Riding the wind of rebirth

Master Dan Zeng said with a smile: "There is a cultural relic in our school museum, a sapphire bowl inlaid with gold. The item was collected in Tibet in [-], and it should come from Labling Monastery."

"You also know that the things that the Qing court bestowed on Tibet often have a strong Tibetan style, and the Tibetan style is deeply influenced by places such as India and Nepal."

"So that later, if the school's collections about the Western Regions style did not have obvious characteristics such as Central Yunnan and Northwest, they would be put in our Tibetan collection classification. After so many years, there is also a lack of professional talents. Make it clear."

"And this?" Zhou Zhi couldn't help but feel itchy, this is a great opportunity to develop his eyesight, and he can still make a scene under the lights: "How about I try it?"

"Do you still have time?" Li Lehai felt amused: "After this day, why do I feel that you are much busier than me?"

Now everyone laughed. Indeed, that's what Elbow feels like, being too busy.

After the banquet, everyone was sent away, and Li Leshan, Li Lehai, Lin Wanqiu, Li Leshui and Xu Anxin were all placed here.

Because there were two young couples, Zhou Zhi invited Jiang Wu and his wife to accompany him.

People from the provincial government office also came here once, and after seeing the reception specifications here, they really had no face to argue with Zhou Zhi about this.

This is actually a proof of Mama Guan's following Zhou Zhi's intention to turn Suihuaxuan into a homestay, but even Mama Guan never expected that the first batch of residents invited by Zhou Zhi would be such an important person as San Li guests.

Fortunately, the standard here is really not low, and the venue is very elegant, just like this, the few people are divided into two groups now, one group listens to Tang Qi and Guan Tingting playing the piano and sings, and the other group follows Zhou Zhi and Lin Wanqiu to appreciate the collection.

It was only now that Lin Wanqiu could really calm down and do some research on Zhou Zhi's collection.

Guan Ma is also on the side, learning some rules of appreciating Wenwan, and it will be useful for reception here in the future.

Those that can be displayed outside are mainly collections from the late Ming and Qing dynasties, as well as modern ones.

Mainly porcelain, calligraphy and painting.

In addition to the collection of books, the large library is divided into late Ming blue and white porcelain, bucket color, and multicolored porcelain. Among them, Jiajing blue and white porcelain is the most abundant. It belongs to a collection series that was not valued by the whole country before, and was opened by Zhou Zhi himself.

Then there are small pieces of fine monochrome porcelain from the Three Dynasties of the Qing Dynasty. This is also a work of art that was not paid much attention before and was collected by Zhou Zhi in a large number.

Then came the official kiln porcelain of the Qing Dynasty and the Three Dynasties, mainly those in the collection of the Neifu Museum, which belonged to the large pieces that could be included in the "important collection".

There are a lot of good things, and Lin Wanqiu also saw a lot of things that were auctioned by her own hands here, including the Qianlong enamel color auspicious celebration youyu turning heart vase and the imperial foreign color carmine ground with phoenix Laiyi hundred birds and phoenix double chi ears Big swivel bottle.

In fact, calligraphy and painting are a bit weak, and the paintings can only be supported by [-] Ming and Qing calligraphy and paintings of the Four Monks of the Qing Dynasty and the Eight Eccentrics of Yangzhou, which were collected during the trip to Hong Kong Island. Calligraphy is represented by the couplets in the central hall of the famous ministers series in the Qing Dynasty.

On the contrary, modern works of art are very impressive. Porcelain includes a set of 98 pieces of peach blossom hair porcelain with water spots in the glaze, and a set of 47 underglaze red plum hair porcelain, all of which can be included in the important collection sequence.

In addition, there are more than 1000 pieces of loose porcelain and more than 300 pieces of founding porcelain with five-character prefixes, all of which are exquisite.

As for modern calligraphy and painting, there are Li Keran, Wu Guanzhong, Jiang Zhaohe, Xu Beihong, Qi Baishi, Zhang Daqian in painting, and Wu Changshuo, Yu Youren, Lin Sanzhi, Sha Menghai and Xie Wuliang in modern calligraphy.In modern times, there are Qi Lao, Wang Lao, Fan Zeng, Ouyang Zhongshi, Liu Bingsen, Wu Changshuo, Shen Peng, and Li Duo.

