old events in tokyo

Chapter 86 The Man Behind the Divine Comedy

Since Akiyama Kazuki proved his vision and talent with the success of three consecutive singles, Nagato Taiyuki has less and less interfered with his creation.

Again, as long as he can bring profits to BEING, as long as he can continue to be successful, Nagato Taiko doesn't mind if he gets more involved in the production of singles or albums.

Even if he reaches a certain level in the future, he will have no problem being the producer of his own album.

Because of this, the song "Until the End of the World" that Kazuki Akiyama was first interested in, even now he still holds it in his hands, Nagato Taiyuki did not rush to interfere.

Thinking of this, Nagato Taiko asked again, "I heard that Akiyama-kun also provided ZARD with a very good single?"

"Hey, yes." Kazuki Akiyama didn't know why Taiyuki Nagato suddenly turned to this topic again, but he still explained,
"Ms. Izumi Sakai went through such a thing before, but she faced it optimistically and positively again, which made me quite admire. That's why I wanted to make such a song for her, and I hope that through her singing, I can encourage more people. "

Taiko Nagato nodded in satisfaction, he was happy that Kazuki Akiyama could take the initiative to contribute music for other singers of BEING.Whether it is friendship or interests, at least this is by no means a bad thing for BEING.

It's just a pity that the high-quality song can't be released as a new single alone. I also tried to persuade Quanshui to keep the title of the next single, but unfortunately she insisted on refusing, which made him a little troubled.

"Since this is the case, Qiushan-kun should prepare well. But it should not be too late. BEING will fully support any help you need."

Nagato Taiko didn't intervene any more after asking, and directly agreed to Akiyama Kazuki's request.

"Thank you so much, President Nagato, for your care." Kazuki Akiyama bowed and left.

When he went out, he secretly thought about the conversation just now, and he probably understood what Nagato Taiko meant.

He specifically pointed out that he contributed music to other singers of BEING, and then lightly agreed to the production plan of his own album.

Isn't the lice on the bald man's head obvious?As long as Kazuki Akiyama can increase the inventory of BEING's music library or provide music for other singers, BEING will not interfere with his music creation, even including the release and production.

This condition is not too much if you think about it, after all, there will be no less share.Even if he contributed songs to artists from other firms, the share would not be more than this.

But my own family still depends on alms from the apocalypse, and it's still early for the day when the song is free.

But at least today's goal was achieved, why did he want to postpone the production of the album.Or because I was worried about conflicting with my future acting plans.

After all, the time and energy spent on recording an album is completely incomparable to recording a single. It requires concentrated time and energy, which may conflict with the filming schedule.

Although the filming is not necessarily finalized, it is always right to reserve a good schedule in advance.He can make his own decisions in recording, but not in filming.

Although he is preparing to produce his first album this year, Kazuki Akiyama has no recording work at this time, and he is not in a hurry to start selecting songs for the album.

One is because the last single was released less than a month ago, and the previous high-intensity recording work still had a certain burden on the voice.

So now, take advantage of the period of the beginning of the new year to rest and adjust, so that we can maintain the best working condition by combining work and rest.

Secondly, the promotion of the new single was basically finished a year ago, the exposure rate was enough, and the remaining invitations were dispensable.

So taking advantage of the rare free time now, Kazuki Akiyama drove to Roppongi STUDIO BIRDMAN GRAY ROOM alone today.

He is not here today to record himself, but to help.

Years ago, I accepted the invitation of Izumi Sakai's accompaniment and harmony, and I came here today for this purpose.

Enter the door of the recording studio, except for Sakai Izumi.There is also Daikoku Moji, Hayama Takeshi who has met several times, and another Akiyama Kazuki who has hardly met Kuribayashi Seiichiro.

In Kazuki Akiyama's impression, Seiichiro Kuribayashi has always been very low-key, even more low-key than Izumi Sakai.

It seems that he will disappear without a sound at any time, and when he suddenly thinks of it one day, he will be surprised that he has not appeared in people's sight for a long time.

It may be understandable to say that he is a purely behind-the-scenes person, but in fact he has also formed a band and released more than one album.

Therefore, Akiyama always feels that he seems to have been wandering on the edge of music, dedicating himself when he loves it, and leaving without saying goodbye when he is bored.Such an attitude towards life is neither unrestrained nor unrestrained.

Seeing that everyone was subconsciously looking at him at the door, Kazuki Akiyama smiled and bowed, "It's a great honor to trouble you all for waiting."

Dahei Moji was the first to tease, "Akiyama-kun's apology sounds quite proud."

"Although it's rude to say this, but to have so many seniors waiting for me, to be honest, I actually have a small sense of accomplishment." Kazuki Akiyama showed some satisfaction while speaking.

"But this is not something to be proud of at all." Dahei Moji couldn't complain.

"Hay~, Hay~."

Seeing the two chattering back and forth, the rest of the studio raised their mouths subconsciously, especially when Izumi Sakai seldom saw Kazuki Akiyama being so mischievous as he is now.

After jokingly saying a few words, Kazuki Akiyama bowed to everyone in a respectful manner. Although he was not late, he was the last one after all.

After being interrupted by the one in front of him, the atmosphere in the recording studio became more lively, and Wu Yeshan even hammered him on the shoulder.

This single by Izumi Sakai finally adopted Kazuki Akiyama’s original suggestion and produced it according to the specifications of a double A single.

And the single that she struggled with writing lyrics at the beginning was finally named "Don't Give Up".

The first thing to record today is the accompaniment of musical instruments. When making a single, the accompaniment of each instrument is recorded separately.

Kazuki Akiyama is in charge of guitar, Seiichiro Kuribayashi is in charge of bass, and Takeshi Hayama is in charge of arrangement of this single.

After the instrument recording is completed, there will be a vocal harmony part, where Daikoku Maji, Akiyama Kazuki, and Kuribayashi Seiichiro will all participate.Finally, there is the vocal part of Izumi Sakai.

After these are completed, the rest is basically debugging work such as mixing, and the recording of a song is basically coming to an end.

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(End of this chapter)