treasure hunt god pupil
Chapter 110 "Picture of Emperors of Past Dynasties" Present in the World
Chapter 110 "Picture of Emperors of Past Dynasties" Present in the World
"It's no exaggeration to say that Li Mo's ability to appraise treasures is far inferior to mine."
Shi Ziming took a sip of tea, filled with emotion.
"Director Shi, do you know Li Mo?" A history professor asked.
"We met in Jinling. He said that he knew three unique skills. One is the unique skill of judging the authenticity of porcelain 'Finger Debate', the other is the unique skill of identifying calligraphy and painting 'Tiangong's hand', and the other is used to identify the authenticity of porcelain. Bronze ware's unique skill 'Mountain and Flowing Water'. I saw him perform 'Finger Debate' with my own eyes, which can be said to be a miraculous skill."
"Director Shi, is Li Mo really as exaggerated as you say?"
In addition, there is a professor of Peking University who is still a little unconvinced.
"Exaggeration? No, it's not an exaggeration at all. You all know that not long ago someone donated an authentic work by Shi Tao "Picture of Plum and Bamboo Under the Moon" to the Jinling Museum. According to curator Fu, the original work by Shi Tao was suspected to be an imitation of Mr. Daqian However, Li Mo displayed the 'Hand of Heaven' in front of them, and it was finally determined to be the authentic work of Shi Tao in the Ming Dynasty."
"When that Golden Eye arrives, I really want to have a good communication with him."
All the experts and professors began to discuss in low voices. A few minutes after three o'clock, Li Mo knocked on the door of the conference room.
As soon as he opened the door and walked in, he felt more than a dozen eyes focus on him in an instant.Zhu Changping stood up and waved, "Li Mo, sit here."
He introduced to Li Mo the professors from Peking University and experts from the museum in turn.
"Hello everyone, my name is Li Mo." Li Mo saluted without being humble or overbearing, and then smiled at Shi Ziming, "Curator Shi, I didn't expect to alarm you."
"Hahaha, Professor Zhu didn't invite me to come. I heard other experts' phone calls. When I heard that you had found some amazing treasure, I insisted on attending this meeting."
Of course, Shi Ziming was joking when he said this, but it also shows that the relationship between him and Li Mo is pretty good, and there is no difference at all.
"Little Mo, don't hold everyone's appetite anymore, take out the treasure you picked up and let us all see it."
Li Mo took down the big backpack and pulled out a scroll painting from it.
"This is an ancient painting from the Tang Dynasty. Due to improper preservation by the original owner, it has been seriously damaged, but the inscription and seal are still very clear. Let's take a look first."
Li Mo slowly spread out the ancient painting, and a picture with a rough outline of a portrait was displayed in front of everyone.Seeing that it was full of moth-eaten holes and dirty spots, there was a sound of regret in the conference room.
You must know that if it is the authentic work of Lang Yuling, with the brushwork he is good at painting ancient sages, if this painting is still well preserved, it must be a great antique.
"The last seal is indeed the three characters of Lang Yuling, in seal script."
"Looking at the degree of damage to this ancient painting, it is impossible to truly identify its authenticity."
Professor Zhu immediately looked at Li Mo: "Keep this ancient painting for now, and see if we can restore it later."
"Okay." Li Mo then opened the cap of the rotten wooden scroll in front of everyone, and poured out a purple-black round stick with a gold pattern from it.
Especially the gold-painting effect against the purple-black background, everyone's eyes lit up, and they immediately felt that the gold was dazzling and dazzling.
"It has a faint fragrance, the color is purple-black, the texture is not obvious, and it is moist and shiny. The material used is indeed red sandalwood."
Professor Zhu then began to appreciate the landscape picture above again. The mountains and mountains were hidden in the auspicious clouds, and the water came out from the deep mountains without beginning and end. The whole picture has a profound artistic conception.
Finally, look at the two lines of words: the picture of the emperor inside, Lang Yuling Ye's pen.
These words can be understood as the map of the emperor hidden in the red sandalwood belly, and Lang Yuling wrote a message at night.
Regardless of the material used, the landscape painting, and the gold-painting effect, this should be the work of Lang Yuling from the Tang Dynasty.
"Curator Shi, take a look."
