Riding the wind of rebirth
Chapter 501 Is He Also Reborn?
Chapter 501 Is He Also Reborn?
"And this." Zhou Zhi took out a sprig of dry grass from the scriptures, "When we opened the box, we found that the scriptures were covered with such dry grass. According to the monks at Fawang Temple, it was a piece of dry grass that was removed from the scriptures a hundred years ago. Transplanted into the temple in central Yunnan, it is called Lingxiang grass."
Teacher Yuan took the scripture and studied it from the cover, title page, page by page: "Everything is right, this Tripitaka, every volume is more than the existing Tripitaka. The Hebei Lian paper is used, although it is high-quality, it is also an ordinary printing paper in the Tongguang period, but this cover..."
"According to the identification of my fourth cousin and fourth aunt, they believe that the cover paper used in this set of Tripitaka is from the Qianlong Dynasty, and it is imitated from the Jinsu Temple Buddhist scripture paper, which is first-class imitation Faxi Temple Buddhist scripture paper."
"Did they say what the difference is?" Teacher Yuan carefully studied the cover of the Tripitaka: "Is the appearance of this set of books the same as these three volumes?"
"There are one hundred and eight bamboo boxes hidden in the Bodhisattva Cave. We didn't dare to open more, so we opened one box. At least the one we opened, the quality of the scriptures is the same."
"Uncle Si Biao said that the covers of these scriptures look like the scripture papers of the Jinsu Temple at first glance, but if you look closely, you can vaguely see the curtain pattern on the cover of one book, and it's here."
"This is caused by the fact that the paper was not fine enough when it was calendered. The imitation Jinsu Temple Buddhist scriptures papers are all carefully selected and then printed. It is impossible for such a situation to happen. Therefore, although this paper is extremely exquisite, it is still only It can be the first class of Xia Jinsu, so it is inferred that it is Faxi Temple paper."
"There is also the proportion of cotton used in the paper. Because the failure rate of imitating Jinsu Temple scripture paper in the early stage was too high, the amount of cotton fiber was increased in the later stage."
"Although the output has increased, product differences still exist. Paper workers are reluctant to destroy a large amount of inferior paper, so they came up with the name 'Fasi Temple Paper'."
"The amount of cotton used for the cover of the Tripitaka of Fawang Temple is also comparable to that of the paper imitated from Jinsu Temple in the later period, but the quality is slightly inferior, so it should be the paper imitated from Faxi Temple."
"That's true." Teacher Yuan took out a [-]x magnifying glass from his bag, and looked at this thoughtful explanation bit by bit under the light: "No wonder you are proficient in these at a young age, and the adults at this time are extremely clever. "
"My fourth cousin studied in Jinling Normal University before Liberation, and learned from the descendants of Ye Yufu, a master of the Yangbang framing master. He was familiar with the paper method of the Tang Dynasty, and he was able to restore calligraphy and painting with ancient methods."
"Yangbang? Then your fourth cousin will know the 'Double Lines in the Ink World' mounting method??"
"Is it the 'Wusi Boundary Painting' mentioned in Wen Zhenheng's "Long Wu Zhi"?"
"Exactly!" Teacher Yuan grabbed Zhou Zhi's hand, "If you can name Wusi Jiehua, you know you are experts in this way!"
"I just heard from Uncle Si Biao..." Zhou Zhi said, "I heard that this method uses Cunxu Yuchi white silk as the hanging belt on both sides of the painting heart, and adds two black silk borders on both sides of the hanging belt, so it is called 'Usi Boundary Painting'."
"This is the so-called 'Xuanhe Mounting Method'. Uncle Sibiao said that the two jade pond white silks were actually reserved by the Xuanhe Neifu for records and inscriptions. It is the same as the 'Huanglingjin Road'."
"However, because Song paintings are so old, it is far more difficult to make old 'Wusi Jiehua' with modern fabrics than 'Huangling Jinlu'."
"Uncle Si Biao said that when he was young, he saw his master mount the "Qingjiang Qiuyuan Picture" of the Song Dynasty, boil the old silk with ink medicine repeatedly, and then use it to mount the old painting, which is almost unreal."
"Will the fourth cousin there know this trick?"
