old events in tokyo

At the end of September and the beginning of October, Kazuki Akiyama's third single of this year was officially released.

This single, composed by Miyuki Nakajima and written by him and Izumi Sakai, has aroused heated discussions among the public before it was released.

This is the first time he has sung a song composed by others. Kazuki Akiyama has composed all his songs since his debut. The only exception this time naturally attracted everyone's attention.

Not to mention that the other partner of the cooperation is Miyuki Nakajima, whether it is her status as a senior musician or her scandal with Kazuki Akiyama that was once reported by gossip tabloids.

Coupled with the name of the lyricist Izumi Sakai, these three together are definitely a big topic.

However, it also proved from the side that those scandals were completely fabricated by Zi Wu.

Some media with a good relationship with Kazuki Akiyama even got an exclusive group photo of the three of them standing together, which is more effective than any song playing activities or promotional programs.

And once the song "Zhou Ship" was released, it undoubtedly became a frequent visitor on various charts.

The majority of fans are also very fond of the style of this work, and everyone is talking about this song.

"I never knew Mr. Qiushan had such a heroic side in singing, full of masculinity."

In the camera, the female fan is holding the CD in her hand with a nympho face, shaking it happily.

"When I hear this song, I feel terrible. In the future, I will definitely compare myself with Mr. Qiushan when I find a boyfriend, but that's totally impossible."

"His style is really very changeable, he can be tender and lingering, he can be free and unrestrained, and he can be full of pride. Every style is fascinating, and every breakthrough will send him to a higher peak." ——A magazine voice Critic.

There are almost no artists who take a bold and unrestrained line in the Japanese music scene, and this style of music is rare, and most of them only exist in ancient enka.

But Kazuki Akiyama's song has won unanimous praise from everyone.

His passionate and surging singing voice formed a strong contrast with the Japanese-style warmth and euphemistic to somewhat submissive emotional expression.

However, this comparison is not annoying or uncomfortable. On the contrary, many people are impressed by the grandeur and boldness.

The unrestrained and unrestrained temperament in the song cannot be imitated by others, as if he was born with it, it is hard to imagine that he is a native of Tokyo.

Along with the ferment of word-of-mouth of the song, the film promotion of "Crying Out for Love in the Center of the World" is carried out together.

The large-scale announcement of tens of millions of yen is enough to shoot a regular-cost movie.

There is also Kazuki Akiyama's halo blessing, the participation of SMAP, and the joint production of several industry giants such as Shochiku, Fuji TV, and Kadokawa.

All of these have made the audience look forward to it, and the popularity has never dropped since the film was exposed.

Various spies about the movie and interviews with the main creators also maintain this enthusiasm.

At this time, the post-production of the film has also come to an end, and it should be released as scheduled on Christmas without any accidents.

The shooting was not difficult. With the cooperation of several production companies, they rushed to catch up and finally completed the shooting of all the shots as scheduled.

Here I have to praise the dedication of the Japanese actors. They filmed winter scenes, wore down jackets against the high temperature, and spoke lines in a leisurely manner.

The director kept acting without yelling, without blinking his eyes.Tsk~, it's worth the money.

In the editing room of Shochiku Films, the unshaven Shunji Iwai yawned with blurred eyes.He rubbed his oily cheeks and put on his glasses again.

"It's a shame." Kazuki Akiyama brought some lunch boxes to eat, and distributed one to everyone here.

"Finally, it's almost finished. After it's over, we must go to soak in warm soup."

After receiving the lunch box, Shunji Iwai started immediately without hesitation, talking to Kazuki Akiyama about his plans after the movie while eating.

At this time, he was no longer the handsome literary youth before, and he looked no different from an uncle in his decades.

"No problem, let's go together, I'll pay for it." Kazuki Akiyama echoed, making Xing Dingxun and Shinoda Noboru in the editing room cheer.

Recently, Kazuki Akiyama also often spends here.Don't forget his other identity, the music director of the movie.

In addition to the movie episode theme song, he provided eight songs for the complete soundtrack alone.

After these soundtracks were produced by ECHO, they were collected at Shochiku and added to the post-production.

"That's really thanks for taking care of me." Shunji Iwai knew that he was a big dog, so he was not polite to him at all.

"Oh, that's right. At the end of the year or during the first and second months of the new year, help me with a few shots."

Shunji Iwai knew that his schedule was tight, so if he needed help, he would tell him in advance.

"No problem." Kazuki Akiyama agreed without even asking him what to shoot, "But the next movie is starting in such a short time, is it really okay if you don't take a break?"

"Two months is enough to rest, besides, my work on this movie is basically done now. It's time to prepare for my first real movie."

The story he has been thinking about has been preparing to write it into a novel recently. When the movie is released, the novel will be released simultaneously.

He has been looking forward to such a thing for a long time, even if he has just finished a movie and does not need to rest, he is still full of energy.

"Please don't be polite if you have any needs."

He ditched his 'first' film in favor of his own novel adaptation project.Kazuki Akiyama will not be stingy with his help.

The publicity of the film began in October, whether it is TV stations, SMAP variety shows, radio stations, or street posters.

Or the advertisements on the train, you can see movies related to almost everywhere in Tokyo, big and small.

Many couples have already listed watching this movie as one of the must-do things for Christmas.

Other groups are also full of interest in this movie. After all, there is a huge group of novel readers, and IP has its own popularity.

In order to ease the pressure on ticket purchases on the release day, the film's distributor, Shochiku, launched a pre-purchase event early.

In addition to the traditional method of telephone booking, Shochiku has also applied the Internet, which has just been put into commercial use, to the ticketing system to provide ticketing services for some Internet users.

In addition, there are convenience stores most familiar to the public, and mainstream convenience stores in Tokyo, large and small, also provide ticketing services.

I have to say that this is a very down-to-earth decision. Japanese people cannot live without convenience stores. Almost every Japanese visits convenience stores every day.

It is also very easy to buy a movie ticket after seeing a movie poster.

With such intensive advertising announcements, the time finally came to Christmas in 94.