The superstar is here

Chapter 349 It's too painful to be with a group of excellent people
Chen Ziang handed the script to Li Longji.

For more than a year, what he has been busiest about is not studying, nor music, nor acting, but writing songs, novels, scripts, and writing.

When he was writing, he wanted to vomit, but he didn't know why his memory was so strong, and he felt like "Wensi was like a diabetes collapse" when he wrote, and he would not be happy if he didn't write.

Can be happy after the deep exhaustion and emptiness.

How could my life be spent at my desk like this.

I used to write about products, requirements, and game planning, but as soon as I got out of it, I had to write about variety shows.

He also wanted to be lazy, but he saw how hard his mother and father were, how hardworking Guan Tongtong was, and how motivated Guan Xinxin was.

Even Guan Tianyu, who was disobedient in the past, is now studying hard so as not to make Guan Xinxin sad.

Looking at Kuan Dandan again, this little girl has changed her gender even more, wild is still wild, but she vows to strive to become an existence second only to her sister.

The people around him are so excellent, Chen Ziang has no reason to relax.

Being with a group of excellent people is really too painful, Chen Ziang felt.

Leaving Li Longji to read the script, Chen Ziang and Li Qiuting went out to open another room.

"You know how to write scripts? Are you done?" Li Qiuting asked after opening the room.

Chen Ziang lay down on the sofa in this lounge without any image, and said wearily, "A little bit."

Before Li Qiuting could speak, Chen Ziang said again: "The people around me are so good, I don't know how to order much, I feel like I'm nothing, I'm really tired. Only when I'm with you people can I feel relaxed and happy of."

Li Qiuting listened carefully to Chen Ziang's words, and gave him a blank look: "Don't think I can't hear what you're saying."

"What did I say?" Chen Ziang asked.

Li Qiuting wouldn't speak for Chen Ziang, and wandered around in the lounge.

She still doesn't understand Zhang Baoying's intention to ask her to stay.

Embolden Chen Ziang and help out?
"Senior sister, can I ask you something?" Chen Ziang said to Li Qiuting, lying on the sofa without raising his head.

He and Li Qiuting didn't see each other, and sent out a song by Zi Ang, regardless of the other party's request for money.

It's just that the other party is afraid that if it is too little, it will be uninteresting, and if it is too much, it will make people feel that the friendship between the two parties is not deep. She gave a friendship price of [-], which is just right.

"What's the matter?" Li Qiuting came back, moved a chair, and sat in front of the sofa.

"Do you want to return to the small screen?" Chen Ziang asked.

The small screen means the TV circle, and the big screen means the movie circle.

"Come back to act in a TV series?" Li Qiuting said with a smile: "I don't think so or not, I think the script is suitable, the salary is agreed, I don't choose."

Many actors who have gone to the big screen don't like to return to the small screen.

Compared with movies, the cost of TV dramas is generally lower, and the salary of actors is relatively small. The hype and publicity in the later period are not as influential as movies. I often hear that new movies are promoted, but there is no so-called TV drama promotion.An anchoring effect has formed in people's consciousness, that is, "those who act in TV dramas are not as big as those who act in movies."

Although American TV series are not as good as movies, the salaries are very high, and they are also very popular, which is not the same as in China.

Generally speaking, those who act in movies don't want to act in TV dramas. One is that the pay is too low, and the other is the impact caused by this anchoring effect.

If a movie star changes from acting in a movie to acting in a TV series, it will re-establish an "anchor" for everyone, which is equivalent to telling everyone that he is now a "low-end actor" and a "low-end actor".I have changed from a "big star" to a "little star".Over time, although there may be remuneration for acting on TV, the long-term impression created is that this actor is no longer good, and he has changed to acting in TV dramas.

"Have you read the novel "Swordsman?" Chen Ziang asked.

"No." Li Qiuting was a little ashamed. She knew that Chen Ziang wrote novels, but she hadn't read them.

"Here, take a look at the script on the table, female number one." Chen Ziang tilted his head and looked at the document on the table.

He printed out more than one copy of the script of "Swordsman".

"What do you mean?" Li Qiuting was curious: "You can still choose the heroine for others?"

Chen Ziang said in pain: "It must, you don't know how hard I was tricked back then."

Li Qiuting smiled, picked up the script, and began to read it.

Of the several TV series versions of "Swordsman" in the previous life, Chen Ziang admired Lu Songxian's version in 1996 and Li Yapeng's version in 2001.

Both editions can be called classics. Relatively speaking, Chen Ziang likes the Li edition a little bit.

Li Ban completely beats Lu Ban in terms of antique scenery, Chinese-style props and costumes, and exciting martial arts scenes, but that is a factor of the times.In terms of music, the Li version is majestic, magnificent and magnificent; the Lu version is clear and melodious, agile and comfortable, each with its own merits.