"This..." Zhou Zhi thought about the ancient paintings that his fourth cousin had recently mounted and repaired for him, and it seemed that there was nothing hard to get him. After a few silk copies were renewed, even the latitude and longitude of the silk threads could not be inspected for flaws, so it should be a problem. No big deal: "Maybe it's possible, I can ask, isn't their Yangbang claiming to be 'an antique pool, a cure for all diseases'?"
"Hahahaha..." Teacher Yuan laughed and said, "You also know this statement? How can you still not be convinced by your behavior?"
After finishing speaking, he clicked on the cover of "Dragon Canon": "An old man who can make such a fine reference to the Jiachuan version of the Qianlong Dazang cover, elbow, can you give us an introduction, and invite him to come to our restoration center to guide the work... "
"I'm afraid this is a little troublesome..." Zhou Zhi said, "The main reason is that the fourth aunt has difficulty moving, and the fourth cousin has to take care of her. They all live in secluded places in Jiachuan, and it is really inconvenient to come to Sichuan."
"You can ask us first, if possible, we can visit him." Teacher Yuan said: "To restore all the scrolls of "Spring Mountain Song Oh Picture" by Wang Meng in the Yuan Dynasty, the mounting method should come from the Southern Song Dynasty. A big stumbling block to the mounting of our ancient paintings and calligraphy."
"Does our school also have a lot of calligraphy and painting collections?"
"Hehehe..." Teacher Yuan said with a smile: "Our school's collection of calligraphy and painting began in the Yuan Dynasty. Huang Gongwang and Wang Meng from the four families of the Yuan Dynasty, Shen Zhou and Wen Zhengming from the four families of the Ming Dynasty, three of the four monks of the Qing Dynasty, and one of the four kings. All of them, including the eight members of the Yangzhou School of Painting, Wu Changshuo, Zhang Daqian, and Xu Beihong in modern times, there are 170 nine pieces in the collection that can be called national treasures alone.”
"Do you have porcelain?" Zhou Zhi felt itchy in his heart.
"I don't know much about porcelain." Teacher Yuan turned to Gu Youwen and asked, "Old Gu, do you know?"
"I'm not too clear, I just remember that there are more than 8 cultural relics in our school, and there are porcelains from the Song Dynasty to the Qing Dynasty."
"This... this... Master Zuzu, see if you can..." Zhou Zhi began to make up his mind.
"It's not in a hurry at this moment." Gu Youwen asked Teacher Yuan again: "Xiao Yuan, I remember that Xiaotong is going abroad for a visit, right?"
"The University of Pittsburgh in the United States sent him a professor appointment letter. I heard that the formalities are being processed, and it will only take one or two months."
"Teacher Yuan, Master Zuzu, who are you talking about?"
"We're talking about Tong Enzheng. Oh, you may not know the name. You must have seen the movie "Dead Light on Coral Island". It is based on his novel."
"It was him!"
"You know him?"
"Teacher Tong doesn't know him, but everyone knows "Dead Light on Coral Island"!"
This is China's first sci-fi film, adapted from a novel of the same name, which later became the pioneering work of China's literature-heavy sci-fi genre.
"Well, many people think that Xiaotong is a writer, but they don't know that he is a professor of archeology at Sichuan University. He has in-depth research on the civilization and archaeology of the Three Gorges Civilization Corridor, the Minjiang Civilization Corridor, Central Yunnan, Ganzi, and Tibet. ” Gu Lao said.
"Since [-], he has been a visiting scholar at the Department of Anthropology of Harvard University in the United States, a visiting professor at the Museum of Anthropology at the University of Michigan, and also gave a lecture on "The Pit of Guanghan Artifacts in Shuzhong" at the University of Pittsburgh. He started a class and taught the "Cultural Anthropology" he opened." Teacher Yuan added: "Now he is a corresponding academician of the German Institute of Archeology, a visiting professor at the University of California, Washington University, and the Department of Anthropology at the University of Pittsburgh, and a visiting professor at the Department of Fine Arts at the University of Pittsburgh. Professor, and the curator of our Sichuan University Museum."
"I heard that you are still writing novels recently? What awards did you win?" Old Gu asked.
"Yes, when he was doing his job, he continued to create literature. The novel "Behind the Lead of Time" published in "Science and Literature" won the second Galaxy Science Fiction Award." Teacher Yuan nodded.
