Riding the wind of rebirth

Chapter 325 "Homecoming"

"Elbow, I found out that you are really deliberate." Seeing Zhou Zhi ordering her husband around like this, Liu Yushu became intimate and casual in her words.

"Where is it, Auntie?" Zhou Zhi said with a smile, "The harder Uncle Fei works, the more Auntie will keep.

"Thirty or so pieces of porcelain is not a small amount." Liu Yushu is a man who is an art and crafts manager. He is also half-expert in daily transfers and transfers, at least in terms of prices.

"It's not too big. Didn't you hear what Uncle Fei said? A few years ago, when I bought porcelain from the three generations of the Qing Dynasty, this was just an addition."

"This time I brought beautiful ones like Mei Qing, Ying Qing, Doucai, and Pastel. I hope I can get a better price."

Now let alone the difference between urban and rural areas, even the differences between cities are very large. In Jiachuan, there are still many families with a monthly income of 100 yuan, but in Shudu, the situation is quite different.

Therefore, Zhou Zhi spent 20 yuan in Jiachuan to buy a Xuantong imitation of Qianlong's bucket color printing clay box. I am afraid that his mother will beat him to the ground. If my father is willing, that's not a big deal.

These have a lot to do with consumption level, consumption level and consumption habits.

"We've got in touch, and we'll be in the newspaper tomorrow!" Manager Fei walked back happily: "The advertisement will still run for three days, and Lao Qin from the commercial newspaper's advertising department will still give me face."

After finishing speaking, he looked at Zhou Zhi anxiously: "I've done everything I can for you, now it's up to you, Elbow, how you take care of the old uncle."

"How do I take care of my uncle? My aunt has to speak." Zhou Zhi continued to tease.

"I still say the same thing, elbow you, buy it sparingly; as for the old fee, give elbow the biggest discount. As much as you can leave for the sales department, try to keep as much as possible, that's what it means." Liu Yushu is also very angry.

"We have a famous painter named Jiang Zhaohe in Manzhou. Do you have any works of art?" Godfather hadn't said much, but now he suddenly asked.

"Oh, that's right! This is everyone from Manzhou!" Fei Guan patted his thigh and stood up: "Remind me, I remember there are some big paintings. Wait..."

"Godfather, who is Jiang Zhaohe?"

"You don't know the name, but you must know one thing." The godfather said: ""Refugees", do you know?"

"This is too familiar. Zheng Xia drew the fuse that was sent to the palace through illegal channels, leading to Wang Anshi's resignation."

"In addition to the "Picture of Refugees", there is another one." Godfather said: "From 27 to 100, Jiang Zhaohe, a painter from Manzhou, spent two years in the vertical painting with a piece of rubble as the background. On the two-meter-high and [-]-meter-wide scroll, there are more than [-] images of refugees suffering from war disasters."

There is no need to say more about the age, scroll size, theme, background, and duration. Zhou Zhi can already imagine the pain and anger of the painter at the time of creation.

"During the creation process, Jiang Zhaohe invited many friends and students to be models. It is said that there are two embracing and weeping women in the painting, who are the painter's students. The donkey in the painting is also borrowed from the street and pulled to the Sketching in the studio."

"Shanghai was already occupied at that time, in order to prevent the interference of the enemy, Mr. Jiang always painted part and immediately hid the part, no one knew what he was creating.

"In order to avoid the eyes and ears, when the exhibition "Picture of Refugees" was held, it was specially renamed "Picture of Group Portraits". As a result, it caused a sensation on the first day of the exhibition, and the audience was overwhelming. It was attacked by the Japanese Gendarmerie, and then After receiving the ban, it will never be exhibited."

"However, the picture scroll has been photographed by the reporters who arrived at the first time, and then it was made into photos and picture books and distributed to the whole country. The real record and great publicity of the deep disaster have inspired the patriotic enthusiasm of the same enemy."

"I remember." Zhou Zhi nodded, "In last year's "Chinese Art" color pictorial, there was a painting "Return to the Native". It is very thick and belongs to the works of the Shanghai style even more than the traditional Shanghai style."

"Later, I found out that it was created by an old painter in four or five years. At that time, I thought that this painter was quite a 'pioneer', but I forgot the name. It was Jiang Zhaohe and Mr. Jiang. It turned out that he was still from our hometown!"

Although it was a picture book, the painting "Returning to the Native" shocked Zhou Zhi a lot at the time.

The painter brought western perspective techniques into traditional Chinese painting, which greatly enriched the expressiveness of the characters in traditional Chinese painting.And it not only depicts the external image of the characters, but also pays more attention to the delicate excavation of the desolate hearts of the grandparents and grandsons, creating a sad and helpless atmosphere, venting the author's sympathy and grief, and with strong artistic appeal, Zhou Zhi's view Those who were drawn into the era of the poor and weak and the tragic displacement of the people all of a sudden.

"It's a pity that "Refugees" was unfortunately forcibly borrowed after it was exhibited in Shanghai for a short period of time, and there was no news after that. It was not until [-] that a painter from the Shanghai Artists Association discovered it from a garbage dump in a certain basement. This "Picture of Refugees", not to mention half of it, is still in tatters."

"So it was re-framed and given to Jiang Zhaohe's widow Xiao Qiong for collection. It was not until [-] that Ms. Xiao Qiong donated it to the National Art Museum of China for collection."

"Here we come." Fei Guan came back with two scrolls between his hands, and a few more pairs of white gloves on his hands.

Everyone cleared out the large nanmu table in the exhibition hall, and then unfolded the scroll.

Zhou Zhi was stunned when he saw it: "Return to the Native" is actually collected in Gongmei?"

"Elbow, I found your knowledge system is really piecemeal." Fei Guan was a little speechless: "I know "Return to the Native", but I don't know about "Refugees", and I don't know that the author is Jiang Zhaohe, and I don't know about "Return to the Native" In Gongmei."

"Interlacing is like a mountain. Looking at my knowledge system from the dimension of art, it is true. I accept criticism and accept criticism..." Zhou Zhi muttered to himself while staring at the two scrolls in front of him.

The two scrolls are 1.8 meters by [-] meter, one is "Return to the Native" that Zhou Zhi is familiar with, and the other is "Second Brother Out of Sichuan" that Zhou Zhi has never seen before.

Seeing that Zhou Zhi was absorbed, Fei Guan directly began to introduce: "According to statistics, after the outbreak of the Anti-Japanese War, more than 4000 two million working people were forced to flee their homes to avoid the flames of war. After the victory, 3000 million refugees in the rear were eager to return. Homeland, rebuild home."

"Tens of millions of refugees returned to their homeland from west to east, forming an unprecedented population migration in the modern history of our country. In the case of extremely scarce food, medicine, and transportation, they moved slowly with their lives in danger. I look forward to returning to my hometown to reunite with my separated relatives sooner. They were tossed and displaced, poor and sick, and the pain did not end with the end of the war, but continued to exert a destructive influence."

(End of this chapter)