Riding the wind of rebirth

Chapter 761
For example, some famous modern artists such as Xu Beihong, Guan Shanyue, Zhang Daqian, Fu Baoshi, Pan Tianshou, later Zao Wou-ki, Jiang Zhaohe, Wu Guanzhong, and even later Fan Zeng, the prices of these people's works have risen, and now they can reach Millions of millions.

However, although the prices of the works of the four masters of the Ming Dynasty, the four monks of the Qing Dynasty, and the eight monsters of Yangzhou are far lower than those of the above, they are still acceptable.

However, the real great calligraphers of the Qing Dynasty, such as Wang Duo, Zheng Yu, and Liang Tongshu, who are famous in the history of the Qing Dynasty, have hardly been heard of by the people.

And Prince Cheng and Tie Ning, who were much less famous than these people, were even more unknown.

So their works are ridiculously cheap.

If Zhou Zhi hadn't received couplets in the central hall of several famous ministers before, and had learned about the prices of Qing Dynasty calligraphers' works today, he wouldn't have known about it.

This is a low value in itself, and with today's incident, Mr. Qi made a request for Zhou Zhi's calligraphy, asking him to start "painting posts", so he simply took this as an opportunity to ask Ma Ye to help him find a batch of " material".

The reason why it is called "data" is because the price is too cheap.

For example, Wang Duo, a great calligrapher who is as famous as Dong Qichang in history, is known as the "King of the South, Dong and North". It will take another 13 years for his masterpiece to break through one million. The "Cursive Script Five-Character Poetry Volume" that I got was 8 centimeters high and more than two meters long, and it cost less than [-] yuan.

Even Wang Duo was like this, others were even more miserable.

Ma Ye found several items belonging to Prince Cheng, including vertical and horizontal volumes, but none worth more than 6000 yuan. A "Thousand Character Essay" by Zhao Mengfu only cost [-] yuan.

Although 6000 yuan is already the mayor's salary for a year, in the eyes of those present, it is not expensive.

Qi Lao opened "Thousand Characters": "This is good. The most important thing in Linzi is to 'follow the law'. If you write it yourself, it is copying the content and not called Lintie. You think of this as a prince, this is the most regular. Mo's Kung Fu is worth learning for you."

This is a bit self-defeating. Zhou Zhi bought this pile of things because they are cheap, and there is a huge room for appreciation in the future. Even if they are bought at Rongbaozhai now, they can be understood as the price of cabbage.

If the two "Chunhua Pavilion Posts" were to come back, it would definitely be a national sensation.

Chinese people's interest in Qing Dynasty books will also increase greatly. Maybe they don't have to wait so many years in the last life.

This can be regarded as holding the thought of losing outside the embankment and making up for it within the embankment.

Mr. Wang didn't expect these things to come up, and he agreed with Mr. Qi's statement: "The study of stickers is very different from the study of steles. The study of steles is about the structure of the frame, but the characteristics of the study of steles are destined to lose countless details in calligraphy. .”

"Tiexue is calligraphy on paper. Compared with that on stone, all the details are completely preserved."

"Even if it is a model made by the double hook method, it is only a 'first-class authentic work', which is incomparable to stele rubbings."

"Yes, so when calligraphy has entered the country to a certain extent, it should change from stele learning to pasting learning." Qi Lao picked out another one from the pile of works: "This one is not bad, he also made Qianlong calligraphy. The emperor's calligraphy teacher."

There were two calligraphy teachers in Qianlong, one was Zhang Zhao, and the other was the current one, Liang Shizheng.

The calligraphy of both of them is representative of the "Guange Style" of the Qing Dynasty. Zhang Zhao learned from Dong Qichang in his early years, and then gradually joined Yan Zhenqing, Su Shi, Huang Tingjian, Mi Fu, Zhao Mengfu, and later learned from Wang Xizhi. Write.

Qianlong admired his handwriting very much, and Zhang Zhao wrote many of his wishes at that time.

And Liang Shizheng's fame is Tanhua, he first learned from Liu Gongquan, then Wen Zhengming and Zhao Mengfu, and in his later years, he learned from Yan Zhenqing and Li Beihai.

Now Qi Lao is holding a copy of "Fenghe Ten Poems Stickers", which is a collection of ten poems written by him as Qianlong's calligraphy instructor, accompanying Qianlong's poems.

