Riding the wind of rebirth

Deputy Director Liu is not someone who has never seen the world. The earning ability of several literary bigwigs in Sichuan is much stronger than that of Zhou Zhi, and he is the one who knows how much Zhou Zhi's stamps are auctioned. , In fact, the economic strength is strong, not bad for this small 20.

He was even more surprised by Lao Cao's optimism towards Zhou Zhi, and rushed to finalize the agreement.

However, thinking that Zhou Zhi will be sent to say goodbye to several Mr. Gu, Deputy Director Liu is not surprised.

Regardless of age, students who can be recognized by the Gu family have an absolute advantage at least on the road of academics or literature and art.

Thinking about it this way, it's not surprising.

After signing the agreement with Editor-in-Chief Cao on behalf of the publishing house and saying goodbye, I realized that Manager Fei had arrived for a while.

The things that Zhou Zhi wanted to bring back this time were not old or young, and they were extremely precious, so Manager Fei didn't dare to neglect them.

This time I got four kinds of ancient papers. Of course, the most valuable is Chengxintang paper from Southern Tang Dynasty, followed by Jilin paper from Song Dynasty, Wannianhong and Jianyangkou from Ming Dynasty, and Taishilian from Ming and Qing Dynasties.

These things are still not considered as cultural relics. There are still many stocks in the Palace Museum in the capital, but they cannot be used.

As the country pays more and more attention to the restoration of calligraphy and painting cultural relics and ancient books and rare books, the consumption of these restoration papers is increasing day by day. Within five years, there will be a shortage of these papers, and in another ten years, these papers will be discarded. Listed as cultural relic treasures, not to be used without authorization.

As for the repair work of calligraphy and painting cultural relics and ancient books and rare books, how to continue?Then, depending on the level of the cultural relics and the criticality of the restoration, first rescue the extremely precious and urgent ones, and keep the rest as they are and seal them up.

On the other hand, it is to intensify research and development efforts, such as looking for wild silkworms to hybridize with modern silkworms to make them "return to their ancestors", and obtain silk with the same thickness as silk in the Han, Tang, and Song Dynasties, and then dye it with the drug dyes at that time. After obtaining the appropriate color silk, we can use the spinning machine to weave fabrics with the same thickness and mesh as that of that era, and then carry out the next step of imitation and restoration.

The rest of calligraphy and painting, porcelain, pottery, and bronze are all like this.

The techniques are becoming more and more refined, and more and more similar to the real ones, and what is even more ridiculous is that, except for the high-end calligraphy and paintings that are only flooded with modern imitations, and ancient calligraphy and paintings are difficult to imitate, the rest of the porcelain, bronze, jade, pottery, and three-color Wait, masters... it's really among the people.

Then there will be a legendary story that experts from the Palace Museum bought high-quality imitation glazed figurines of the Northern Wei Dynasty at Panjiayuan for 10 yuan.

The reason why porcelain became the hardest-hit area is different. The imitation of porcelain does not start from now, but every dynasty's stable period will set off a wave of collection fever without exception. , That is perseverance and perseverance.

In modern times, it is still extremely difficult to find antique porcelain. Except for the two batches of high-quality antique porcelain that were produced by concentrating on tackling key problems in the early days of the founding of the People's Republic of China and the early reform period, the rest are mainly made of ancient porcelain from the previous dynasty. Porcelain, pretending to be more ancient porcelain.

This is a job that tests the eyesight. For example, in the Qing Dynasty, the porcelain-making technology was kept improving, and the style of imitating antiques prevailed.

At this time, the varieties of antique porcelain are all-encompassing and have been made into several series.

One is the antique glaze color. The five famous kilns of the Song Dynasty and the famous kilns of the previous dynasties such as Longquan Kiln and Yue Kiln were the hardest hit areas for Qianlong porcelain masters to imitate wildly, especially Ge Kiln and Longquan Kiln. The blue is beyond the blue.

The second is blue and white antiques, and the hardest hit areas are the blue and white flowers of Yongle and Xuande in the Ming Dynasty. From the color of the blue and white to the shape and decoration of the utensils, the blue and white are fully copied.

However, blue and white has a little advantage, that is, the blue and white materials of Ming Dynasty were mainly made of fine Sumaliqing brought back from Zheng He's seven voyages to the West in the Yongle and Xuande Dynasties.

The rich and beautiful color of Su materials, coupled with the vigorous and unrestrained style of Yongxuan porcelain, makes Yongxuan blue and white porcelain admired by successive dynasties, becoming the supreme blue and white porcelain.

The later Chenghua blue and white also used some Soviet materials, but more of the domestic "Pingpingqing" was used due to the scarcity of raw materials, also known as "Pitangqing".

This kind of green material produced in Leping, Jiangxi Province has light gray-blue hair color, elegant and elegant, lined with white and warm tire glaze and fine decoration, making Chenghua blue and white become the representative of blue and white art in the mid-Ming Dynasty, exquisite and unique. , is treasured by the world, and has been imitated in all dynasties.

Thanks to Pingpingqing's elegant elegance, this style of blue and white porcelain lasted through the Chenghua, Hongzhi and Zhengde dynasties.

From Jiajing, Longqing to the early Wanli period, blue and white materials began to use a blue-purple material, produced in Huijiang, and became Huiqing materials.

This kind of blue-and-white porcelain has a large output, but the craftsmanship is relatively rough, and the quality of the porcelain has decreased, and the blue-and-white porcelain has also declined since then.

The meaning of decline does not mean that it is not taken seriously, but it means that many porcelains are competing with each other from being the only one outstanding.

Therefore, from the analysis of the materials, it can be concluded that among the blue and white porcelains of the previous dynasty, the most imitated products are Jialong Wanhui blue and white, most of which come from folk kilns, and official kilns are too lazy to imitate.

The second is Cheng Hongzhengping’s blue and white blue and white flowers. This kind of blue and white official kiln is the most imitated. Former money.

And it is this part of the porcelain that is the most eye-catching, and it is mostly this part of the porcelain that has the most magical stories.

But the most noble and elegant Yongxuan Su Mali blue and white flowers are better. With Lord Qianlong's wealth and strength, it is difficult to imitate this batch of "King of Blue and White". Green... gone.

Therefore, although there are many imitations, and there are also previous styles, but the rich and beautiful emerald color of Sumaliqing is absolutely outstanding, and it is difficult to reproduce. Therefore, the imitation and genuine products are better than the equal blue and white. distinguish.

The third type of antiquity hardest-hit area is the bucket color, with the Chenghua bucket color in the Ming Dynasty as the key imitation object, which is mainly inherited in terms of techniques.

Doucai developed to the Qianlong Dynasty, and it has entered a period of doing whatever you want. In this period, new varieties of doucai, even antique bronzes, imitation red carved lacquer, imitation animal and plant elephant life porcelain, and other insane things were produced. , and can accurately express the color and texture of the imitated objects, which can be called ingenious workmanship, forming a major feature of Qianlong porcelain.

With such strength in hand, with Lord Qianlong's character, it is impossible not to attack Doucai's ancestor, Chenghua Doucai.

As a result, many of the batch of antique porcelain were fired according to Emperor Qianlong's will.

In the archives of the Qing palace, we can see many approval documents issued by this master to the pottery supervisor. From the approval documents, we can see that he has very specific instructions on the firing of porcelain.

In a word, the Chenghua Doucai Chicken Crock Cup, which everyone is familiar with, is not familiar to everyone, but it is a small Tianzi Doucai small pot custom-made by Emperor Chenghuaer for the magical imperial concubine Wan Guifei in the legend of the collectors. All of them were imitated over and over again.