The King of Huayu Science Fiction

Chapter 183 A Long Shot Smoother Than Dove
The blue and yellow are interlaced, as if a large piece of farmland accurately measured by a ruler appears in the camera, and occasionally houses are dotted with white walls and black tiles (referring to white walls and black tiles).

The camera continues to move forward, as if the viaduct is endless, like a long dragon lying on the farmland, and in the distance is a city scene composed of skyscrapers.

A high-speed train passed by quickly.

In fact, the empty scene in the opening scene is also a scene carefully found by Chen Jingxing. It is a section of the Beijing-Shanghai high-speed railway passing through the plain.

Chen Jingxing's films have always paid attention to showing the modernization and unique and beautiful scenery of Huaguo. After all, his films still have a large market overseas, and many things need subtle influence.

Chen Jingxing has always felt that cultural export should naturally show the good places of his own country. Of course, Huaguo must have a lot of backward and dirty places, but most of the Huaguo under the lens of foreign media or European and American media are backward and dirty. Poor, so Chen Jingxing wasn't worried that if he didn't take pictures of Huaguo's backwardness, foreigners would not know that Huaguo had a backward side.

And he also thinks that domestic directors, especially directors who bring their films to Europe for awards, really don't need to keep filming the backward side of Huaguo.

European and American audiences in the media and film and television cultural works accept the negative information of Huaguo, and even the negative information of Zhang Guan Li Dai. It is superfluous for you to shoot these, and the audience will not buy it. People want to see these in the news You can see it in the media, you don’t need to go to the cinema.

True cultural export should be done in the opposite direction, and modernization is the best carrier for cultural export.

The camera slowly approached a window on the high-speed rail, and Hugo could be seen leaning his head on the window, as if he was sleeping, and then the camera slowly passed through the window as if he had the ability to penetrate the wall, bringing the audience's sight into the inside the train.

This shot caused some restlessness in the film critic area. From the beginning of the film, the shot passed over the viaduct of farmland houses amidst the sound of birdsong, accompanied by subtitles from the director, producer, producer, and screenwriter, and then a group of flying geese appeared next to the shot—let People suddenly feel that the angle of view of the camera is exactly one of the wild geese.

Then the camera follows a high-speed rail train from the other side of the viaduct with the geese, and the geese's wings are reflected on the windows of the high-speed rail along with the calls of the geese. One of the geese—actually the camera, locked on one The window, close to Hugo's face, and then penetrate the window into the interior of the train.

This is a long shot of up to 2 minutes.

Ordinary audiences may just think this long shot is very interesting, but film critics and even some senior movie fans are extremely surprised, not just because of the creativity of this shot, but because this long shot has no sense of special effects-slightly more senior movie fans can Definitely, this shot is definitely made with special effects, including the flying geese and the shot through the glass.

The 2-minute long shot at the beginning is definitely the perfect combination of film technology and art.

"I just thought about it. What you said before makes sense. I'm too..."

The sound seemed to be coming from a distant place, the volume gradually increased, the picture changed from blurred to clear, and a blurred face was reflected on the sun-drenched car window.

When the camera came back to normal, Wan Qian was sitting opposite, talking to the theater audience with a smile on her face.

Then the camera slowly turned 180 degrees, and the frame was fixed on Hu Ge's bewildered face, and then zoomed out.

This is also a long shot that is smoother than Dove, and it is far from over. It is just that the No.1 perspective makes the audience seem to be attached to Hugo. Only then returned to the third-person perspective.

Soon in "Gravity", Chen Jingxing's "artistic talent" will be displayed, and the film critics will feel that his change is too abrupt - after all, in the previous works, his camera language is quite "simple" "-It may make some people wonder whether the long shots of "Gravity" will be designed by an animator on his behalf. After all, "Gravity" is not fundamentally different from an animated feature film.

So in "Source Code", he also gradually started to play with the camera language. The so-called reading a book a hundred times reveals its meaning. He has made three consecutive movies before, which has greatly tempered and improved his camera sense. He used his novel ideas in "Source Code", which is one of the reasons why the shooting progress lagged behind.

Hu Ge scanned the carriage with confused eyes under Wan Qian's somewhat worried expression. He and Wan Qian were located in the middle of the carriage, and the passengers almost filled every seat.

The sound of chatting, talking on the phone, sleeping and snoring, and the sound of crying children all seem extremely real.

"Dude! Hey, buddy!" The passenger sitting next to him patted Hu Ge on the shoulder.

"Han Yang! Han Yang!" Wan Qian called Hu Ge worriedly on the opposite side: "The flight attendant is checking the ticket... Didn't you put it in your left pocket?"

Under the impatient eyes of the flight attendant, Hu Ge mechanically fumbled left and right to find out the ID card and the ticket, and then he was stunned as soon as he glanced at the ID card.

Many audience members in the theater also expressed their disbelief, because the camera showed a close-up of the ID card. The name on the ID card was Han Yang, but the photo didn't look like Hu Ge at all, it was two people at all.

A member of the audience who was still muttering "So Hu Ge's character is called Han Yang" exclaimed, "Damn it, it's not a soul wear, is it?"

Although there are no time-loop film and television works in this plane—the time-concept movies still stay in the "Back to the Future" trilogy. Since the rise of comics in the 90s, the subsequent time-concept sci-fi classics have never appeared again.

But there are still some online articles, including the ancient costume time travel TV series Huaguo. The audience is no stranger to it, so the first thing many viewers think of is Soul Transmigration.

After checking the documents and tickets, the flight attendant teased, "Are you sleepy?" After returning them to Hu Ge, the speculation of these audiences was further confirmed.

Hu Ge staggered to the bathroom amidst Wan Qian's worried voice, locked the door, turned on the faucet and pointed it at his face, as if he wanted to clear his mind, but when he raised his head, he almost screamed and stepped back two Leaning against the wall.

At the same time, real exclamations sounded in the theater.

Although many viewers have guessed that it is soul wear, the picture in the mirror of another person who is completely different from Hu Ge under the same lens as Hu Ge still brings a very big impact.

Sina.com reporter Chu Jiang couldn't help expressing admiration in his heart. Although he felt that Chen Jingxing's performance in the interview was a bit out of line, he still had to admit the talent of this young director.

There are a lot of costume dramas in Huaguo, but all of them show the body and appearance of the wearer. Chen Jingxing cleverly uses the appearance of the wearer as the first perspective, but in the eyes of the people around him, he is another person. This novel setting can bring great contrast and impact.

It's really worthy of being a ghostly director, who can put the soul through the setting of the bad street in Huaguo TV dramas so suspenseful and thrilling.

However, the setting of soul penetration is not very novel. Chen Jingxing, who is known for his big brains, would be a little disappointed if he just played this kind of bad jokes.

Thinking of this, Chu Jiang couldn't help being a little excited. He was both excited about Chen Jingxing's bigger brains in the future, and at the same time, he was vaguely looking forward to whether Chen Jingxing's talent was exhausted and he had no new amazing science fiction ideas.

In contrast, the latter possibility made him more excited as a reporter.

(End of this chapter)