Riding the wind of rebirth

Chapter 1306 Disclaimer

Chapter 1306 Disclaimer

"Brother, you just don't understand the system." Luo Qianhe said hoarsely: "Shudu Gongmei's ability to dig out new academics in the old warehouse is very outstanding under the current situation where the business level of cultural relics stores is generally declining. ”

After saying that, he handed over to Zhou Zhi: "This contribution is greater than restoring the identity of Chuji Huagu, who was mistakenly identified as Jiaqing's entrustment, and saving the country's millions of losses. Do you think Lao Fei can get the jackpot?"

After Zhou Zhi thought about it, this is true. The cultural relics store is a state-owned unit. It is not solely for the purpose of making money. It is also responsible for the collection and appraisal of cultural relics. For high-level cultural relics, they must be handed in after the collection and appraisal are completed. Low-level cultural relics must be handed over after the collection and appraisal are completed. For cultural relics, they are responsible for on-site preservation. Only a small part is allowed to be exchanged in the market. In fact, it can be regarded as half of the cultural preservation department.

Therefore, the state requires that the items in the cultural relics store be inspected and handed over. It is a matter of one sentence within the system, which is really different from the general commercial department.

After Luo Qianhe said it, Zhou Zhi realized why Fei Guan was so excited and actively cooperated at that time. It turned out that cultural relic stores and museums have similar properties. Just studying the inventory at the bottom of the box can also be considered as a work achievement!

The two were chatting while admiring the collection. The Zigang brand from the Ming and Qing dynasties was changed to the collection category. This is called "Special Collection". It is the same as the previous "Nine Painters Runge", with one more family. Just one more point of difficulty.

That is to say, Shanghai Cultural Relics Store has inherited and cooperated from the late Qing Dynasty to New China. Only time-honored brands with hundreds of years have such a heritage.

Jade is an important part of Chinese traditional culture. The jade culture with jade as the central carrier has not only deeply influenced the ideas of ancient Chinese people, but has become an indispensable part of Chinese culture.

This is fully reflected in another box of 18 fine jade pieces sent to Beijing for the exhibition.

From the earliest jade hook-shaped cloud-shaped utensils characteristic of Hongshan Culture, to the three-tooth jade characteristic of Longshan Culture, to the jade kneeling figures of the Shang Dynasty, the cloud-patterned jue of the mid-Western Zhou Dynasty, the jade-shaped jade pendant of the Warring States Period, the jade belt hook of the Han Dynasty, and the yellow jade demon of the Tang Dynasty Scorpion, Song, Liao, Jin, Chunshui and Qiushan jade pendants, Yuan Dynasty goose-pierced lotus ribbon rings, Ming Dynasty cups with floral heron patterns, and by the Qing Dynasty, they were all incense burners, mountains, pen holders, water bowls, bergamots, figure cups and other study supplies and furnishings.

In terms of Zhou Zhi's personal preferences, he very much liked early-style jade carvings such as kneeling figures from the Shang Dynasty, and the jade hooks and hooks from the Western Zhou Dynasty and the Han Dynasty. However, as for the increasingly complex and exquisite carvings after the Tang Dynasty, he felt that they had lost the style of the pre-Qin and Han Dynasty. The heroic style of Canggu.

But this time I wanted to give Xu Anxin a gift that I had promised for a long time, so I couldn't give it according to my own preferences, so it was difficult to choose at the moment.

Then I looked around and thought, hey, isn't there a girl with good taste here? Why don't you just ask Jiang Shuyi what she likes?

So he asked: "Shu Yi, which one do you think is better?"

Jiang Shuyi couldn't help but feel embarrassed: "Zhou Zhi, don't be ridiculous, how do I understand this?"

"Just follow your own intuition, whichever one you think looks good will be fine." Zhou Zhi said: "After all, I want to prepare a gift for cousin An An, and I am not giving it to the ancients. If you think it is good, we will buy it and send it to Suzhou as a model. "

"That's it." Jiang Shuyi then pointed to the favorite pieces on the plate: "I think the one with an umbrella and riding on a fishing boat is quite interesting, as well as the one with the swan hiding from the eagle, and the one with the sharp horns carved into a dragon."

"Okay, let's have these." Zhou Zhi said, "The theme of this fishing boat is actually called 'Immortal Riding on a Cha'. Cha first refers to driftwood on the sea, and the allusion was first seen in Zhang Hua's "Natural History" of the Western Jin Dynasty. "."