Shi Ziming's heart was itching for a long time, he took it and looked at it carefully, his eyes lit up, it is really a good thing, it is several times higher than the work of Lang Yuling in the collection of the Kyoto Museum.
After all, the material of small-leaf red sandalwood is regarded as the emperor among woods. Among other things, the small-leaf red sandalwood alone is very valuable.
In the conference room, everyone looked at it one by one. They talked non-stop and put forward their opinions to each other.
"Director Shi, you are very familiar with Lang Yuling's works, what is your conclusion?" a history professor from Peking University asked.
"It's indeed his genuine one. To be honest, my eyes are hot. It's better than the one in our museum."
After discussion, the experts and professors present here unanimously determined that this "Red Sandalwood Painting Landscape with Gold" is the authentic product of Lang Yuling.
"Little Mo, I have prepared a set of professional tools for you. You choose a suitable one to open the rosewood cap."
Shi Ziming took out a tool bag from the briefcase he carried with him. After opening it, there were all kinds of delicate knives, tweezers, blades and a magnifying glass.
Others dare not do this easily, so Li Mo can only do it himself.He pulled a blade from his tool bag, then a spotlight and a soft white towel from his bag.
"Professor Zhu, I will focus the light on this position later."
Li Mo placed the red sandalwood landscape painted in gold horizontally on the white towel, and then clearly saw the gap under the light.
He stabilized the rosewood with one hand, and slowly inserted the edge of the blade into the gap of the cap with the other.
"Be steady."
Professor Zhu reminded me in a low voice.
Li Mo's hands were very steady, and under his concentrated attention, the red sandalwood cap withdrew little by little.
"Slow down, watch out for the edge."
Curator Shi looked nervous, and he couldn't help reminding him in a low voice.
After about ten minutes, the red sandalwood inlaid gold landscape map was divided into two, and everyone's eyes immediately focused on the exposed hole.
"There are scroll paintings inside." Professor Zhu immediately turned off the spotlight. This kind of light can do a lot of damage to ancient paintings. He looked up at the lamp on the top, "Wait a minute, I'll turn off all the small downlights on the top Lose."
After the optical fiber was dimmed, Li Mo raised the rosewood and shook it, and the paintings hidden inside were poured out.
The conference room was very quiet, only the breathing of the crowd remained.
Li Mo took a deep breath, and slowly spread out the scroll painting, the long table in the huge conference room was not enough for it to be completely spread out.
But just the exposed picture shocked everyone, including Li Mo.
This painting is on silk, ink and color, and the picture is scrolled horizontally. It is a portrait of a historical figure.The images of emperors are drawn in order from right to left on the screen. Only the emperor Zhaodi of the former Han Dynasty, Emperor Guangwu of Han Dynasty, Cao Pi of Wei Wendi, Sun Quan of Wu Lord, Liu Bei of Shu Lord, Sima Yan of Jinwu Emperor, Chen Xu of Chen Xuandi, Chen Xu Wendi Chen Qian, Chen Feidi Chen Bozong and Chen Empress Chen Shubao.
"Everyone give way, be careful, and spread out the rest of the picture. There are [-] portraits of emperors in the "Picture of Emperors of Past Dynasties", and there are the last three."
Professor Zhu signaled everyone to take a step back and not rush to appreciate it for the time being.
Li Mo rolled up the first part, and then rolled out the last part. The images of the last three emperors revealed their true colors, namely Yu Wenyong, Emperor Wu of the Northern Zhou Dynasty, Yang Jian, Emperor Wen of the Sui Dynasty, and Yang Guang, Emperor Yang of the Sui Dynasty.
Each image of the emperor is inscribed in regular script, and all have attendants, the number of which varies, forming thirteen relatively independent groups of characters in the whole picture scroll, with a total of 46 people.
"Li Mo, take a quick look at the end of the painting, is there a postscript seal or something?"
Curator Shi asked eagerly.
Li Mo's eyes fell on the end of the painting, his eyes were bright, and he said in a powerful voice: "There are two, both in seal script, one is the seal of Yan Liben, and the other is the seal of Lang Yuling."
"Great, nine out of ten of these are Yan Liben's authentic works."
There were exclamations in the meeting room one after another, and several experts had already taken out the magnifying glass they carried with them and looked at it slowly. Their movements were gentle, for fear of accidentally touching it.
