The King of Huayu Science Fiction

Chapter 306 Something Never Got On Screen
"Beringxia" and "Martian Man" didn't notice Cheng Hongtao's depression. Their minds were completely captured by the huge picture, and they didn't have the energy to care about the strangeness of the people around them.

Because the long shot isn't over yet.

The astronauts are communicating with each other through the communicator in the mask, and at the same time communicating with the ground.

In the voice of speaking, Lei Jiayin manipulated his own jet spacesuit, leading the camera, and of course including the audience's eyes, and conducted a parade of the entire spacecraft.

Sometimes covered by the sun wing, the simple, sci-fi and complex space station reveals all its details without any cover. The white surface material, the geometric structure and folds on it, are like a huge mechanical arm stretched out from bamboo joints. Various equipment with bumps.

Occasionally over the sun wing, the camera followed Lei Jiayin's perspective and swept across the dazzling sun and the dark and quiet night sky, and then turned around, and a huge and beautiful planet spread out in the picture.

As if the audience is an astronaut, they are manipulating the jetpack, flying around the space station, sometimes flying up along the solar wings, and sometimes avoiding the glare of the sun and flying into the shadow of the space station.

In addition to constantly admiring this long shot, another word came out of his brain.

That is "real".

In addition to the fact that the picture is extremely real, there are hardly any false or dramatic flaws, and even the light and shadow reflected on the glass mask of the astronaut and the picture are so real that people can't find any faults.

There is also the "reality" of the space station and the "realism" created by the astronauts themselves.

"Bering Xia" is a relatively professional film and television blogger like Cheng Hongtao, who is not proficient in the film industry. His understanding of the film industry still exceeds that of ordinary audiences.

He knows that the gap between Huaguo and Hollywood in terms of special effects is not only computer special effects and engine modeling, but also a huge gap in industrial design.

The reason for this gap is not only the objective factors of level, but also the problem of production attitude.

Domestic film production does not pay much attention to industrial design.

The result is that many unrealistic props or items in domestic film and television dramas are very "childish", like children's models, lacking details and texture.

But at this time on the screen, the space station shown under this long shot is very real, not only the reality of the picture, but the reality of appearance, details and texture, not just a little detail, but a lot of details.

The hugeness of the screen also magnifies the details. A large number of details fill the picture, so that the audience has no time to think, but concentrates on trying to capture more details in the picture.

It's like this is a space station that exists in reality, just photographed with a real camera.

And this brings another more shocking "reality".

The space sci-fi movies that "Beringman" has seen before are all in the future, whether it is "Star Wars" or "Star Trek", spaceships and other aircraft are very "sci-fi", streamlined, and have a strong sense of design. The audience knows that this is a fantasy interstellar world.

The future of "Gravity" is definitely a classic long shot, but after accepting the reality of the picture, the audience subconsciously understand that this is the current world, not the "future" interstellar world.

Astronauts all wear bulky and heavy spacesuits, and the space station is not a streamlined future spaceship. There will be no aliens popping up suddenly, no one wielding lightsabers, and no laser cannons or electromagnetic cannons.

And what will this "realness" bring?

Once there is a problem, it will bring a stronger sense of despair and substitution...

As if to echo the thinking of "Beringman", the satellite debris came suddenly, and the 10-minute long shot ended.

"boom!"

Sound does not come from the screen.

Instead, it comes from the hearts of the audience.

Space is quiet, even as debris from satellites tore apart the solar wings and pierced the compartments of the space station.

But the grand sound was surrounded and bounced by the dome and walls in the auditorium like a symphony, and then mixed into a bell hammer to strike the hearts of all the audience.

"Bering Xia" suddenly realized that it was indeed a symphony!
The deep and penetrating double bass, euphonium and bass drum, under the tense rhythm, deduce heavy, solemn and magnificent music, accompanied by the involuntary impact sound of the picture, together create a tinnitus, Even dizzy sounds.

Dazzlingly, the astronaut smashed directly at the audience with the out-of-control robotic arm!
People can't help but hold their breath, and their bodies dodge accordingly, and many viewers even subconsciously raise their arms to block the front.

The dizziness is that the camera repeats its tricks and follows the perspective of the female astronaut played by Wu Yue again, guiding the picture in the eyes of the audience.

It is different from the soothing and novel "travel" that followed Lei Jiayin's perspective before, as if flying across the horizon.

This time, under the double blessing of the IMAX screen and 3D, it was like sitting on a big pendulum, standing on the mechanical arm, and the body felt like being thrown away due to the change of the picture.

The whistling satellites and the fragments of the space station that were disintegrated by the impact rushed towards us!

