The superstar is here

Chapter 824 Lied Again

Walking side by side with Guan Xinxin on the river bank, it seems that the goal is to move towards the sea.

Looking at the spring, river, flowers, moon, and night, the poem "Spring River Flower Moonlight Night" suddenly popped up in Chen Zi'ang's heart.

As he walked, he whispered this poem to Guan Xinxin.

"The tide of the Spring River is even with the sea level, and the bright moon on the sea is tidal.

Yan Yan has followed the waves for thousands of miles, where is the spring river without moonlight!
......"

This is a poem by Zhang Ruoxu, a poet of the Tang Dynasty.

The poem follows the old title of Yuefu in Chen, Sui Dynasty, uses a clear and beautiful brush full of life, takes the moon as the main body, and takes the river as the scene, depicting a beautiful, distant, blurred and blurred picture of the moon night on the Spring River, expressing the sincere and moving feelings of wandering sons and women The emotion of parting and the philosophical emotion of life express a kind of unique cosmic consciousness and create a deep, desolate and peaceful state.

There are 36 sentences in the whole poem, and the rhyme is changed every four sentences. The whole poem integrates poetry, painting and philosophy. Fan, has a very high aesthetic value, and is known as "a single article covers the whole Tang Dynasty".

In fact, Zhang Ruoxu and his masterpiece, just like his name, were almost reduced to nothingness by time.

Fortunately, it was just a false alarm in the end. He and his poetic soul of "Moonlight on the Spring River" soared in the spiritual world of Chinese people and will always shine on the Chinese poetic space.

past life.

In the middle of a night, the two lines of Tang poetry, "The spring river tide connects with the sea level, and the bright moon rises together with the tide" jumped into the eyes of the poet Hu Yinglin.

Since then, spring, river, flowers, moon, and night—the five most beautiful images between heaven and earth suddenly shine out from the pile of old papers and rush into the eyes of the world.

Juren Hu Yinglin, who was over half a century old, was at home at that time, looking for nothing to do, writing an anthology of poems from past dynasties "Poems", intending to collect the treasures of poetry in history.

Such an excellent poem was abandoned into the dark room of history. If Hu Yinglin hadn't read it in Song Dynasty Guo Maoqian's "Yuefu Poetry Collection", I don't know how many years it would have been wronged.

It was from the "Poetry" compiled by Hu Yinglin that this genius work was discovered, and it began to be rolled into a huge snowball until it was pushed to the pinnacle of Tang poetry.

At that time, almost 1000 years, or ten centuries, had passed since the birth of this great Tang poem.

This great Tang poem was almost lost, so its author was almost buried.

However, textual research scholars can only roughly tell the world: the poet's name is Zhang Ruoxu, and he lived around the Kaiyuan period of the early Tang Dynasty.After the prosperity of Kaiyuan, the poet who was frustrated in officialdom returned to his hometown of Yangzhou.One spring night, he walked along the banks of the Yangtze River alone.Just when all the flowers are in full bloom, the moon is shining brightly, and a river of spring water is rolling eastward, the magnificent scenery of nature as before has touched the poet's thousands of thoughts and galloping poetic sentiments.

As if with the help of a god, spring, river, flower, moon, and night, the five poetic images as beautiful as girls, burst out of the sky in clusters of flowers, and erupted wantonly under the poet's pen.

The warm and full atmosphere in the poem immediately makes the world transparent and everything clear, which also makes the poetry circle of the early Tang Dynasty shine.

"Spring River Flower Moonlight Night", which shines in the ocean of Tang poetry, is more like an accident, an accident in the Tang poetry show, an isolated peak.

The content and expression of this long poem are almost unprecedented in the history of Chinese poetry, and it is difficult to find works similar to it from the Book of Songs to the new poems.

It stands alone in the long history of Chinese poetry, and there is no similar kind before and after.

People can't understand more life stories of Zhang Ruoxu, they can only interpret more of his great poems.

Although the words of this poem are pearls, the essence of the whole poem is contained in these two sentences: "Who on the riverside sees the moon for the first time? When does the river moon shine on people at the beginning?"

Because it is these two sentences that make the surging river of Tang poetry have another direction, making a poem surpass poetry and reach another higher height—the height of philosophy.

This is unique in the starry sky of Tang poetry, which is full of stars, and it is precisely because of this that it becomes a lonely peak with no companions before and after.

And at the same time it is poetry, the philosophy of poetry, the poetry of philosophy.

In the first four sentences, four of the five main images of spring, river, flower, moon, and night in the whole poem are introduced together, and a picture of the river going east, the bright moon hanging alone, the spring tide surging, and the night field boundless are created. The vast and profound picture immediately set the tone of the whole poem's majestic and magnificent.

