was still shocked by Wei Xun's answer.

Killing on the bulletin board, can she really do it?
Lin Zi had no confidence at all.

But seeing Wei Xun's kind and confident smile that was almost dazzling, her heart couldn't help but beat faster.

Maybe... maybe this song could really help her open up the European and American markets, and compete with Omi musicians on the bulletin board?

After all, "Shake It Off" is definitely a well-made song with a lot of personality!

Thinking of this, after Wei Xun left, Lin Zi excitedly returned to the recording studio, staring at the English song given by Wei Xun, his expression became firm and fanatical.

There was something called ambition burning in her eyes.

Since Wei Xun can have such great confidence in her, why can't she, Lin Zi, have confidence in herself?

Isn't it just a bulletin board, my wife will kill you with a new song!

The song "Shake It Off" needs this kind of flamboyant and confident state to perform at its best.

Lin Zi, whose ambition was aroused by Wei Xun, went more and more smoothly in the subsequent music recording process.

After Wei Xun solved the problem of singing for Lin Zi, he returned to the crew of "I'm Not the God of Medicine" and continued filming.

When he was in the second week of filming, the editor-in-chief of "Film Weekly", Yuan Ye, personally wrote a column interview about acting schools on Monday.

His interview object is the actor Wei Xun.

The title of this article is: Wei Xun talks about the fuzzy status quo of the performance industry theory, classifies performance genres, and claims to be a member of the experiential school.

As the most authoritative periodical in the performance industry, "Film Weekly" has always been a benchmark magazine in the performance academic field.

Not only theoretical scholars in the acting world will order, but academic masters and masters all take the weekly "Film Weekly" as a habit to read.

Even the professors of major film schools now force students to subscribe to "Film Weekly" to learn performance and theoretical knowledge.

As a senior professor of the Acting Department of Beijing Film Academy, Professor Chen Qinghe also reads "Film Weekly" every week.

On Monday morning, he arrived at the office 10 minutes early as usual, and there was a magazine on the desk.

It was very quiet in the office at the moment.

Chen Qinghe took out the reading glasses from the drawer and put them on, then opened the latest issue of "Film Weekly".

Then he was surprised to find that "Movie Weekly" actually published a column.

Under normal circumstances, only the editor-in-chief and editor-in-chief are eligible to publish column articles, and the interviews are all big names in the performance industry, analyzing some performance skills, or summarizing experience.

Chen Qinghe has been teaching and educating people in the film academy for most of his life, and he often absorbs new ideas and methods and imparts them to the students.

So he was very excited to see a column in this issue.

However, when he saw the name of the interviewer for this column, he froze for a moment.

Wei Xun.

An actor and director who has been very popular in recent years, Wei Xun directed "Let the Bullets Fly" with a box office of over 20 billion at the beginning of the year. Chen Qinghe went to the cinema to see it and liked it very much.

Judging from these achievements, Wei Xun is definitely qualified to appear in the "Film Weekly" column.

Chen Qinghe thought silently in his heart, and began to read the manuscript written by Yuan Ye.

"Wei Xun talked about the theoretical ambiguity of the performance industry, classified performance genres, and claimed to be a member of the experience school..."

Classify performance genres, claiming to be experience school?

However, after reading Wei Xun's exclusive interview, Professor Chen Qinghe's face became more and more ugly from the initial surprise.

Not to mention whether a young man in his 20s has the qualifications to brazenly divide the genres of acting majors, what is this so-called experiential school?

To play a homosexual, you have to find love from a man. To play a murderer, the best way is to turn yourself into a murderer.

This almost absurd statement is simply spreading performance as a cult theory.

And for an actor, to create a character is to act out the character, how could someone turn himself into a character!

It's just full of gibberish, all of which are eyeballs.

Chen Qinghe previously had a good impression of Wei Xun because of "Let the Bullets Fly". After seeing the "Classification of Acting Schools" of this flamboyant and unimaginable speech, he threw the newspaper on the table angrily, and then dialed the "Movie Weekly phone.

After the call was connected, Chen Qinghe said angrily: "Editor Yuan, how did your column about Wei Xun pass the review and send it out? It's a mistake!"

Not just Chen Qinghe.

On Monday, because of Wei Xun's article on "Film Weekly" that divided the film factions, the entire performance academic circle had a great reaction.

Most people can accept the descriptions of the two schools of expressionism and methodism.

But that experiential statement is simply nonsense!
(End of this chapter)