However, because the pavilion style is too gorgeous and regular, it will be criticized by the ugly calligraphy world in the future, which leads to the calligraphy of Zhang Zhao and Liang Shizheng, two great gods, to be criticized by a group of fans.

This is a very funny thing. Zhou Zhi has always believed that the so-called liberation of individuality is good, but there must be a premise, that is, a person has already achieved the ultimate in rules, and it is time to pursue changes.

Just like Ji Kang, the world is a house, the house is clothes, and he can receive guests naked in it and still be calm, which is indeed a manifestation of his personality.

But the premise is that Ji Kang had become a spiritual leader at that time, a leading figure in the literary world, and he could already be called a writer, a thinker, a musician, and none of the other six of the Seven Sages of the Bamboo Grove were maverick and domineering figures, and they were not enough in front of Ji Kang. Look, you behave like a younger brother.

"Letter of Breaking Friendship with Shan Juyuan", "Gift to a Scholar to Join the Army", and "Poetry of Indignation", if you can produce these excellent works, whether you are blacksmithing or running naked, everyone in the world will only be able to shout Niuniu Niu Niu Niu Niu Niu Niu Niu Niu.

But if the owner of the canteen downstairs in your family came here one day when he was drunk, then everyone would have to call the police and call 110. No one would think he was Ji Kang, but a lunatic.

It's a pity that in this world, there are very few people with true temperament, and there are too many guys who want to attract attention because of their personality.

Without Ji Kang's connotation, but more publicity than Ji Kang, this is not called spirit, but mental illness.

The same is true in the world of calligraphy. In Zhou Zhi's mind, practicing the frame structure and the method of rounding and turning strokes is the only way for every calligraphy practitioner. Only after practicing these things can we be qualified to talk about changes, otherwise it is a joke.

And Zhang Zhao and Liang Shizheng are the ones who have come to the end of this inevitable road.

Although in the end there was no "throwing through the wall" or "finding another way", it was enough to make people admire.

Compared with Zhang Zhao, Liang Shizheng's way of learning calligraphy is similar to Zhou Zhi's. Zhou Zhi was also greatly influenced by Yan Zhenqing, Ouyang Xun, and Huang Tingjian.

And Wen Zhengming also inherited Huang Tingjian's path, so Liang Shizheng's calligraphy style, which refers to a large number of Wen's brushwork, is relatively "easy to learn" in Zhou Zhi's view.

These calligraphy works add up to dozens of pieces, including large characters in the central hall, couplets, large and small albums, fans, even letters, notes... In short, there are all kinds of tricks.

The most expensive one is Wang Duo's "Five-Character Poems in Cursive Script", followed by Zheng Yu and Liang Tongshu. The works of these famous masters cost only [-] to [-] yuan a piece, while Prince Rucheng's "Thousand Character Essay" and Liang Shizheng's "Fenghe Ten Poetry Stickers" ", not even more than [-].

Some fan-faced sticky notes can't even be listed as a thousand.

Therefore, although there are as many as 20 or [-] items, it only took weeks to more than [-].

Mr. Qi simply asked everyone to go through the books of the Qing Dynasty, and finally picked out a few pictures of becoming a prince: "Sharpening your guns before the battle is not good. Let's make up for the lesson of becoming a prince tonight. Don't go to Hong Kong. The island is timid."

Although they are from the same post, the characters written by Zhao Mengfu, Dong Qichang, Wang Duo, and Prince Cheng are quite different from the "Chunhua Pavilion post" on the stele rubbings of King Su's mansion in the Ming Dynasty.

Compared with Xingkai, the cursive script used by Prince Cheng also loses a bit of the elegance of Zhao style, and a bit more of the style of Jin people. This change can be clearly seen, and its subtlety can also be felt.

But if he wanted to hold a dry pen like Qi Lao, and explain and analyze a cursive "Shu Pu" in Prince Cheng's cursive script, he couldn't do it.

After one night, not only did Prince Cheng gain a lot of knowledge in calligraphy appraisal, but Zhou Zhi also gained a lot of knowledge about calligraphy knots, guarding palaces, and the details of Jin people's wrist movements. From the theory to practice of calligraphy .

Zhou Zhi even felt jealous when he thought that Master Qiao would often have the opportunity to come and get advice.

(End of this chapter)