old events in tokyo

Chapter 72 The Trajectory of Destiny

Melody for you
melody for you

far い memory no 中に だ け

Although constantly in the memories of distant days
Jun の 觉しても

looking for your figure
...

Every meeting in the "Cross Road" of fate is paving the way for the next meeting.

At 7 o'clock in the morning, Yuki Hayakawa was already waiting downstairs in Kazuki Akiyama's apartment. Since he knew the real face of her old driver that day, Kazuki Akiyama entrusted her with the heavy responsibility of driving.

After a while, Kazuki Akiyama had packed up and went downstairs. After sitting in the co-pilot, Yuki Hayakawa started steadily and drove to a studio in Roppongi.

Kazuki Akiyama's new single has been produced, and the master tape has been sent to the audiovisual company for CD compression.

Speaking of which, Kazuki Akiyama himself pulled TIE-UP for the new single, which really surprised Nagato Taiko.

Unexpectedly, as a rookie, he was already capable of finding promotional resources for himself, which forced Nagato Taiko to re-examine his attitude towards Kazuki Akiyama in the future.

Talented and capable people, if you want to keep him, you need to spend more thought, or reciprocal benefits to persuade the other party to continue to choose you.

As for the new single being free as an advertisement CM, he didn't care too much about it, because it might cost money for BEING to promote TIE-UP at this time.

So Kazuki Akiyama, who was busy with the recording, continued to fulfill the contract with MUJI non-stop. It is necessary to ensure that the distribution of singles and commercial CMs are carried out simultaneously in order to achieve the best publicity effect.

Arriving at the destination about half an hour later, Takahashi Masaaki was already waiting there in advance.

"Sorry for keeping Takahashi-san waiting for so long." Kazuki Akiyama greeted politely after getting off the car.

Takahashi Masaaki bowed, "I came early, please follow me, Akiyama-san."

Under the leadership of Takahashi Masaaki, Akiyama Kazuki followed him to the interior of the studio. Today he came here to shoot the advertising endorsement signed with MUJI.

Because there are not many lines in the commercial shooting, the most is to say MUJI at the end and the work is almost done, so it only takes two to three days.

When I came to the interior of the studio, the staff had already been busy in front of the venue. Lighting, photography, and costumes performed their duties, and most of them were basically ready.

After Kazuki Akiyama greeted a few managers, he went straight to the dressing room without stopping.

Before Kazuki Akiyama sat down in the dressing room, a group of staff members had already surrounded him, some took out a measuring tape and began to measure various sizes for Kazuki Akiyama, and some began to carefully consider what kind of makeup would be suitable for him.

Akiyama Kazuki didn't even say a word, he was being manipulated around like a puppet. At first, he thought that there would be a wave of people asking him for autographs first, but it seemed that he was thinking too much.

Because of MUJI's simple and natural theme style, Kazuki Akiyama also chose light makeup. He just tidied up his hairstyle a little bit, and moved his face and eyebrows a little, and it was basically done.

The first thing he changed into was a sweater. With a slightly permed hairstyle and a tall, thin and straight figure, he presented a handsome and warm image in front of everyone.

Both the make-up artist and the costume artist nodded in satisfaction. They are simply natural hangers-on, and it would be a pity not to be a model.

If Kazuki Akiyama knew what they were thinking, he would have hecked twice. Before his debut, an agency really asked him to be a model, but he felt that he was too inferior to let him be a model.

Kazuki Akiyama walked out of the dressing room after the dressing was completed, and was heading to the corridor to the shooting location when suddenly the door of the next room opened.

Nanako Matsushima, who was wearing a women's sweater, also came out.
"Nanako?"

"Hey, Nissan~"

Seeing her smug look, she probably knew that she was going to shoot a commercial, and she deliberately waited here to give herself a surprise.

At this time, the middle-aged woman Shimada Tsuko who had been following her stepped forward,
"Akiyama-san, thank you for your care before, and this advertisement is also thanks to you." After speaking, he bowed to Kazuki Akiyama very formally.

Nanako Matsushima, who was standing beside her with a smile on her face, also put away her expression, and saluted Kazuki Akiyama seriously.

"You're welcome, Nanako herself is hardworking and good enough." Kazuki Akiyama also bowed.

Through the following chat Kazuki Akiyama found out that Nanako Matsushima has also shown her face since the last PV cooperation with herself.

This girl with a good figure and image has entered the public eye and left a certain impression on people, which has naturally attracted the attention of the industry.

After that, the production team began to contact her, and she was able to get some supporting roles with names, and she no longer had to act as a background board.

As for this commercial, it is also due to that PV cooperation. MUJI thinks that the temperament of the two of them fits well together. In addition, the two have already cooperated once, so they have a certain audience base.

Moreover, Nanako Matsushima's endorsement fee is also very cheap now, much cheaper than other famous female artists. With Kazuki Akiyama's popularity, there is no need to find another famous female artist to add bonuses.

So for MUJI, she is a very cost-effective choice.

A group of people walked and chatted, and soon arrived at the shooting location. After saying hello, they dispersed.

Men's and women's clothing were first shot separately, and finally men and women were photographed in the same frame.

To be honest, the process of filming commercials was not beautiful at all, basically it was a non-stop concave shape, the key is that the shape is much stricter than when shooting the single cover of BEING.

Shooting in BEING is almost enough, but now if the angle is slightly wrong, I have to adjust and reshoot, and it took a long time to finish shooting a set of clothes.

In the back, Kazuki Akiyama and Nanako Matsushima were shot together in the same frame. Kazuki Akiyama held Nanako Matsushima's waist with his hands, while the other party put his hands on Kazuki Akiyama's chest.

It feels slender and smooth in the hand, even through the sweater, Akiyama Kazuki seems to be able to feel the softness of the skin and the faint warmth coming from the palm of his hand.

He looked down at Nanako Matsushima and saw that she also had a pretty face and slightly reddened, the surface of her fair apple skin was faintly red, and tiny beads of sweat were faintly visible on her tall nose.

Nanako Matsushima has never been in such close contact with Kazuki Akiyama, standing in front of him at this moment, with a tall and straight figure, faint breath, and warmth from the palm.

Let her no longer be calm and natural when calling him "Nissan" before. It stands to reason that she has been engaged in the modeling industry for not a day or two, and she should have adapted to such a scene long ago.

But there are always one or two special people who make you feel special.

"Ayako, pay attention to the light."

"Hay"

Ok?Akiyama Kazuki subconsciously turned his gaze, and saw a girl with a short ponytail standing on tiptoe, trying to hold the polishing board, looking for a suitable angle.

"Aoki-chan?"

"Qiu Shanjun~" The girl still held the polishing board motionless, but tried to turn her face to reveal a somewhat shy and joyful expression, just like the timid girl next door with short ear-length hair in the convenience store.

"Huh?" Nanako Matsushima asked with a question mark on her face.

...

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(End of this chapter)