After the debris grazed the cheek, it turned head down and legs up and crashed into a main cabin of the space station, passing by the cabin section in the nick of time.

Then came the night sky dotted with stardust, and then retreated quickly involuntarily, and the huge earth appeared from overhead and passed quickly.

The body instinctively produced a dizzy stress response.

"Bering Man" and "The Martian" are by no means the only two people who screamed in the theater-although there is no real ordinary audience here.Almost everyone is an industry insider who has seen the world, but there are still bursts of short exclamations from the crowd, and the slight creaking of chairs.

Even Cheng Hongtao has completely come out of his depression, staring at the big screen with all his attention, holding the armrests on both sides tightly with both hands, for fear of being thrown out of his seat.

When "Beringman" got off the "big pendulum", he could only lean on the back of the chair, panting heavily, shaking his head slightly to express his silent and sincere admiration.

Hearing his unstoppable panting made him almost laugh out loud, obviously he had been firmly in his seat, but it seemed as if he had done some strenuous exercise, of course, it could be that he just kept holding his breath unconsciously The reason - he didn't realize it until now.

This even made him suspect that if Chen Jingxing made this paragraph longer, maybe he might suffocate to death?No, that's exaggerated, but it might as well starve his brain of oxygen.

His brain may be deprived of oxygen now, otherwise how could he be breathing so fast?
Perhaps it can be summed up as his eyes cooperating with his nerves and brain to deceive his body.

And this is something he has never achieved on the screen!
The audience in the movie hall did not breathe a sigh of relief after getting out of the extreme "roller coaster".

They have been completely immersed in the huge screen.

The blue earth fills most of the screen, and a white figure rotates from small to large, and rolls towards the audience's eyes from far and near.

After dodging subconsciously again, the sound of Wu Yue's rapid breathing lingered in the audience's ears along with her scream of trying to keep calm but unable to hide her panic.

Lei Jiayin's call and comfort, Wu Yue's breath and answer, grabbed the audience's heartstrings.

But the picture still keeps flipping with Wu Yue, and the camera leads the audience as if they are face to face with Wu Yue, as if they are "difficult brothers" with Wu Yue, and they are also spinning and wandering in space uncontrollably.

The glare of the sun, the blue planet and the dark night sky alternately flip.

The eyes deceive the brain, and the brain deceives the body. The audience not only has to bear the physical reaction of stress, but also cannot get rid of the growing sense of fear and despair.

Because soon Lei Jiayin's voice was blurred and interrupted, only Wu Yue and the audience were left alone in the space, maintaining the tumbling that seemed to never stop.

Then the camera doubled over to Wu Yue's body.

The first-person view of the sun, the earth, and MSI's silent night alternately flips "intensified" to strengthen the audience's sense of immersion, making them as at a loss as the heroine in the novelty and dizzying.

When the camera broke away from Wu Yue, this sense of despair and anxiety had escalated to an unsettling level.

It's not just the sadness and coldness of music, but also the fading of light and the coming of night.

The heroine seems to have come to the line of dawn and dusk, and fell into the darkness without returning.

Like a kite that has broken free from the fishing line, only the lights on both sides of the glass mask are flipping and fading away gradually, and together falling towards the eternal night dotted with tiny stars, there is also Wu Yue's cry of despair and silence, as well as the audience's death. Emotions that are completely pinned on the heroine—even though everyone knows that the heroine will not receive a box lunch at this time, there must be some kind of turning point.

But even so, you will still be involuntarily involved in it, unable to withdraw your emotions.

And the turning point did not make the audience anxiously wait for too long.

Lei Jiayin's voice, a faint voice, rang in the ears of the audience again.

From the communication between the two, it seems that Lei Jiayin not only reconnected with the heroine, but also saw the location of the heroine, and was flying towards the heroine.

Just when the audience looked at the hope represented by Lei Jiayin through Wu Yue's lonely figure floating on the dark earth outlined by an arc of light in the huge picture with a dazed face.

A black figure with the light on his back quickly jumped out of the dark night earth dotted with stars below, and hit the unprepared heroine in the background sound with a rapidly increasing frequency.

It also hit the nerves of the unprepared audience.

The exclamation in the theater mixed with Wu Yue's exclamation, and then the exclamation turned into a joyful dialogue.

The two astronauts clutched at each other as they spun in the Earth's night sky, where city lights were faintly visible below.

In the joyful greetings of the two astronauts, glass masks stick to glass masks, face to face, like a waltz performed in space.

The lights next to the masks of the two people flickered in the dark on the big screen with no clear boundaries, and complemented the faint but bright stardust made of city lights below the two people who were spinning.

The "Bering Xia" couldn't help feeling an inexplicable emotion in his sighs, making him mesmerized...

(End of this chapter)