Rebirth of the courtyard, the start is 80s

Soon, the time came to Thursday, and this issue of "Weekly Wenchun" was released on time.

As a result of the preparations, less than an hour after the magazine went on sale, the spokesperson of Aiyin Office made a public statement directly through the radio station, saying that it would be held at the Imperial Hotel at two o'clock in the afternoon. A press conference to clarify the scandal between its artists "Morinaka Aizumi" and "Nakamori Akina".

The reason why it should be at two o'clock in the afternoon instead of earlier is that it seems more reasonable, secondly it is to give the media a time to prepare, and thirdly it is to allow the relevant news of "Weekly Wenchun" to have time to ferment.

In other words, the purpose of this press conference announcement is nominally to clarify, but in fact it is to promote the scandal between Cao Zhiqiang and Nakamori Akina in "Weekly Bunshun".

Only by making everyone aware of the scandal and then clarifying it can we achieve sufficient publicity.

When the time comes, the best effect will be achieved by promoting the movie at the press conference.

Since money was given to certain media reporters in advance, many reporters were willing to cooperate.

Furthermore, this scandal is indeed worthy of everyone’s efforts.

Because although the content of the scandal between Cao Zhiqiang and Nakamori Akina is not on the front page of Weekly Bunshun, it does not seem to be that important.

But in fact, it was just Zhou Wenchun who did it deliberately, not wanting to offend anyone.

In fact, because "Green Spring in the Forest" has been so popular recently, has many fans, and is very popular with the public, as soon as this issue of the magazine was released, the entertainment news immediately became lively without much interference.

In addition, the money was given in advance, and everyone was just asked to report truthfully without any special requirements. Of course, this was what the reporters liked to hear.

Just like that, by one o'clock in the afternoon, the press conference venue specially opened by the Imperial Hotel was already full of seats.

All kinds of well-known and unknown people, all kinds of invited and uninvited people, and even many people who are not journalists themselves, but just some so-called commentators, all arrived.

Although nominally, this press conference only accommodates reporters, if they are not reporters, they will generally not be forcibly blocked as long as there are seats available.

Of course, minors are not allowed in.

As for adults, only those over 30 years old are allowed to enter if they are not journalists.

And this kind of overcrowded scene is obviously quite rare.

Among them, only half are journalists, and the other half are basically various so-called commentators and writers.

Yes, there are already a large number of freelance writers and commentators in Japan at this time.

They are generally similar to freelancers and make money by writing various press releases and opinion articles.

No way, who made Japan a developed country with a large population?

In such a country, the unemployment rate is actually quite high, resulting in a large number of freelancers.

Among them, freelance writers are the most famous group of freelancers, or the most capable and least discriminated against.

As for those idle old people and unemployed vagrants, they are certainly a group of people who are despised.

Of course, this was the 80s. If you enter the 21st century, where hips are stretched even more, there are more people like this in Japan and they are more common, so naturally no one will discriminate against them.

Because maybe you will be the next unemployed vagrant.

In short, there were a lot of people coming to the press conference this time. Fortunately, because many hotel security guards were hired in advance to maintain order, and the Neon people were obedient, there was no trouble.

If you change to the United States, it will be difficult to say.

The time soon came to two o'clock in the afternoon. Following the host's prompt, the reporters and commentators below all fell silent.

Immediately afterwards, I saw Cao Zhiqiang and Nakamori Akina, the protagonists of the scandal, both wearing dark suits and masks, walking to the middle of the podium with serious expressions.

After arriving at the middle of the rostrum, Cao Zhiqiang and Nakamori Akina bowed seriously to the reporters and commentators below, and then sat down in their seats together.

In front of their seats, there is a long table with their names written on it, which is unmistakable.

After Cao Zhiqiang and Nakamori Akina sat down, Sachiko Fujita, who acted as the host and commentator, began to pick up the microphone, faced the cue card, and began to explain the so-called deep love in "Weekly Bunshun".

That's right, because Morinaka Aizumi and Nakamori Akina were involved in the scandal, and both of them had the character "forest", Weekly Bunshun specially wrote about "love in the forest".

This kind of gameplay has been popular for a long time, so it is not a surprise.

Sachiko Fujita's explanation is also very clear, that is, the so-called "love in the forest" is completely nonsense, and it is framed and slandered with ulterior motives.

The truth is that Akina Nakamori and Aizumi Morinaka are the male and female protagonists in a new movie "Love Letter". Their roles in the movie are exactly that of a couple.

The photos taken in "Weekly Bunshun" are just the two of them auditioning and honing their acting skills. They are not secretly dating at all.

In order to prove her statement, Fujita Sachiko also specially released slides.

In the slideshow, there is not only the script of "Love Letter", but also some scenes that Cao Zhiqiang and Nakamori Akina specially shot later, including scenes of the two holding the script in private and seriously discussing with each other.

Next, Sachiko Fujita began to elaborate on the movie "Love Letter" at length.

According to Sachiko Fujita, Yusaku Kudo, the screenwriter of "Love Letter", is actually Morinaka Aizumi himself.

These names are just a vest for Mr. Cao Zhiqiang.

