old events in tokyo

Chapter 224
Compared with their debut song, trf's "EZ DO DANCE" single has performed much better.

Although it was blocked by Kazuki Akiyama and the others, they still entered the top [-] on the list.

This also allowed trf to enter the public's field of vision for the first time, and people gradually noticed electronic dance music, a new type of music.

Speaking of Komuro Tetsuya's ability to start the production of electronic dance music, he was inspired by Katsuto Matsuura.

Katsuto Matsuura will be the executive director of Ai Hui in the future, but he is still only a professional at present.He suggested that Tetsuya Komuro might try electronic dance music is a good attempt.

Moreover, Katsuto Matsuura believes that he wants to maximize the market for cult-like music such as disco, that is, dance music.

Then it is necessary to turn this kind of club-style music into pop music in order to cater to the masses to the greatest extent.

His idea also coincides with Komuro Tetsuya's inner expectations for the future music world.

So Xiaoshi also began to try his own electronic dance music project for the first time this year.

And his strategy of producing and promoting electronic dance music is actually a bit of copying Nagato Taiko's ideas.

As we all know, this year is the year when artists and singers under Being became popular, and even gave birth to the "Being phenomenon" in the media.

The strategy used by Being can also be said to be the strategy used by Nagato Taiko.

It is the constant fatigue bombing of music fans. When their popularity is extremely high, the density of album releases will be increased.

Most of the singers under Being have similar styles, so they can brainwash music fans in a short period of time, thereby rapidly increasing sales.

The success of this strategy has naturally attracted many rising producers to imitate, Tetsuya Komuro is one of them.

But the disadvantages of doing so are also very obvious. Once the aesthetic fatigue, the public will lose interest in this style of music, and naturally they will no longer pay for it.

It's just that under the short-term skyrocketing income, no one has noticed such disadvantages.

Or I noticed it, but I didn’t take it to heart at all. After all, popular trends are always changing, and no one can guarantee that the music produced will always be popular with the public.

Nagato Taiko, as a veteran who has been in the music world for many years, of course understands this in his heart.

It's just that the only thing that comforts him is that he still has singers like B, Z and Kazuki Akiyama under his banner.

They are all singer-songwriters and rarely rely on Oda Tetsuro's compositions, especially Akiyama Kazuki who is completely alone.

This also ensures that their style is not uniform with other artists under Being.

Especially Kazuki Akiyama, his style of music is even more unconstrained.Think about it, even if there is a day when Being's style of music declines in the future, he will still occupy his place in the music scene.

It can also be seen from this that he wants to make a name for himself in the music scene.Excellent packaging and strong hype can work, but if you want to stand in the music scene for a long time, talent and your own characteristics are crucial.

It is said that half of 93 has passed, but what happened in this half year alone is enough to show that the Japanese music scene in 93 was an eventful year.

Not to mention the earth-shaking changes that have taken place in the world's political arena in one year, but only in the pop music world.

Composer Hattori Ryuichi passed away at the beginning of the year, and in June, Huang Jiakui, the lead vocalist of the Hong Kong Orchestra beyond, fell from a high platform while recording an entertainment program on Fuji TV and passed away unfortunately.

Also in June, composer Inomata Kosho died of lung cancer. Many people may not be familiar with the name just by looking at it.

Teresa Teng's "Airport" was composed by him, and Fuyumi Sakamoto, one of the five beauties of enka, is also one of his disciples.

Misora ​​Hibari, Mori Shinichi, and Itsuki Hiroshi all sang his compositions.

In short, in the first half of the year, some important old people in the music scene left, and new bands such as DEEN, trf, and class were born.

Chuck, Asuka and B, z continued to compete for the top spot, and the battlefield moved from the album chart to the singles chart.

Chuck and Asuka's "YAH YAH YAH" took the lead in charging to the top of the list, followed by B, z's "Barefoot Goddess".

But no one expected that Kazuki Akiyama would come out halfway, and his song "Cherry" was the first to reach the top of the 200 million single because of the hot news and the addition of TV dramas.

Recently, due to the renewed popularity, this single has returned to the list again.

I don't know this result, it surprised many people who were waiting for the battle between the two top singer groups.

His rise has also made the already brilliant music scene even more turbulent.

It started in 93, or in other words, from his song "Powder Snow" at the end of 92, until now.

Almost all the champions of ORICON’s weekly singles list come from artists under Being. Even if they don’t sing, they also participate in direct production such as writing lyrics and composing music.

"Being Storm" is worthy of the name, but I don't know how long such glory can last.

Entering July, the wind and cloud were still turbulent outside, but Kazuki Akiyama buried his head in the recording studio.

During this period of time, he concentrated his energy, and with the help of Akashi Masao and Hayama Takeshi, he also basically completed the arrangement and instrumental accompaniment of the album.

The next stage is the recording work, and the production of records is like this, slow work and meticulous work.

戻らない时だけが
and the time that can't be the same as before

He Guhui い て は
why is it shining
...

Kazuki Akiyama took off his earphones and heaved a sigh of relief.Come out of the recording studio and get ready to take a break.

"Hayama-san, Kitahara-san, how are you?"

The arrangement of this title song is in charge of Takeshi Hayama, originally Nagato Taiko wanted Akashi Masao to come.

But just when the music was being composed last month, Masao Akashi was helping Izumi Sakai to catch up with the progress.

Her album of the same name "Swaying Thoughts" will be released in a few days, so due to time constraints, Kazuki Akiyama can only ask Takeshi Hayama for help.

Kitahara Wenzheng has been his sound engineer since Akiyama Kazuki's debut.

So now it is Takeshi Hayama and Fummasa Kitahara who are helping him in the studio. Most of the arrangers actually work as sound engineers or even sound mixers.

"Very good, Mr. Qiushan's breath control is becoming more and more precise. Even without the windshield of the microphone, you can hardly hear the sound of breathing when listening to the radio."

As a recording engineer who has been working for several years, Bei Yuanwen is very familiar with the recording work of singers and cannot be more familiar with it.

Akiyama Kazuki's growth all the way, he almost watched him walk over.

When he first signed the contract, the way of speaking was still very original. If it weren't for a good voice, it is estimated that Nagato Taiyuki might not have valued it.

But since then, I have been going to vocal music lessons at a fixed time every week.Singing skills are improved at a speed visible to the naked eye.

Even though his level can reach A or even A+ level among professional singers, he still has not given up on learning music theory.

With this diligent attitude, it surpasses most of the current singers in the music world.

I am not afraid that he has creative talent, what is afraid is that he is both talented and hardworking.He is not popular, who is popular.

"The emotions are very full. It can be seen that Qiushan Jun was very touched when he wrote this song."

As an arranger, Takeshi Hayama analyzed the emotion and original intention of the song from the perspective of creation.
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PS : there are more in the evening
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(End of this chapter)