(End of this chapter)
"It's no exaggeration to say that Li Mo's ability to appraise treasures is far inferior to mine."
Shi Ziming took a sip of tea, filled with emotion.
"Director Shi, do you know Li Mo?" A history professor asked.
"We met in Jinling. He said that he knew three unique skills. One is the unique skill of judging the authenticity of porcelain 'Finger Debate', the other is the unique skill of identifying calligraphy and painting 'Tiangong's hand', and the other is used to identify the authenticity of porcelain. Bronze ware's unique skill 'Mountain and Flowing Water'. I saw him perform 'Finger Debate' with my own eyes, which can be said to be a miraculous skill."
"Director Shi, is Li Mo really as exaggerated as you say?"
In addition, there is a professor of Peking University who is still a little unconvinced.
"Exaggeration? No, it's not an exaggeration at all. You all know that not long ago someone donated an authentic work by Shi Tao "Picture of Plum and Bamboo Under the Moon" to the Jinling Museum. According to curator Fu, the original work by Shi Tao was suspected to be an imitation of Mr. Daqian However, Li Mo displayed the 'Hand of Heaven' in front of them, and it was finally determined to be the authentic work of Shi Tao in the Ming Dynasty."
"When that Golden Eye arrives, I really want to have a good communication with him."
All the experts and professors began to discuss in low voices. A few minutes after three o'clock, Li Mo knocked on the door of the conference room.
As soon as he opened the door and walked in, he felt more than a dozen eyes focus on him in an instant.Zhu Changping stood up and waved, "Li Mo, sit here."
He introduced to Li Mo the professors from Peking University and experts from the museum in turn.
"Hello everyone, my name is Li Mo." Li Mo saluted without being humble or overbearing, and then smiled at Shi Ziming, "Curator Shi, I didn't expect to alarm you."
"Hahaha, Professor Zhu didn't invite me to come. I heard other experts' phone calls. When I heard that you had found some amazing treasure, I insisted on attending this meeting."
Of course, Shi Ziming was joking when he said this, but it also shows that the relationship between him and Li Mo is pretty good, and there is no difference at all.
"Little Mo, don't hold everyone's appetite anymore, take out the treasure you picked up and let us all see it."
Li Mo took down the big backpack and pulled out a scroll painting from it.
"This is an ancient painting from the Tang Dynasty. Due to improper preservation by the original owner, it has been seriously damaged, but the inscription and seal are still very clear. Let's take a look first."
Li Mo slowly spread out the ancient painting, and a picture with a rough outline of a portrait was displayed in front of everyone.Seeing that it was full of moth-eaten holes and dirty spots, there was a sound of regret in the conference room.
You must know that if it is the authentic work of Lang Yuling, with the brushwork he is good at painting ancient sages, if this painting is still well preserved, it must be a great antique.
"The last seal is indeed the three characters of Lang Yuling, in seal script."
"Looking at the degree of damage to this ancient painting, it is impossible to truly identify its authenticity."
Professor Zhu immediately looked at Li Mo: "Keep this ancient painting for now, and see if we can restore it later."
"Okay." Li Mo then opened the cap of the rotten wooden scroll in front of everyone, and poured out a purple-black round stick with a gold pattern from it.
Especially the gold-painting effect against the purple-black background, everyone's eyes lit up, and they immediately felt that the gold was dazzling and dazzling.
"It has a faint fragrance, the color is purple-black, the texture is not obvious, and it is moist and shiny. The material used is indeed red sandalwood."
Professor Zhu then began to appreciate the landscape picture above again. The mountains and mountains were hidden in the auspicious clouds, and the water came out from the deep mountains without beginning and end. The whole picture has a profound artistic conception.
Finally, look at the two lines of words: the picture of the emperor inside, Lang Yuling Ye's pen.
These words can be understood as the map of the emperor hidden in the red sandalwood belly, and Lang Yuling wrote a message at night.
Regardless of the material used, the landscape painting, and the gold-painting effect, this should be the work of Lang Yuling from the Tang Dynasty.
"Curator Shi, take a look."
Shi Ziming's heart was itching for a long time, he took it and looked at it carefully, his eyes lit up, it is really a good thing, it is several times higher than the work of Lang Yuling in the collection of the Kyoto Museum.