In other words, Cao Zhiqiang is the real name of Qingquan in the forest, and he is not only an excellent singer, composer, lyricist and pianist, but also an excellent novelist and screenwriter, as well as an excellent entrepreneur .

It's just that Mr. Cao Zhiqiang has a special status as a Chinese entrepreneur. In addition, he is usually low-key and doesn't like to be in the limelight, so he uses various pen names and stage names when publishing his works.

For example, when Mr. Cao Zhiqiang was in his home country, he had two stage names: Qiangzi and Aqiang.

Among them, the stage name Qiangzi is a cutting-edge young poet and novelist in mainland China. His works are quite famous. The circulation of his collection of poems and the cumulative circulation have now exceeded 500 million copies, which is terrifying.

The stage name Aqiang is a popular pop singer in mainland China. The circulation of each of his records is no less than 400 million.

In other words, before coming to Japan, Mr. Cao Zhiqiang had already caused a sensation in the country, and his pen name as a poet and the name of his singer were already household names.

It's just that Japan doesn't know much about the mainland, and Cao Zhiqiang's rise is too fast and he is low-key, so this is not known to everyone.

Later, because Mr. Masashi Sada happened to be in Beijing at the time, he met Mr. Cao Zhiqiang. He was amazed by Mr. Cao Zhiqiang's talent and fluent Japanese, so he solemnly invited Mr. Cao Zhiqiang to come to Japan to discuss cooperation matters.

Coincidentally, at that time, Mr. Cao Zhiqiang was about to come to Japan for project inspection on behalf of the company he worked for, so the two parties hit it off.

During his stay in Japan, Cao Zhiqiang not only completed his own work and promoted smooth cooperation between Chinese and Japanese companies, but also created many Japanese works outside of work because of his love for Japanese culture and the encouragement of his close friend Mr. Masashi Sada. Song.

After composing a Japanese song, with the advice and help of Mr. Masashi Sada, we went to the Composers Association to register the copyright of the song, and accidentally met the famous composer Mr. Minoru Endo.

Mr. Minoru Endo admired Mr. Cao Zhiqiang's talent very much, so he recommended him to go to Warner Pioneer and try to make records.

So, with the encouragement of Mr. Endo Minoru, Cao Zhiqiang went to Warner Company with Mr. Masashi Sada.

Later, President Yamamoto of Warner Company also appreciated Cao Zhiqiang's talent, so he decisively signed a contract with Cao Zhiqiang and made his official debut under the stage name "Qingquan in the Forest".

Morinaka Aizumi's first debut song was the song "Kun no Tsuru" that broke the Oricon chart's first-week sales record.

After this song became an instant hit, Warner continued its efforts and successively released hit songs such as "Tsunami", and each song achieved outstanding results.

However, with such amazing results, Mr. Cao Zhiqiang was not complacent, nor did he take advantage of the situation to hold concerts and shoot advertisements to make money and gain popularity.Instead, he continued to keep his head down and create, and using the pen name "Kudo Yusaku", he published four novels: "Norwegian Wood", "Snow Country", "Thousand Cranes", and "Girl's Haven".

Among them, the novel "Norwegian Wood" is the most famous. Within a few months of its release, it had already been printed in three editions, with actual sales of more than 200 million copies.

It is already amazing to achieve this, but Mr. Cao Zhiqiang also wrote TV scripts in his busy schedule, namely the previously popular "101 Proposals" and the currently filming "Tokyo Love Story".

At the same time, Mr. Cao Zhiqiang also introduced his first film shot in China during this period, which was the just-released "Love in the Rain", and it also caused a sensation.

If nothing unexpected happens, the movie "Love in the Rain" will become the box office champion among Japanese foreign films this year.

This is a work that beats the Hollywood movie "ET"!

Just imagine, Mr. Cao Zhiqiang has made so many brilliant achievements in Japan only a short time ago. In addition to his talent, this is also inseparable from his diligence, hard work and concentration.

Especially focusing on this is even more rare.

It is said that Mr. Cao Zhiqiang usually only writes and reads. He rarely participates in social activities and does not know many friends.

The reason why he is close to Miss Akina Nakamori is entirely due to circumstances.

Because Ms. Akina Nakamori is an employee of Warner. She was entrusted by Warner before and worked with Mr. Cao Zhiqiang.

Mr. Cao Zhiqiang is a nostalgic person. Since he has collaborated before, he usually collaborates with acquaintances before making new works.

Also, Warner admired Mr. Cao Zhiqiang's talent very much, but found that he knew nothing about Japan's common affairs, and he didn't even know how to file taxes, so he suggested that he open his own office, which would make his work more convenient.

Mr. Cao Zhiqiang didn't quite understand these things, so he asked Ms. Akina Nakamori, who was an acquaintance, and then with the support and help of Ms. Akina Nakamori, he established an Aiyin Office.

Later, Ms. Yoshinaga Sayuri was very optimistic about this firm, especially Mr. Cao Zhiqiang’s talent and dedicated work attitude. She believed that his future was unlimited, so she personally invested in Aiyin Firm and became a partner of Aiyin Firm. President.

