Huayu Zhihao

Chapter 1007

After working hard all night, after feeding Dameitang, Chen Hao let Dameitang take his private jet back to Shanghai for the new year.

Chen Hao, who doesn't have to go to work, stays at home with his precious son Dodo.

"Duo Duo, call me Dad!" Chen Hao smiled while hugging Duo Duo.

"Papa!" Duo Duo said in a milky voice.

"Haha..." Chen Hao looked at Duoduo, who had red lips, white teeth, and delicate features, and couldn't help kissing her little cheek a few more times.

"Come on Duoduo, don't talk to your dad!" Seeing this, the little fox came over directly and stretched out his hand to Duo Duo.

Dodo immediately stretched out her little hand to the little fox.

Chen Hao quickly turned around to avoid it and said, "Duo Duo, hug me!"

Seeing this, Xiaohu kicked Chen Hao directly, and leaned in front of Duo Duo again and stretched out his hand, "Duo Duo, do you want a father or a mother?"

"Mom?" Chen Hao looked at the little fox in distaste and said.

"What's the matter? Mom is also a mom!" The little fox said angrily.

"Mom!" Chen Hao was delighted when he heard the words, but seeing Dodo stretched out his hand to Xiaohu again, he quickly distanced himself and said, "I want to hug myself to death."

The little fox gritted his teeth and said, "I really want to give birth, but who can blame someone for being useless!"

Xiaohu and Chen Hao hadn't taken measures for a while, but they still haven't gotten pregnant.

Chen Hao smiled after hearing this, "Yaya proved that I can give birth, and the problem must be on you!"

Xiaohu pursed her lips when she heard the words, put her hands on her chest and said, "I see, it's a good birth, okay?"

"He has a big butt to give birth to, is that your butt?" Chen Hao laughed.

"You are the ass!" Xiaohu said angrily, "Give me Duo Duo!"

After finishing speaking, Xiaohu came over to snatch Duoduo, but Chen Hao turned around all the time and refused to give it to Xiaohu.

The little fox had no choice but to look at Dodo and asked, "Do you want a little mother or a father?"

"Little Mom!" Dodo replied immediately.

Chen Hao's face darkened when he heard that, Xiaohu clapped his hands directly and said, "Haha, look, Duo Duo doesn't like you, give it to me!"

"What are you two doing?" Yaya came over and said, "Don't drop Duoduo."

"It's okay, I hug you tightly." Chen Hao smiled.

"Okay, give it to me!" Yaya said, and then reached out to take Dodo.

But Xiaohu took Duoduo away from Yaya's arms again, glared at Chen Hao proudly and said, "Duoduo, is daddy bad or not?"

"Bad!" Dodo replied.

"Hahaha..." Xiaohu glanced at Chen Hao and smiled.

Chen Hao smiled and shook his head, then went to find Yaya.

Embracing Yaya's waist from behind, kissing Yaya's earlobe, feeling the trembling of the beauty in his arms, Chen Hao smiled, "Have you bought everything yet?"

"Not yet!" Yaya said with a slightly red face.

"Then let's go buy it later, shall we?" Chen Hao blew in Yaya's ear after speaking.

Yaya shrank her neck, and said coquettishly, "Don't make trouble, the little fox is still here!"

"Then just wait until she's not here?" Chen Hao said with a smile.

Yaya gave Chen Hao a flirtatious look when she heard the words, "I made an appointment with Xiaohu to go shopping today."

"That's right, we've already made an appointment." Xiaohu suddenly came over with Duo Duo in his arms.

"Then I'll be your driver!" Chen Hao volunteered.

"No, thank you, just take Duoduo with you at home." Xiaohu said disgustedly.

"I take it alone?" Chen Hao asked quickly.

"I told my mother that she will come over later." Yaya laughed when she saw this.

"Alright then!" Chen Hao nodded and said, "But, you really don't need me to go?"

"I won't bother you!" The little fox snorted.