After all, the material of small-leaf red sandalwood is regarded as the emperor among woods. Among other things, the small-leaf red sandalwood alone is very valuable.
In the conference room, everyone looked at it one by one. They talked non-stop and put forward their opinions to each other.
"Director Shi, you are very familiar with Lang Yuling's works, what is your conclusion?" a history professor from Peking University asked.
"It's indeed his genuine one. To be honest, my eyes are hot. It's better than the one in our museum."
After discussion, the experts and professors present here unanimously determined that this "Red Sandalwood Painting Landscape with Gold" is the authentic product of Lang Yuling.
"Little Mo, I have prepared a set of professional tools for you. You choose a suitable one to open the rosewood cap."
Shi Ziming took out a tool bag from the briefcase he carried with him. After opening it, there were all kinds of delicate knives, tweezers, blades and a magnifying glass.
Others dare not do this easily, so Li Mo can only do it himself.He pulled a blade from his tool bag, then a spotlight and a soft white towel from his bag.
"Professor Zhu, I will focus the light on this position later."
Li Mo placed the red sandalwood landscape painted in gold horizontally on the white towel, and then clearly saw the gap under the light.
He stabilized the rosewood with one hand, and slowly inserted the edge of the blade into the gap of the cap with the other.
"Be steady."
Professor Zhu reminded me in a low voice.
Li Mo's hands were very steady, and under his concentrated attention, the red sandalwood cap withdrew little by little.
"Slow down, watch out for the edge."
Curator Shi looked nervous, and he couldn't help reminding him in a low voice.
After about ten minutes, the red sandalwood inlaid gold landscape map was divided into two, and everyone's eyes immediately focused on the exposed hole.
"There are scroll paintings inside." Professor Zhu immediately turned off the spotlight. This kind of light can do a lot of damage to ancient paintings. He looked up at the lamp on the top, "Wait a minute, I'll turn off all the small downlights on the top Lose."
After the optical fiber was dimmed, Li Mo raised the rosewood and shook it, and the paintings hidden inside were poured out.
The conference room was very quiet, only the breathing of the crowd remained.
Li Mo took a deep breath, and slowly spread out the scroll painting, the long table in the huge conference room was not enough for it to be completely spread out.
But just the exposed picture shocked everyone, including Li Mo.
This painting is on silk, ink and color, and the picture is scrolled horizontally. It is a portrait of a historical figure.The images of emperors are drawn in order from right to left on the screen. Only the emperor Zhaodi of the former Han Dynasty, Emperor Guangwu of Han Dynasty, Cao Pi of Wei Wendi, Sun Quan of Wu Lord, Liu Bei of Shu Lord, Sima Yan of Jinwu Emperor, Chen Xu of Chen Xuandi, Chen Xu Wendi Chen Qian, Chen Feidi Chen Bozong and Chen Empress Chen Shubao.
"Everyone give way, be careful, and spread out the rest of the picture. There are [-] portraits of emperors in the "Picture of Emperors of Past Dynasties", and there are the last three."
Professor Zhu signaled everyone to take a step back and not rush to appreciate it for the time being.
Li Mo rolled up the first part, and then rolled out the last part. The images of the last three emperors revealed their true colors, namely Yu Wenyong, Emperor Wu of the Northern Zhou Dynasty, Yang Jian, Emperor Wen of the Sui Dynasty, and Yang Guang, Emperor Yang of the Sui Dynasty.
Each image of the emperor is inscribed in regular script, and all have attendants, the number of which varies, forming thirteen relatively independent groups of characters in the whole picture scroll, with a total of 46 people.
"Li Mo, take a quick look at the end of the painting, is there a postscript seal or something?"
Curator Shi asked eagerly.
Li Mo's eyes fell on the end of the painting, his eyes were bright, and he said in a powerful voice: "There are two, both in seal script, one is the seal of Yan Liben, and the other is the seal of Lang Yuling."
"Great, nine out of ten of these are Yan Liben's authentic works."
There were exclamations in the meeting room one after another, and several experts had already taken out the magnifying glass they carried with them and looked at it slowly. Their movements were gentle, for fear of accidentally touching it.
(End of this chapter)
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