tearjerker director

Chapter 699 The director will also join the play
Li Yi and Mu Qing made an appointment with Sun Bin to meet the next day.

Li Yidao clarified his and Mu Qing's identities.

"We want to put your story on the big screen and let more people know about you and you people." Li Yi thought for a while and said.

Sun Bin was at a loss for a moment.

However, he immediately agreed.

Afterwards, he talked a lot about what happened along the way, and Mu Qing recorded it with a tape recorder.

Along the way, Sun Bin has met both good and bad people.

He has been deceived by many people, helped by many people, and obtained a lot of news about his son. Even if it is outrageous, he will still look for it.

He also mentioned several people like him who had been looking for relatives for many years.

Some people gave up, while others continued to search like him.

Mu Qing asked him for the contact information of those people.

When leaving, Sun Bin kept saying thank you, thank you!
Seeing his hunched figure leaving, Li Yi and Mu Qing felt very uncomfortable.

In the following time, Li Yi contacted the contact information of those people left by Sun Bin, one by one.

Then she took Mu Qing to the city where the other party was located.

There are those who have been looking for children on motorcycles for twelve years, and those who drive mobile food stalls like Sun Bin and travel all over the country.
There is also a mother in her thirties who looks like an old man in search of her lost daughter.

Many people say that Huaguo is not doing well in combating abduction, but in fact, after collecting a lot of information, Li Yi knows that in the era of mobile Internet, such things are actually much, much less than in the past. Less does not mean no. In fact, technology is improving, but the criminal methods of those traffickers are also upgrading.

To give a simple example, in the early days we could often see disabled and deformed children begging on the street. Later, after being exposed by the police and the media, such things became much less common.

With the development of society, today's parents take care of their children much more seriously than in the past, and at the same time, the promotion of legal awareness has avoided many such incidents.

However, there are still many human traffickers, and there are still many children lost every year.

The more I watched it, the more Li Yi felt that movies with realistic themes were really different from other movies, and movies with the theme of fighting abduction were also different from the original "I'm Not the God of Medicine".

It is more similar to realistic movies like "Su Yuan".

Realistic-themed movies, in fact, many directors in China have been making them.

It's just a pity that most realistic-themed movies are either too heavy to shoot, or they have too many private goods, and when they are finally shot, the response is not very good.

In fact, movies with realistic themes are usually difficult to sell, not without reason.

The reason why "I'm Not the God of Medicine" can be a hit is actually mainly because the subject matter involved is generally applicable to the vast majority of people.

Birth, old age, sickness and death can be said to be experienced by everyone.

The difficulty of seeing a doctor and the sky-high price of medicine can be said to have hit the pain points of countless people.

Another reason for the popularity of "I'm Not the God of Medicine" is that this movie is actually very commercialized to a certain extent.

But not all realistic-themed movies can follow this route.

The rating of "Suyuan" is high enough, the attention is not bad, and the publicity is also not weak, but the result?
Even though this movie won an international award, the box office is still not high. Why?
Because of this kind of theme, it naturally has a great anti-commercial attribute.

In fact, Li Yi didn't care too much about the box office of the movie, but if the box office is high, it means that the influence is greater and more people watch it.

At the same time, it can attract more people and more capital to get involved in realistic movies.

Another major difficulty in realistic-themed films lies in the problem of scale.

"Su Yuan" was able to pass the review and was released smoothly. In fact, a lot of evasive work was done. First, Li Yi put the background of the movie on Hong Kong Island. In the end, I was able to pass without cutting.

But other realism-themed films are not treated so well.

Because many realist-themed movies expose social reality events, and these things can be made into movies, most of them are relatively sensitive, and many of them will also involve the dark side of society.

Such a movie is very meaningful, but for ordinary audiences, the viewing experience will not be very good.

In fact, movies with realistic themes have many social events suitable for adaptation, but there is a problem with realistic themes, how to commercialize them.

Realistic themes and literary films are actually two different things.

Literary films, most of the time, are based on reality with a lot of artistic processing, and the most important thing is the director's personal thoughts.

However, real-life movies are different. You can't have too much exaggerated artistic processing, otherwise, it will appear illogical and feel "fake"!
After the great success of "I'm Not the God of Medicine", many directors actually began to focus on realistic-themed movies, but in the end, they did not achieve the desired results.

But this kind of movie is indeed of great significance, and some movies can even really change the meaning of society.

Mu Qing is obviously very concerned about the anti-abduction movie.

After Li Yi agreed to help her write the script, she still had to do a lot of preparatory work, that is, to continue to visit the families where the children were lost.

At the same time, Li Yi is also writing the script.

Some stories, even just written, are uncomfortable, depressing.

That's what this movie is.

It took more than a week before Li Yi wrote the entire script.

It's just that after finishing writing, Li Yi's whole spirit was a little depressed. Although he didn't have any children of his own and couldn't understand the feelings of those parents who lost their children, he still felt a sense of despair.

Many people think that actors will be involved in the play, but in fact, directors and screenwriters will also be involved in the play, but the difference is that actors are involved in the role, while directors and screenwriters are involved in the whole story.

If the story is a comedy, then naturally the mood will become happy, but if the story is tragic and hopeless, then the same mood will be affected.

Before Mu Qing came back, Li Yi walked out of the house alone, went to a nearby park and sat down on a bench.

Watching couples flirting, watching children running in front, followed by grandparents or parents.

At this moment, suddenly a little boy trotted over from a distance, followed by an old man with white hair, and shouted at the same time: "Tongtong, slow down."

The little boy stopped not far in front of Li Yi, looked up at the tree behind Li Yi, stretched out his hand to compare his height, then turned his head to compare his height with his grandfather, suddenly shrugged a little discouraged Small head melon seeds.

Li Yi couldn't help turning his head to look, it turned out that the little guy's kite was hanging on the treetop behind Li Yi at some point.

Not too high, not too low, but apparently neither the little guy nor his grandpa could reach it.

(End of this chapter)