But the poet's focus is not on the scenery.He described the magnificence of spring, river, flowers, moon, and night in order to elicit the question of "Who on the riverside sees the moon for the first time? When does the river moon shine on people?" in front of such a magnificent nature.

This is a grand and ancient question, one of the fundamental questions of philosophy.

As for the second half of the poem, "The generations of life are endless, and the river moon is only similar year after year. I don't know who the river moon treats, but I see the Yangtze River sending water." I feel a little confused and helpless, so it is also sad.

This confusion, helplessness and sadness are caused by the eternity of nature and the ephemerality of life, and it is precisely the unsolvable philosophical problem that has brought trouble to people.

Facing the beautiful and eternal nature of spring, river, flowers, moon, and night, people with small individuals and short lives will always feel lost, sad, and even desperate.

"Spring River Flower and Moonlight Night" created an alternative theme and emotional style for Tang poetry. Its vigorous imagery and sentimental passion are like the youthful early Tang Dynasty, in the dead of night, talking with the nature where all things grow in love.

Although the result of this love affair made Chu Tang release his youthful hormones, it also gave his gorgeous youth a first taste of sentimentality.

Because the content of this poem is to express the relationship between man and nature, and to explore the philosophical propositions of eternity and eternity, the ultimate sentimentality is destined to be hidden in its gorgeous youthful shell.Although, this sentimentality is not about the vibrant early Tang Dynasty, but about human beings and the unchanging destiny of human life that transcends time and space.This is also the unique value of Zhang Ruoxu, an alternative poet.

Zhang Ruoxu seems to be unaware of what the contemporary poets are paying attention to and what they are writing. He single-handedly runs counter to the large army of poets in the Tang Dynasty, and casts his gaze on the invisible time and the unreachable starry sky. .He explores the existence of the universe from an angle that no one has ever had before, and uses the eternal universe as a reference to reflect on the fate of human beings.

From the eternity and infinity of nature to the brevity and impermanence of life, he elevates the relationship between man and nature to a philosophical level, expressing the ultimate caring sigh of "life is endless from generation to generation, and the river and the moon are only similar year by year". , with helpless sadness and bewilderment, expresses the dream of youth and the splendor of life sadly but not sadly.Just like his name, his sorrow is a kind of illusory sorrow, a bit like "sorry to write new words".

As a result, he showed readers another side of the subject matter of Tang poetry, and thus established his own unique symbol.

After writing "Spring River Flower Moonlight Night", Zhang Ruoxu hastily extinguished the traces of life, but lit up the starry sky of Tang poetry.

It is a poem that explores time and space, and transcends time and space. It expresses the common feeling of human beings when they think about "where do we come from and where are we going?".

This is the mystery of loneliness that is inherent in lonely human beings. Only in the early Tang Dynasty, an era when all things are flourishing, will there be people who have the ambition to pursue the truth of this mystery of loneliness, and will some people have the courage to explore it. An answer beyond the scope of human cognition.

Zhang Ruoxu carried the courageous spiritual power of Chu Tang Dynasty, represented the millions of confused hearts in the world, opened his confused poetic eyes, stared at the sky, confused and curious, curious and seeking, seeking and feeling, making human self Consciousness was awakened for the first time in Tang poetry, making the mysteries of the universe beyond the secular life bloom in Chinese poetry for the first time, making literature also have anthropological significance.

After "Spring River Flower and Moonlight Night" was published, its unique poetic posture shows that it has already surpassed the scope of poetry.

Since then, Yangzhou's moon has become the most famous moon in China.

For example, Jiang Kui's "The 24 bridge is still there, the heart is shaking, and the cold moon is silent".

For example, Du Mu's "24 Moonlight Nights at Bridges, Where Can Beautiful People Teach Flute".

Zhang Ruoxu's philosophical construction of the concept of "Heaven-Man" in China from the perspective of poetry is of great significance.As a result, Su Dongpo's popular song "When is the bright moon, ask the sky for wine" obviously carries the genes inherited from "Moonlight Night on the Spring River".

It is precisely because of this that the role played by "Moonlight on the Spring River" in the history of Chinese poetry development is far from being as simple as a masterpiece.

Wang Kaiyun from the Qing Dynasty said in "Xiangqilou on Tang Poetry": "Zhang Ruoxu's "Spring River Flower and Moonlight Night" uses the style of "Xizhou".

Mr. Wen Yiduo also praised in "Self-redemption of Palace Poetry": In front of the magical eternity, the author has only astonishment, no fear, only longing, no sadness...Limited and infinite, sentient and ruthless-poet and eternity Sudden encounter... The whole poem is like a mysterious and cordial conversation, some of which are strong cosmic consciousness, love sublimated by cosmic consciousness, and sympathy radiated by love.