"He...was he also reborn?" Zhou Zhi was dumbfounded.
(End of this chapter)
"And this." Zhou Zhi took out a sprig of dry grass from the scriptures, "When we opened the box, we found that the scriptures were covered with such dry grass. According to the monks at Fawang Temple, it was a piece of dry grass that was removed from the scriptures a hundred years ago. Transplanted into the temple in central Yunnan, it is called Lingxiang grass."
Teacher Yuan took the scripture and studied it from the cover, title page, page by page: "Everything is right, this Tripitaka, every volume is more than the existing Tripitaka. The Hebei Lian paper is used, although it is high-quality, it is also an ordinary printing paper in the Tongguang period, but this cover..."
"According to the identification of my fourth cousin and fourth aunt, they believe that the cover paper used in this set of Tripitaka is from the Qianlong Dynasty, and it is imitated from the Jinsu Temple Buddhist scripture paper, which is first-class imitation Faxi Temple Buddhist scripture paper."
"Did they say what the difference is?" Teacher Yuan carefully studied the cover of the Tripitaka: "Is the appearance of this set of books the same as these three volumes?"
"There are one hundred and eight bamboo boxes hidden in the Bodhisattva Cave. We didn't dare to open more, so we opened one box. At least the one we opened, the quality of the scriptures is the same."
"Uncle Si Biao said that the covers of these scriptures look like the scripture papers of the Jinsu Temple at first glance, but if you look closely, you can vaguely see the curtain pattern on the cover of one book, and it's here."
"This is caused by the fact that the paper was not fine enough when it was calendered. The imitation Jinsu Temple Buddhist scriptures papers are all carefully selected and then printed. It is impossible for such a situation to happen. Therefore, although this paper is extremely exquisite, it is still only It can be the first class of Xia Jinsu, so it is inferred that it is Faxi Temple paper."
"There is also the proportion of cotton used in the paper. Because the failure rate of imitating Jinsu Temple scripture paper in the early stage was too high, the amount of cotton fiber was increased in the later stage."
"Although the output has increased, product differences still exist. Paper workers are reluctant to destroy a large amount of inferior paper, so they came up with the name 'Fasi Temple Paper'."
"The amount of cotton used for the cover of the Tripitaka of Fawang Temple is also comparable to that of the paper imitated from Jinsu Temple in the later period, but the quality is slightly inferior, so it should be the paper imitated from Faxi Temple."
"That's true." Teacher Yuan took out a [-]x magnifying glass from his bag, and looked at this thoughtful explanation bit by bit under the light: "No wonder you are proficient in these at a young age, and the adults at this time are extremely clever. "
"My fourth cousin studied in Jinling Normal University before Liberation, and learned from the descendants of Ye Yufu, a master of the Yangbang framing master. He was familiar with the paper method of the Tang Dynasty, and he was able to restore calligraphy and painting with ancient methods."
"Yangbang? Then your fourth cousin will know the 'Double Lines in the Ink World' mounting method??"
"Is it the 'Wusi Boundary Painting' mentioned in Wen Zhenheng's "Long Wu Zhi"?"
"Exactly!" Teacher Yuan grabbed Zhou Zhi's hand, "If you can name Wusi Jiehua, you know you are experts in this way!"
"I just heard from Uncle Si Biao..." Zhou Zhi said, "I heard that this method uses Cunxu Yuchi white silk as the hanging belt on both sides of the painting heart, and adds two black silk borders on both sides of the hanging belt, so it is called 'Usi Boundary Painting'."
"This is the so-called 'Xuanhe Mounting Method'. Uncle Sibiao said that the two jade pond white silks were actually reserved by the Xuanhe Neifu for records and inscriptions. It is the same as the 'Huanglingjin Road'."
"However, because Song paintings are so old, it is far more difficult to make old 'Wusi Jiehua' with modern fabrics than 'Huangling Jinlu'."
"Uncle Si Biao said that when he was young, he saw his master mount the "Qingjiang Qiuyuan Picture" of the Song Dynasty, boil the old silk with ink medicine repeatedly, and then use it to mount the old painting, which is almost unreal."
"Will the fourth cousin there know this trick?"