Just as she was talking, Mother Chen opened the door and came in, "Have you all eaten?"

"I've eaten, Aunt Zhao!" Xiaohu said with a smile.

"Okay, you guys are going shopping, give me Duo Duo!" Mother Chen said, and took Duo Duo from Xiaohu's arms.

"Then let's go, Mom!" Yaya said.

"We're going out, Aunt Zhao!" Xiaohu also laughed.

"Go!" Mother Chen said.

After Yaya and Xiaohu left, Mother Chen looked at Chen Hao and said, "Duoduo is with me, if you have something to do, go and do it!"

"Okay, then I'll go up and get busy for a while." Chen Hao nodded and said, mainly busy with the new film, after all, it will be launched after the next year.

When Yaya and Xiaohu came back, they carried a lot of bags and bought a lot of things.

In addition to the things to be used for the New Year, there are also clothes for Chen's father and Chen's mother. Yaya and Xiaohu each bought a set, and then they are things to bring back to their natal home on the second day of the new year.

Xiaohu went back without having dinner, because today is the 29th of the new year, and tomorrow is New Year's Eve.

And Ya Ya and Chen Hao also took Duo Duo to Chen's father and mother's villa, which was considered to be home for the New Year.

Early in the morning on New Year's Eve, Chen Hao got up and was busy pasting Spring Festival couplets and blessing characters, and then helped clean up.

At night, Chen's father and Chen's mother each held a red envelope and said to Duo Duo, "Duo Duo, come and kowtow to grandma, grandma will give you lucky money."

Dodo obviously didn't understand the meaning of the red envelope, but under Yaya's guidance, she knelt on the blanket and kowtowed to her grandparents. Then she was picked up by Chen's mother and stuffed a big red envelope.

Chen Hao and Yaya didn't kowtow, but Father Chen still gave them the red envelope in his hand.

"Dad, we don't need it!" Yaya laughed.

"Even if you are married, you are still children in our eyes. Take it, there are not many!" Father Chen said with a smile, "That's what it means, to make a good fortune."

"Take it!" Chen Hao said.

Yaya took it with a smile when she heard the words, "Thank you Dad!"

Then the family of five started the New Year's Eve dinner, and then watched the Spring Festival Gala together.

However, Dodo soon fell asleep, and Yaya carried the little one into the room and went to sleep.

Chen Hao accompanied Chen's father and mother to watch the Spring Festival Gala, chat, and make dumplings.

The first day of the new year was busy with New Year's greetings, and the second day was busy returning to their mother's house. Chen Hao and Yaya flew directly to the border to visit their parents. The little guy Duo Duo followed and received another big red envelope.

……

Just when the whole country is busy celebrating the Spring Festival, the mainland film market ushered in a blockbuster movie, "Journey to the West: Conquering the Demons" on the first day of the Lunar New Year!
This film has considerable significance and influence in the mainland film industry.

It's not because this film is the first time Star Yeh has returned to the film industry after 2008 years since "Yangtze River No. 5" in [-], but because this film has completely established another schedule for the mainland film industry, the Spring Festival file!
Before that, there were only three relatively mature and recognized schedules in the Mainland, one for summer vacation, one for National Day, and one for Lunar New Year!

In fact, the Spring Festival stalls have been formed for a long time. It can be said that the development history of the Spring Festival stalls can not be more appropriate to use words such as "accumulate less to make more" and "accumulate soil to form mountains".

In 1995, Cheng Long's Hong Kong film "Red Fan District" was introduced to the mainland under the name of "Lunar New Year Film", becoming the earliest film with the nature of Spring Festival that can be traced back now.

It can be said that the Spring Festival stalls have been gradually formed since the introduction of Lunar New Year films to the mainland.

And the birth of the New Year's film itself is enough to have the atmosphere of the Spring Festival.

In 1981, the Hong Kong comedy "Modern Bodyguard" was released in Hong Kong before the Spring Festival, becoming the first film in history to be called a Lunar New Year film.