In this way, Mr. Cao Zhiqiang can focus more on his career and no longer need to be disturbed by mundane affairs.

During this period, at the suggestion of Yoshinaga Sayuri, Mr. Cao Zhiqiang created the movie "Love Letter".

In fact, the movie "Love Letters" is, strictly speaking, based on the novel "Norwegian Wood".

I think back then, it was Ms. Akina Nakamori who liked the book "Norwegian Wood" very much. After knowing that Mr. Cao Zhiqiang was the original author of this novel, she hoped that he could change the novel into a script and then put it on the screen. into a movie.

However, the original author of this novel, Mr. Cao Zhiqiang, disagreed with this, thinking that it would destroy the artistic conception of the novel.

However, under the repeated persuasion of Miss Akina Nakamori, Mr. Cao Zhiqiang retreated to the next best thing and rewrote a script, which was "Love Letter".

Although the content of "Love Letter" is completely different from "Norwegian Wood", there are many similarities in the core part, but it has been simplified to make it more understandable.

In other words, "Love Letter" is more pure, highlighting the theme of secret love without too many other elements.

Such an adaptation made the filming of the movie possible.

It can be said that "Love Letter" can be regarded as a companion piece to "Norwegian Wood", only purer and simpler, but equally profound.

Because the main scenes of the movie "Love Letter" are all in the ice and snow, and the main background is snow, so we have to speed up the process and strive to shoot in the northern part of the country with the best snow scenery in winter.

Originally, this matter should have been announced in advance.

But Mr. Cao Zhiqiang doesn't like to be disturbed when he is creating, so he doesn't like to promote it in a big way before shooting.

Just like when Mr. Cao Zhiqiang was filming his first film "Love in the Rain", he did not promote the film in advance. The film was not even released in China, but was released in Japan first.

At the insistence of Mr. Cao Zhiqiang, everyone conducted secret filming.

In order to allow Mr. Cao Zhiqiang and Miss Nakamori Akina to enter the scene as soon as possible.

Mr. Cao Zhiqiang just ended up personally, pretending to be lovers with Miss Nakamori Akina, and cultivating a tacit understanding between the lovers.

But this was all in the presence of outsiders, to play a good role, and it was definitely not a private love affair.

Once the performance is over, Mr. Cao Zhiqiang usually leaves in a hurry to continue working on his own creations.

After all, Mr. Cao Zhiqiang is usually very busy. Whether he is researching materials or writing, he has to race against time and there is not much time to waste.

Therefore, Weekly Bunshun's report is completely false and slanderous, and has had a major impact on the reputations of Cao Zhiqiang and Miss Nakamori Akina.

Here, Mr. Cao Zhiqiang and Miss Nakamori Akina hope that Weekly Wenchun can solemnly apologize. Otherwise, legal proceedings will not be ruled out.

After saying this in one breath, lawyer Sachiko Fujita sat down again, then picked up the water glass and drank.

After all she had just said, her mouth was a little dry.

But it's okay, after all, she is a lawyer, and all she does is talk.

So scenes like this are just trivial to her.

In fact, Sachiko Fujita's explanation is that clarifying the scandal is secondary, and promoting the movie is not the primary purpose.

What she really did was to use this press conference to establish Cao Zhiqiang's personality.

According to Sachiko Fujita, Cao Zhiqiang is a talented creator who is serious, talented, dedicated to his work, and doesn't care about small details.

As long as everyone believes in this persona, the so-called scandal will be self-defeating.

After all, how can a person like this, who only immerses himself in his own world, talk about love?

Likewise, people like this are the ones everyone trusts and likes.

The works created by such people are bound to be good, and there is nothing wrong with following them with your eyes closed.

Otherwise, Sachiko Fujita is a barrister.

Just by slightly changing the angle and fleshing out a character, he was able to win people's trust and make everyone recognize and sympathize with Cao Zhiqiang. Then he felt extremely disgusted with Weekly Wenchun who spread rumors to cause trouble and broke the peaceful creative environment of a talented creator.

In the entertainment industry, there is no evidence, only likes and dislikes.

If everyone likes Cao Zhiqiang for this, then whatever he does is right, and there will be people who can help him with whatever he does.

On the contrary, those who oppose such good people are naturally bad people.

Therefore, Sachiko Fujita does not need to provide too much evidence to prove that Cao Zhiqiang and Nakamori Akina are not in a private relationship.

She only needs to establish the genius character of Cao Zhiqiang who focuses on his own world, and make everyone believe that Cao Zhiqiang is extremely busy at ordinary times. Apart from eating, drinking and having sex, he is also working. He has no time to fall in love and has no interest in falling in love. That is enough.

As long as everyone believes this persona, as long as there is no rape in bed, all other evidence, whether it is holding hands while shopping or feeding each other, is not enough evidence and can be regarded as acting.

This is lawyer Sachiko Fujita’s prejudice cultivation method.

That is to say, it is not necessary for everyone to pay attention to the evidence itself. It is enough to make everyone believe in a certain person's personality, plant a certain stereotype, and let everyone have a deep-rooted and fixed prejudice against a certain person. (End of chapter)