Most of these things come from cultural relic stores around the world. Paintings are a little more expensive, and calligraphy is so cheap that it is almost free except for a few people.

These things constitute Suihuaxuan's "outside library collection", the kind that are always hanging outside and can be seen by anyone who comes to Suihuaxuan.

But now what Lin Wanqiu entered with Zhou Zhi was the real "inner hidden hall", the one with constant temperature and humidity and overall security comparable to a bank vault.

This is also the first time that Zhou Zhi has shown his collection strength to outsiders.

The collection is full of beautiful things in eyes, and the oldest one is the Spring and Autumn Fang Xiangshi jade carving that was missed at the auction on Hong Kong Island.

Next is the Han Dynasty One Dao Ping Five Thousand Money Mother and Gangmao Evil-Repelling Jade Carving Three-piece Set.

In the Song Dynasty, Huang Tingjian engraved Dongpo Ci and Huang Dayin with landscapes and fields for himself, and Zhou Zhi also displayed it for the first time.

Of the five famous kilns of the Song Dynasty, Ding Kiln has the most collections, including a white glazed black flower pattern jade pot and spring vase, a purple gold glaze dark engraved Tang grass pattern plum vase, and a large Ding kiln bowl with a golden mouth in the Fengxian Hall of Yongle in the Ming Dynasty.

The rest include Ru kiln ink clay box, Ge kiln fish crate seal incense burner, Southern Song official kiln long-necked bottle with string pattern.

Unfortunately, there is no Jun kiln collection.

There are Longquan kiln plum green lotus leaf lid jars in the Southern Song Dynasty, and JDZ blue and white dragon pattern lotus leaf lid jars in the Yuan Dynasty.

At the peak of Yongxuan in the Ming Dynasty, Zhouzhi collected the Yongle blue and white Heerxian general jar, and the Xuande blue and white brocade pattern large dish.

Miscellaneous items include the Ming Dynasty Tongtian Rhinoceros Lanting Xiuqi brush holder.

Song Dynasty calligraphy and painting works are too precious, even Zhou Zhi in the inner library did not dare to display them. Only two Ming Dynasty paintings are hung here to fill the scene. Fish Picture", Wen Zhengming's "New Autumn White Ramie Picture".

That's enough, a well-informed person like Lin Wanqiu couldn't help but be amazed by Zhou Zhi's collection.

Except for the paintings and calligraphy of the Ming Dynasty, if you take out any of the things here, they are all national treasures that can definitely cause an earthquake in the collection world.

Many things were never seen before, such as Huang Tingjian's own Tianhuang seal and Zijin Dingda plum vase, which Lin Wanqiu had never even heard of.

This is called "orphan goods at home and abroad", which can't be given even if you want to estimate the price.

Lin Wanqiu is her strategic partner, and now she has become a sister-in-law with An Xin's cousin, and her influence and strength have gradually increased, and some things and information have reached the level that some people should know.

In other words, with personal growth, Zhou Zhi no longer has to keep hiding some things.

"I always thought that the Ming and Qing furniture that Mr. Wang gave you was your most valuable collection..." Lin Wanqiu looked at Zhou Zhi's collection and stuttered in shock: "Jun, where are the Jun kiln wares? You hidden?"

"Do you really think the five famous kilns are cabbage?" Zhou Zhi was speechless: "Don't come up and slap your face, isn't it all confiscated?!"

"Ah? Giggle giggle..." Lin Wanqiu covered her mouth and laughed uncontrollably: "The main reason is that the level of your baby is too high, which makes me think that you are omnipotent..."

"There is a three-legged tripod made by Emperor Yongzheng, which turns rose purple in the kiln."

"I saw it outside just now." Lin Wanqiu gave Zhou Zhi a blank look: "Are you willing to count that?"

"That's why I didn't bring it in," Zhou Zhi said embarrassingly, "I'm not an airport VIP room..."

"Song Jun is too difficult." Lin Wanqiu looked at the empty place in Zhou Zhi's Song porcelain collection cabinet: "I do know that there are a few Jun kiln collectors in Hong Kong Island. Mr. Qiu's blue-glazed bowl was auctioned once in 1980. At that time, it sold for 370 million Hong Kong dollars."

"But it's really difficult to get their things." (End of this chapter)