It is also because from the beginning, all Hong Kong audiences’ concept of New Year’s films is light-hearted and humorous comedies, and they are usually released after New Year’s Day and before the Spring Festival to satisfy everyone’s festive atmosphere during the festival. This concept was also directly introduced in 95. inland.

In the subsequent 80s, Lunar New Year films became the darling of the Hong Kong film market.

From 1982 to 1984, Lunar New Year films became Xiangjiang's annual box office champion for three consecutive years.

Along with it, stars such as Cheng Long, Hong Jinbao and Xu Guanjie, "Fuxing Gaozhao" and "Best Partner", these classic Hong Kong comedies that are often mentioned by the audience, are all in the form of New Year's films Released at the time.

But New Year's films do not exist every year. For example, there were no New Year's films in 1985 and 1986.

In the 90s, the development of Lunar New Year films became better and better.

Since Master Xing and Cheng Long have both ushered in their peak periods, they are also representatives of nonsensical comedy and kung fu comedy, so they took up the banner of Lunar New Year films.

Such as "The Saint of Gamblers", "Fight Back to School", "Happy Family", "City Hunter", and "Glass Bottle", these are all masterpieces of New Year's films, and they were also the best-grossing films in the Xiangjiang market at that time.

Under the leadership of the two legends, the Lunar New Year file has finally been formed, and the Lunar New Year film has its own exclusive schedule.

And soon, this schedule was also introduced to the mainland, affecting the Chinese film market.

At the beginning, Cheng Long's "Red Fan District" had a strong impact on the Chinese film market. It was not only the highest-grossing Chinese-language film in 1995, but also had a box office record of 9500 million yuan higher than that of No.2 "Sunny Day". 5000 million yuan is nearly double that.

For the first time, commercial films "tortured" literary films in the Chinese market.

But soon the mainland filmmakers realized that Lunar New Year movies and Lunar New Year films are a new world worth striving for, and the mainland needs filmmakers to stand up and make Lunar New Year films as good as Hong Kong comedies.

The person who took over the banner at this time was Feng Dapao.

In 1997, Feng Dapao's "Party A and Party B" became the first New Year's film in the Mainland, creating a precedent for the New Year's film in the Mainland.

With a budget of only 600 million yuan, this film has won a box office of 3600 million yuan, which can be called the pinnacle of commercial comedy.It was also from that time that "Feng's comedy" gradually became popular.

Due to the concept introduced by Xiangjiang, mainland audiences also regard the Lunar New Year file as an exclusive time for comedy films. Its relaxed viewing atmosphere and simple and easy-to-understand storyline can attract everyone into it.

The stars play comedies and Easter eggs at the end of the film to greet the audience, adding a strong atmosphere of the Spring Festival to it.

Feng Dapao even made good use of the audience's psychology, making his own movies into civilian comedies, reflecting the life characteristics of small people.

Judging from the results, Feng Dapao undoubtedly achieved great success.

From 1999 to 2001, he directed "See You or Be There", "Endless", and "Big Wrist", three Lunar New Year films that successively became the box office champions of domestic films of the year. Feng's humor complemented the atmosphere of the Spring Festival.

Just when everyone thought that the habit of watching Lunar New Year comedies during the Spring Festival could last for many years, another master stood up and broke the balance, so that comedy would no longer be the only "color" of the Spring Festival. He was Guoshi.

At the end of 2002, "Hero" turned out to be an important turning point in the selection of types of movies for the Spring Festival in the future.

The film market in that year was undergoing tremendous changes. Due to China’s accession to the WTO, the country had allowed private companies to participate in film investment, and large sums of money poured into the film market, making commercial blockbusters slowly become the mainstream.

And "Hero" is the representative of the first batch of Chinese commercial blockbusters.

Its cost was as high as 3000 million U.S. dollars, and its box office also made history and won 2.5 million yuan. It is not only the annual box office champion, but also the first movie in the history of Chinese film with a box office of over [-] million yuan.

