Riding the wind of rebirth

Chapter 548 Museums

"That's right. They also heard about the newly published "Tripitaka of Qianlong Edition" by the state, so they want to request the state to copy a set of the original Dragon Tibetan Sutra brocade box and sutra cabinet, and then get a new set of "Qianlong Edition." Tripitaka, and put it back in the Sutra Pavilion, so as to roughly restore the original appearance of the year."

"You old Gu!" Master Dan Zeng is actually older than Gu Zhenduo, but because he looks young and strong, and he can play basketball after all, he seems to be a whole round younger. It is common for teachers not to respect teachers when they grow up.

But when he turned his head to look at Zhou Zhi, he became more cautious: "Then this picture book, our school will accept it?"

"If Master is worried, shall we hold another donation ceremony?" Zhou Zhi also made up his mind to tease the boredom.

"Elbow, don't make trouble!" The godmother hurriedly stopped: "Are you worried that it's Master's turn?!"

"It would be nice to have a donation ceremony." Director Jiang said, "It will be easier for everyone to explain in the future."

"That's right, that's right." Master Dan Zeng nodded, "Then get one quickly!"

"Is it so casual?" Zhou Zhi was dumbfounded: "Now?"

"Director Jiang is the director of our Provincial Book Association. He came to give you some certificates, but you made money." Gu Zhenduo said this as if Zhou Zhi was taking advantage, making Zhou Zhi's stomach really decide his head.

The godmother said to her son: "Qiao Mu, I remember there is a camera in the car, let's take a picture."

Now Zhou Zhi felt that his godmother's ass was all crooked, and she made it clear that she was on the side of her alma mater and wanted to help secure this "deal".

They are all elders, Zhou Zhi can only obediently obey, went through a process, accepted the "donation certificate and thank you letter" with excellent calligraphy and writing skills, surrounded by his godmother, director Jiang, teacher, and master Dan Zeng Holding the certificate behind the cultural relics, they took a group photo together.

After everything was done, Director Yuan said: "The batch of "Dragon Canon" in Jiachuan should be transported as soon as possible. After all, it is hundreds of years old, so it is better to keep it in the institute."

"Okay, I'll call home right now." The godmother smiled.

"I wonder if you like museums?" Director Jiang accepted Zhou Zhi's affection today. After all, the two important cultural relics must be stored in the museum, and the museum is naturally under the management of the history department.

There was nothing good to offer, but seeing that Zhou Zhi seemed to be interested in cultural relics, he had no choice but to invite Zhou Zhi to visit the museum.

"Or you can go to the restoration center." Director Yuan joked with a smile: "After all, I made an appointment with Elbow, and I'm going to practice there in the future, right?"

"Let's go to the museum." Although Jiang Shuyi obediently followed Zhou Zhi and didn't say much, Zhou Zhi thought that she would definitely not be interested in the room full of old papers, and it would be better to go to the museum to see the strange things.

Every museum has its treasures, which are usually not open to the public and let people visit them at will. Today, Director Jiang is very generous and allows guests to watch them at will.

"In the 20th year of the Republic of China, the Shudu University Museum was established. At that time, we had more than [-] specimens, which were stored and displayed in the Hebei Institute of West China Union University."

"By the 25th year of the Republic of China, the museum's collection of cultural relics had exceeded [-] pieces. These mainly include ethnic minority cultural relics, new and old stone tools from the Minjiang Cultural Belt in Sichuan-Kangzhou Province. In addition, there are more than [-] pieces of Qing Dynasty clothing and embroidery, and [-] pieces of snuff bottles. , about [-] pieces of porcelain, bronzes, jades, ancient springs, pearls and ornaments from the Qing Dynasty, Han figurines, Guanghan relics, etc.

"After the founding of New China, the museum's collection continued to expand. By the end of May [-]st, it was the first inventory, and the collection had reached more than [-] pieces."

"Up to now, it has been greatly expanded, with a total of more than 6 sets and more than [-] pieces, including dozens of categories such as stone carvings, calligraphy and painting, ceramics, bronzes, ancient coins, ancient seals, embroidery, lacquerware, rubbings, etc., especially calligraphy and painting. , ceramics, art sculptures, ethnic cultural relics, folk cultural relics, etc. are the most distinctive collections.”

It is said that it is a museum, but it is not open to the public. When Director Jiang turned on the lights, a dinosaur fossil nearly three meters high greeted him.

"Eh? And this?" Zhou Zhi was surprised.

"It belongs to another department, but there is no place to store it. It is temporarily placed here with us. There are also many ore and animal and plant specimens."

Of course, Zhou Zhi is most interested in porcelain and calligraphy and painting. His porcelain appraisal level can only be said to be Song porcelain and blue and white specialization. The rest of the official kiln or quasi-official kiln porcelain, the three dynasties of the Qing Dynasty can hardly fool him. After the Yuan, Ming, and Qing Dynasties, and the Republic of China, there are some things that are not enough to see, and about [-]% of them can be recognized.

The Song, Yuan, Ming and Qing Dynasties are all in the Shu University Museum, for example, today is an excellent opportunity to make up lessons.

For example, a large number of three-color porcelain and white-glazed porcelain in the Tang Dynasty came from Huangye Kiln, Lushan Kiln in the north, and Shifang Kiln in Qionglai in central Sichuan.

Laymen watch the fun, and experts watch the doorway, especially all porcelain. Director Jiang allows Zhou Zhi to touch and watch carefully, which is really a big face.

Holding a cup in his hand, Zhou Zhi gently turned it to watch, loving it, for fear of missing every detail.

"The Tang Dynasty had frequent exchanges with the peoples of the Western Regions, coupled with the advocacy of novelty in the era, the images of Hu people became very common in various works of art."

"The name of this cultural relic is 'Tang Huangye Kiln Hu Ren Holding the Horn Cup'. It is shaped like a Hu man with a high nose, deep eyes, and curly beard sitting on the ground, holding a horn about the size of his body tightly with both hands. cup image."

"This cup is a wine vessel, about [-] centimeters high. The wine poured into the corner cup can flow into the hollow barbarian's body, which ingeniously increases the capacity of the cup."

"Is this really for drinking? Or is it in the shape of an open vessel?" Zhou Zhi felt a little curious, and felt that drinking from such a cup was always a bit weird.

"Naturally, it's an artifact." Director Jiang said with a smile: "Actually, this is also a feature of our country's funeral system. All artifacts shaped into human figures are generally not daily necessities, but are mainly funeral artifacts."

"You're good, Elbow, you can get an idea as soon as you ask."

(End of this chapter)