This is the poem of poems, the pinnacle of pinnacles.

……

Guan Xinxin originally walked side by side with Chen Ziang, the distance was very close, but they seemed to have nothing to do with each other.

Later, she probably felt that Chen Zi'ang's voice in reciting poems was too low for her to hear clearly, so she moved closer.

In the end, she took Chen Ziang's arm and walked forward together.

Chen Ziang felt that women like Guan Xinxin and Guan Tongtong were extremely lacking in spirit.

In other words, the pursuit of spirituality is far beyond ordinary people.

Spiritually, they are hungry and thirsty, and their demands are extremely high.

Or maybe they are too smart, see through material appearances, and need spiritual filling instead.

Words are not as good as the person, and poetry cannot represent the author.

But words, which should be beautiful, will always be beautiful.

People only see the beauty beneath the beauty and nothing else.

But people are different. What you see on the surface is beautiful, but underneath it may be full of rubbish.

"Can we transfer the business back to Lin'an this year?" After listening to Chen Ziang's poem reading, Guan Xinxin held Chen Ziang's arm with one hand, and stroked her hair that was blown by the cool wind with the other hand.

"During the transfer, the transfer can be completed after finishing my movie." Chen Ziang didn't want to go back to Youzhou.

Because the parents live in Lin'an, the children are also in Lin'an.

What's more, Guan Tongtong is about to leave Youzhou and go to work in Jinmen.

At that time, he will be even more lonely in Youzhou.

Guan Tongtong went to work in Jinmen and could only come back on weekends.

When she came back, she would mostly return to Lin'an to take care of her children.

According to Chen Zi'ang's estimation, Guan Tongtong will definitely spend three weekends to see the children out of four weekends a month, and leave the last one for him.

"It's good to come back. If you don't go far, you can see the child every day." Guan Xinxin didn't know that Chen Ziang liked children so much.

Most of the reason for his current state is because he can't see the child.

Many parents miss their children when they don't see them for a day.

At the beginning, Chen Ziang couldn't return to Lin'an for more than half a year, and couldn't see the child.

Even this year, he has not been able to see the children frequently.

Everyone has time on weekends or holidays, and Guan Tongtong basically never misses returning to Lin'an on weekends and holidays.

Chen Ziang came back with him, and the three of them met...

Not to mention that Chen Ziang would feel awkward, even Guan Tongtong himself didn't want to.

In the end, the wife was not depressed before and after childbirth, but the husband became depressed.

Both Chen's father and Chen's mother don't know about it yet. If they knew, they would probably cause a lot of quarrel.

Chen Ziang and Guan Xinxin walked to a hotel.

Chen Ziang stopped and looked at the hotel.

Guan Xinxin didn't look at it, but just looked at Jiang.

But when Chen Ziang was walking towards the entrance of the hotel, Guan Xinxin also took his arm and followed.

It's very deceiving.

By the time Chen Ziang and Guan Xinxin returned home, the children had already gone to bed.

Before, Nannan insisted on not sleeping, she nodded frequently while sitting on the sofa, and was about to fall asleep.

Guan Tongtong wanted to take her back to the house, so she cried.

Said to wait for Papa to come home.

After crying a few times, I completely fell down.

Chen Ziang came back late.

In the past, the little ones went to bed before nine o'clock in the evening.

After he came back tonight, it was past ten o'clock in the evening.

As soon as Guan Xinxin got home, she got into her room, looked in the mirror, and could see that the flush on her face hadn't faded.

Guan Tongtong came down from the second floor and talked to Guan Xinxin in the living room on the first floor.

After talking about the door for a long time, Guan Tongtong couldn't help but want to open the door to go in, but found that the door was locked.

It wasn't like this before.

Fortunately, Chen Ziang went upstairs, otherwise Guan Tongtong would have thought Chen Ziang was inside.

"Go to bed early, I'm too tired to take the little ones out today." Guan Xinxin didn't open the door, announcing that she was going to bed early.

Guan Tongtong didn't continue pestering her, but turned around and went upstairs.

"Turn down the volume! The children and aunts are all asleep." After going up to the second floor, Guan Tongtong said to Kuan Dandan who was still watching TV in the living room on the second floor.

There is no TV in the living room on the third floor, and Kuantandan didn't go to bed so early, so he could only go to the living room on the second floor to watch TV.

As for the first floor, she didn't want to go.

The first floor is my sister-in-law's site.

"Honey, aren't you taking a bath yet?" Guan Tongtong continued to go up to the third floor, and after entering the bedroom, seeing Chen Ziang not ready to take a bath, hurriedly urged him.

Chen Ziang felt a little bitter in his heart, this signal was released...

Need to wash longer.

(End of this chapter)