Riding the wind of rebirth

Chapter 485 Jiajing blue and white

After eating supper, Zhou Zhi rushed to give the money first, and then everyone continued to return. It was nearly ten o'clock, and Zhou Zhi returned home.

Zhou Zhi started to pack his things when he got home, and the next itinerary was packed again.

I made an appointment with Manager Fei to go to the capital before, and it just happened to be connected with this matter now, so a lot of things have to be packed in advance.

Hearing Manager Fei say that the "Citizens Auction" in Shudu was very lively, and the price of artefacts and artefacts was too expensive to attend that kind of meeting. Get some supplies up.

Now through his own channels, Zhou Zhi has his fourth cousin in the city, Su Zifeng from his fifth uncle's family in the countryside, and Lao Yangtou from Baimi Township. They are also collecting things, and they have accumulated a lot in the past year.

Zhou Zhi's specialty is porcelain, calligraphy and painting, plus miscellaneous literary and cultural items, the remaining jade, bronze, official kiln wares below Daoguang, folk kiln porcelain below Ming Dynasty, and some modern porcelain paintings, JDZ antique porcelain, small gold and silver wares And so on, Zhou Zhi is going to count a batch and let Manager Fei sell it on his behalf.

There are actually quite a few high-quality goods here, but for Zhou Zhi, they already belong to the ranks of "seeing and owning", so they are not worth collecting.

There was only one set of Jiajing blue and white Sanyang Kaitai high bowls. Zhou Zhi was really reluctant to part with them. After admiring them for a while, he stuffed them back and decided to keep them.

He even made up his mind in his heart that he would create a special category for the Jiajing blue and white collection.

Now when it comes to Ming blue and white, it must be Yongxuan.

Indeed, Yongxuan blue and white porcelain represents the highest peak of Chinese blue and white porcelain culture.

However, in the Jiajing Dynasty, the national power was greatly weakened, and the country could no longer support the firing of official kilns. Therefore, a flexible method was adopted, and the system of "government and private firing" was implemented, so that private kilns helped the government to fire utensils, which became "Qing limited wares".

On the contrary, the east is not bright and the west is bright. This method of operation has leaked some technical secrets that have been held in the official kiln to the private kiln.

As a result, the technical level of Jiajing folk kilns is rapidly approaching that of official kilns, and some blue-and-white vases made by folk kilns with exquisite craftsmanship have approached or reached the level of official kilns.

This is a huge value depression. Now even the official kiln porcelain after Daoguang was used as a "buy one get one free" a few years ago when buying three generations of official kiln porcelain. Objects that can be circulated in "citizen auctions" similar to Gongmei are extremely cheap.

Even decades later, the value of folk kiln porcelain in the past dynasties is still low, but as the circulation of official kiln porcelain is decreasing, the market urgently needs to dig out a kind of porcelain to hype.

First of all, the value of this kind of porcelain has not been excavated, and it has a lot of room for appreciation; secondly, it is of good quality, with high cultural value and cultural value; .

So someone finally set their sights on the Ming Jiajing blue and white porcelain, which is the closest to the official kiln in the past dynasties.

The market itself is mixed with good and bad. Jiajing blue and white, there are three kinds of light green materials: Pitangqing, Shiziqing, Huiqing, and because of the different technical levels of the kiln mouth, the color of the firing also ranges from black and blue deep gray to close to Chenghua. Emerald blue, and even blue-purple. …

Therefore, the quality varies greatly, and even Jiajing official kiln wares are affected by most cheap goods, and their value is not high.

But this period was also a period of great changes in the style and color of blue and white porcelain.

From the beginning of the Ming Dynasty, official kiln porcelain, like society, began to become rigid. From shape to pattern, official kiln porcelain had a fixed system, and even the inscriptions on the bottom could not be arbitrary.

However, the result of doing so directly led to the difficulty of imitating official kiln porcelain. In the era when fakes were rampant, experts were afraid of punching holes and simply "not official, not official kiln".

That is to say, no matter how realistic the imitation of a piece of porcelain is, regardless of the various details of the porcelain body glaze color air bubble support nails, as long as the shape and pattern are wrong, it is a fake.

For example, the appearance of Sanyang Kaitai on the blue-and-white porcelain must have been after Jiajing, because blue-and-white porcelain with sheep as the theme was not used in the blue-and-white porcelain before Jiajing.

Therefore, if you see a Sanyang Kaitai blue and white plate of Yongle style in the market, it is a counterfeit who has not passed the level of knowledge and fabricated it randomly. Countless people can be fooled.

Because of this, Jiajing blue and white porcelain has become a type of blue and white porcelain that most tests the eyesight of school collectors because of the huge difference in quality and unconventional color and style.

Similarly, because the level of identification required is too high, and the value cannot match it, today's Jiajing blue and white is undoubtedly the "garbage variety" that is most detested by collectors.

Thinking about it, except for Zhou Zhi, a true hobbyist researcher, rich people can't finish their collections of fine porcelain from official kilns. How can they have the patience to slowly study the authenticity of Jiajing blue and white, and the subtle differences between officials and people?
Grandma got up to relieve herself, turned on the bedroom light and came to the door to see Zhou Zhi: "I heard from your mother that my grandson will go out in two days?"

"Yes, grandma, we have found the "Dragon Canon" from Fawang Temple, and we are going to send it to Shudu University for appraisal."

"Is it the "Dragon Canon" that the Empress Dowager rewarded with half a piece of Luanjia? I have heard this allusion before."

Zhou Zhi smiled and said, "It's about the same. Dajing Township is not far from Erli Township. Grandma should have heard this story."

"However, your allusion of 'the red phoenix presses the green dragon' is a bit of nonsense. How can it affect such a large area in central Sichuan? It is almost enough to affect Jiachuan." Grandma obviously knows this allusion: "And this is something worth showing off Son?"

"It's not that I made this up, it's just that many people don't know the old allusion now..." Zhou Zhi couldn't help being stunned when he said this: "But I'm afraid it will be known this time..."

"What time is it, mother-in-law and grandson are still chatting here?" Mom also got up: "Hurry up and go to bed, what's the matter, we can talk about it tomorrow."

"Mom, we found the "Dragon Canon". It's in my bag now, do you want to read it?"

"What are you looking at..." Mom yawned, not interested in the "Dragon Canon" at all: "Hurry up and go to sleep, we will talk about it tomorrow morning!"

Sleeping so well in the mountains these few days, Zhou Zhi still woke up very early, so he simply boiled the porridge, then went out to buy steamed buns, and then packed his things.

By the time the family had breakfast, my mother seemed to have forgotten about the Dragon Canon in Zhouzhi's bag: "This time I'm going to Shudu, Tingting will also go, and Tingting's mother must accompany her."

"Are you going for an interview?"

"It's just the interview. Didn't you buy a house in Shudu? Can you give them a place to stay for a while? I heard you said it's quite expensive to live in a guest house in Shudu."

"Uh... that house is still good enough to clean up, and it's scary for just two people to live in..."

"Don't come and refuse if you don't come!" Although my mother often disagrees with Guan's mother, when it's time to help each other, the two always try their best: "Isn't it just that the house is a little old? What can be scary?" of?"

"Also, it's up to others whether they want to live or not, and it's up to you whether they want to let others live!"

"Let me tell you, Mama Guan has always been nice to you, and Tingting has always regarded you as her own brother..."

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