"This..." Zhou Zhi thought about the ancient paintings that his fourth cousin had recently mounted and repaired for him, and it seemed that there was nothing hard to get him. After a few silk copies were renewed, even the latitude and longitude of the silk threads could not be inspected for flaws, so it should be a problem. No big deal: "Maybe it's possible, I can ask, isn't their Yangbang claiming to be 'an antique pool, a cure for all diseases'?"
"Hahahaha..." Teacher Yuan laughed and said, "You also know this statement? How can you still not be convinced by your behavior?"
After finishing speaking, he clicked on the cover of "Dragon Canon": "An old man who can make such a fine reference to the Jiachuan version of the Qianlong Dazang cover, elbow, can you give us an introduction, and invite him to come to our restoration center to guide the work... "
"I'm afraid this is a little troublesome..." Zhou Zhi said, "The main reason is that the fourth aunt has difficulty moving, and the fourth cousin has to take care of her. They all live in secluded places in Jiachuan, and it is really inconvenient to come to Sichuan."
"You can ask us first, if possible, we can visit him." Teacher Yuan said: "To restore all the scrolls of "Spring Mountain Song Oh Picture" by Wang Meng in the Yuan Dynasty, the mounting method should come from the Southern Song Dynasty. A big stumbling block to the mounting of our ancient paintings and calligraphy."
"Does our school also have a lot of calligraphy and painting collections?"
"Hehehe..." Teacher Yuan said with a smile: "Our school's collection of calligraphy and painting began in the Yuan Dynasty. Huang Gongwang and Wang Meng from the four families of the Yuan Dynasty, Shen Zhou and Wen Zhengming from the four families of the Ming Dynasty, three of the four monks of the Qing Dynasty, and one of the four kings. All of them, including the eight members of the Yangzhou School of Painting, Wu Changshuo, Zhang Daqian, and Xu Beihong in modern times, there are 170 nine pieces in the collection that can be called national treasures alone.”
"Do you have porcelain?" Zhou Zhi felt itchy in his heart.
"I don't know much about porcelain." Teacher Yuan turned to Gu Youwen and asked, "Old Gu, do you know?"
"I'm not too clear, I just remember that there are more than 8 cultural relics in our school, and there are porcelains from the Song Dynasty to the Qing Dynasty."
"This... this... Master Zuzu, see if you can..." Zhou Zhi began to make up his mind.
"It's not in a hurry at this moment." Gu Youwen asked Teacher Yuan again: "Xiao Yuan, I remember that Xiaotong is going abroad for a visit, right?"
"The University of Pittsburgh in the United States sent him a professor appointment letter. I heard that the formalities are being processed, and it will only take one or two months."
"Teacher Yuan, Master Zuzu, who are you talking about?"
"We're talking about Tong Enzheng. Oh, you may not know the name. You must have seen the movie "Dead Light on Coral Island". It is based on his novel."
"It was him!"
"You know him?"
"Teacher Tong doesn't know him, but everyone knows "Dead Light on Coral Island"!"
This is China's first sci-fi film, adapted from a novel of the same name, which later became the pioneering work of China's literature-heavy sci-fi genre.
"Well, many people think that Xiaotong is a writer, but they don't know that he is a professor of archeology at Sichuan University. He has in-depth research on the civilization and archaeology of the Three Gorges Civilization Corridor, the Minjiang Civilization Corridor, Central Yunnan, Ganzi, and Tibet. ” Gu Lao said.
"Since [-], he has been a visiting scholar at the Department of Anthropology of Harvard University in the United States, a visiting professor at the Museum of Anthropology at the University of Michigan, and also gave a lecture on "The Pit of Guanghan Artifacts in Shuzhong" at the University of Pittsburgh. He started a class and taught the "Cultural Anthropology" he opened." Teacher Yuan added: "Now he is a corresponding academician of the German Institute of Archeology, a visiting professor at the University of California, Washington University, and the Department of Anthropology at the University of Pittsburgh, and a visiting professor at the Department of Fine Arts at the University of Pittsburgh. Professor, and the curator of our Sichuan University Museum."
"I heard that you are still writing novels recently? What awards did you win?" Old Gu asked.
"Yes, when he was doing his job, he continued to create literature. The novel "Behind the Lead of Time" published in "Science and Literature" won the second Galaxy Science Fiction Award." Teacher Yuan nodded.
"He...was he also reborn?" Zhou Zhi was dumbfounded.
(End of this chapter)
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