"It is recorded in the book that the Milky Way and the sea are connected. There are people who often live in the sea, and the floating boats come and go every August without missing a beat. Some good people put small houses on the floating boats, buy food, and leave on the floating boats. More than ten days later You can still see the stars, the moon, the sun, and then the surroundings become blurry and blurry. After more than ten days, you can finally reach a place with a city, a castle, and neat houses. Looking at the palaces in the city, you can see many Women weavers can also see a man holding a cow across the river drinking water by the river."

"This is sailing to the side of Altair and Vega, right?" Jiang Shuyi said with a smile.

"Well, later this theme became a traditional carving theme in ancient China." Zhou Zhi said: "Then the driftwood evolved into a small boat. The passengers could be Magu carrying fairy peaches, or elves picking sesame seeds. There used to be For a while, it was attached to Zhang Qian, who carved out the Western Regions in the Han Dynasty."

"So this is the jade carving of the Zhizhi Immortal riding on a boat." Jiang Shuyi said, "So it's not an umbrella?"

"It's right to say that it's an umbrella. It highlights the size of the Ganoderma lucidum collected by the immortal, which is in line with the ancients' beautiful expectation of going to the fairyland and eternal happiness." Zhou Zhi has no principles at all. Jiang Shuyi smiled slightly: "If that's the case, it would be a good idea to give it to cousin An An."

"It's very good. I carved cousin An An as Magu and Li Laosan as Zhang Qian. They are so beautiful."

"Then what's the theme of this?" Jiang Shuyi picked up the jade sculpture with the swan.

"This is called a ribbon ring." Zhou Zhi said: "Scholar-officials in the Song Dynasty liked to wear Taoist robes. "Ancient and Modern Research" said: 'Scholar-officials, common people and nobles, used jade ribbon rings with silk ribbons, and often used Taoist robes around their waists for beauty.'"

"Because jade materials in the Song Dynasty were rare, jade bis from previous generations were often changed into tapestry rings. For example, the jade tapestry rings unearthed from the Song Dynasty tomb in Huangyan were modified with the 'Toulong Jade Bi' made by Li Min, the great ancestor of the Southern Tang Dynasty."

"However, the theme of this ribbon ring comes from the north of Liao and Jin Dynasties, which is the famous 'Spring Waters and Autumn Mountains'." Zhou Zhi said: "This is the custom of the Liao and Jin monarchs to hold bowls, which is to stay close to the water in spring and close to the mountains in autumn. , carry out a grand hunting activity.”

"At the beginning of the event, domesticated seaweeds will be released to capture swans. The masters are particularly good at carving that scene into decorations." Zhou Zhi looked at the ribbon ring. At the top of the picture, clouds and seaweeds were flying, and at the bottom there was a swan. The panicked swan kept its running posture, put its head through the stem of a lotus, and hid its head under a lotus leaf. It was so lifelike: "But this is a typical Qianlong work. The carving is much better than the Chunshui Qiushan jade of Liao and Jin Dynasties." The pieces are too detailed.”

"Where's the last place?" Jiang Shuyi picked up the yellow jade dragon-shaped corner.

"This is called a gong." Zhou Zhi said, "The ancients used animal claws and tusks to polish and perforate the gongs, and carried them with them as tools to untie knots."

"Children have little strength, so parents will prepare an item like this for them to carry with them so that they can use it to untie knots and pry open bottle caps."

"So there is a sentence in "The Book of Songs·Guofeng·Pianlan", which is called 'The branch of the orchid, the boy wears the orchid'. Later, there are also allusions that refer to childhood as the 'year of the orchid', which means that he is still wearing the orchid made of elephant bones. The Age of Knot Ornaments.”

"Later, the jade weapon developed into a jade ritual vessel with a head like a dragon and a pointed tail. It had two types: flat body and round body. The flat body was shaped like half jade and the round body was shaped like ivory. It was worn by scholars. , as well as ritual vessels used for sacrifices and blessings, gradually disappeared until the Eastern Han Dynasty."

"The two artifacts just now are from Qianlong. This dragon head is a typical Han jade chilong shape. It should be a topaz dragon head chalice from the Eastern Han Dynasty."

"Then let's forget about this, right? It's something for boys. If you give it to cousin An An, she'll think you're mocking her." Jiang Shuyi actually liked Xu An An's character as a fake boy.

"This is also a must. Didn't I just say that it is a child's accessory?" Zhou Zhi smiled slyly: "Giving this to me, I will treat it as giving birth to Mr. Li and Uncle Sanma!"

"I'm afraid cousin An An won't be able to understand you because you're so convoluted." Jiang Shuyi was also amused.

"I don't want her to understand." Zhou Zhi said with some ill intentions: "This is my disclaimer. Then Mistress 3 can't blame me for not assisting! Shu Yi, you really chose a good gift!"

(End of this chapter)

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