It is impossible for the Lu version director to spend as much money as Zhang Jizhong to shoot the scene. It is inevitable that the set is relatively petty. It is already remarkable to be able to shoot that level of film and television with this kind of investment.

One of the directors of the Li version is Hong Kong director Yuan Bin. This film is the product of the combination of Hong Kong martial arts film culture, mainland classical culture and mainland capital, and represents the highest level of the martial arts version.It is also one of the iconic films and TV shows that have seen the rise of mainland film and television and the decline of Hong Kong film and television.

The disadvantage of the Li version is that the ending part is completely out of control, and the typical anticlimax has been reduced to a cliché duel between pros and villains.

For example, Ren Yingying sat by and watched her father be killed, this is extremely unreasonable!
Lu Songxian and Li Yapeng both have handsome appearances.Lu Songxian strictly follows the original work in terms of details, is meticulous, and has both spirit and form.Li Yapeng desires to go beyond the details and pursues the soul of laughter and pride, but his acting skills are lacking and he is a bit soft.

As soon as Li Qiuting read the script, she couldn't stop.

This is an occupational disease.

When I saw the Xu Qing version of Miss Ren written by Zi Ang, she had the unruly and willful princess disease, but also the advantages of being straightforward, daring to love and hate, and a bit eccentric.

Li Qiuting was immediately attracted.

This is the role she likes, and there is such a young girl living in her heart.

Looking at it further, the images of each character are vivid on the paper.

Chen Ziang wrote almost all of Li's characters.

The junior sister is delicate and pleasant, from the mischievousness in the early stage to the melancholy and sentimental after being betrayed by Lin Pingzhi, it is intoxicating.She is fire-proof, anti-theft and senior brother, making Brother Linghu, who loves the country, family and junior sister, very upset. She can be called the most beautiful junior junior sister.

And Lin Pingzhi is the most pitiful person, from the sudden family ruin of the son of the rich family, to chasing and killing Yu Canghai Mu Gaofeng, to falling into the Huashan faction to plot against Yue Buqun.From a normal person who became repressed and forbearing, restrained and vicious, when he wielded a knife from the palace to practice evil swordsmanship, and finally released the anger and hatred in his heart, he became a moody, yin and yang neurotic red-clothed demon.The Li version of Li Jie fully demonstrated the changes and distortions of Pingzhi's personality and the desolation of his fate.

Wang Wei's version of Yue Buqun is already amazing, and Weizi's version of Yue Buqun surpasses it after fully borrowing from Wang Wei's interpretation.From the elegant, modest, and personable gentleman's sword before swinging the knife to the vicious, sinister, vicious, orchid-fingered devil king after swinging the knife, the two old drama bones have performed vividly.Chen Ziang naturally liked Weizi more.

Li Banzuo leader only shows his domineering and domineering, his appearance is too rough, and he is not sufficiently treacherous.And the Lu version of Chen Honglie is an old drama player in Hong Kong, who has created a generation of sinister, sharp, and calculating heroes.

The leader Ren is domineering, greedy for power, sinister and vicious, and uses his daughter to tie Linghu Chong to realize his ambition; but on the other hand, he has a deep affection for his daughter.Lu's version of Ren Jiaozhu can fully express this point. Dong Xiangguo's version of Ren Woxing only sees his evil side. There are fewer scenes of father-daughter love, not many highlights, and a single image. This is due to the script.Ren Xianqi's version of Li Liqun plays Ren Woxing with the fullest image, with both evil and good.

Both versions of Yilin are beautiful women, innocent and innocent, which makes people feel distressed.Chen Ziang prefers Lu Ban because those big eyes are so innocent.

Shi Guangrong's version of Tian Boguang's unrestrained, flirtatious prodigal behavior is actually pure and kind-hearted, full of justice, and loyal to friends, while Lu's version of Tian Boguang is upright and handsome, and is too far away from the prodigal son.

Sun Xing's version of Tian Boguang, together with Ren Xianqi, Ren Xianqi has almost become a supporting role.

Tian Boguang was the funniest, he didn't want to practice evil swordsmanship, but he was still clicked.

The CCTV version of Yu Guanzhu is played by a master of Sichuan opera. He is full of creativity and kills people by changing his face.

Li's version of Lan Fenghuang is simply a show to the bone, completely defeating Lu's version of Lan Fenghuang.

Li Lili, played by LV Ningzhong, is considered an old drama player. During the performance, Ning Xia Ning's love for her husband, daughter, and Linghu Chong was well expressed.The CCTV version of Ning Xia, while showing love and kindness, is not lacking in heroism and heroism, living up to the name of a heroine.

……

Li Qiuting was not the only one obsessed with the script.

Li Longji on the other side of the tea art room was also immersed in it at this time, forgetting the time.

(End of this chapter)