On the other hand, although "Hero" was released on the eve of New Year's Day in 2003, its popularity continued until the end of the 2003 Spring Festival.

It broke the dominance of Lunar New Year comedies during the Spring Festival. It not only extended the themes of movies that can be seen during the Spring Festival to action and martial arts, but also pushed the traditionally low-cost Lunar New Year films to the production mode of commercial blockbusters.

Since then, more and more diverse genres of Lunar New Year films have begun to appear, with changes in both themes and styles.

Whether it is Master Xing's "Kung Fu", or the later "Golden Armor in the City" by the National Teacher, they are all created with action movies as the core.And in terms of schedule selection, it is also from the eve of New Year's Day to the end of the Spring Festival, maintaining the enthusiasm for more than a month.

And this expanded schedule has gradually brought about the finalization of the Spring Festival stalls.

The reason why the Lunar New Year file has evolved from before New Year's Day to after the Spring Festival is related to the movie-watching habits of Chinese audiences at first.

For many years, the period between New Year's Day and Spring Festival has actually been a period when movie theaters are deserted, after all, everyone is busy celebrating the New Year.

However, the "New Year's greetings" form of the Lunar New Year stalls is pleasing and has a festive atmosphere, which opened up this market.

However, movie New Year greetings are always before the Spring Festival. After the Spring Festival, Chinese people are busy with their own New Year greetings. It is difficult to pay attention to movies, so the box office during the seven days of the Spring Festival is also difficult to increase.

For example, in 2008, the total annual box office was 43 billion yuan, and the 7-day box office during the Spring Festival was 1.1 million yuan, accounting for only 2.6%.

Because of this market situation, Lunar New Year's films generally put treasures in the release period before the Spring Festival, and this has formed the habit of releasing before New Year's Day.

At that time, if a movie was chosen to be released during the Spring Festival, it was simply "I don't want to live".

And no one expected that the Chinese people's habit of "not going to the cinema during the Spring Festival" was broken by Hollywood.

In 2009, "Avatar", which was originally planned to be released simultaneously in North America before the Chinese New Year's Day, was forced to postpone its release until the Spring Festival of 2010 due to various reasons.

Unexpectedly, "Avatar" actually set off a movie-watching frenzy during the always unpopular Spring Festival, filling theaters that were originally empty during the Spring Festival with curious audiences who wanted to see 3D.

In the end, it not only continued to be shown in China for more than a month, but also became the first movie in the mainland to break 10 billion at the box office.

Since then, Hollywood blockbusters have frequently rescued movie theaters during the Spring Festival, and the concept of Hollywood Spring Festival stalls has gradually formed.

2012年春节看好莱坞大片的浪潮达到顶峰，《大侦探福尔摩斯2》和《碟中谍4》两部好莱坞大片在春节7天里就拿下4.11亿元票房，比2011年增长了24.9%，创历史新高。

At that moment, people forgot about the larger Lunar New Year file, and began to pay attention to the seven-day Spring Festival file included in it. Although it is not long, it is extremely intense.

The Spring Festival stalls have already taken shape, and they are still very popular, igniting the enthusiasm of Chinese people to watch movies during the Spring Festival, but Hollywood makes money after all.

Many filmmakers realized that such a delicious piece of cake is better eaten by itself.

So in 2013, Master Xing took his long-awaited new work "Journey to the West: Conquering the Demons" to the big screen on the first day of the Lunar New Year, and detonated the mainland film industry.

Looking back, it took 10 years from the single-film box office breaking [-] million to the single-day box office breaking [-] million, and these two records were established on the Spring Festival.

Under the leadership of "Journey to the West: Conquering the Demons", the box office of the 2013 Spring Festival stalls reached 7.8 million yuan, a year-on-year increase of 89.7%. Since then, audiences have been completely ignited by the Spring Festival stalls.

In the end, the box office performance of "Journey to the West: Conquering the Demons" also made the Spring Festival file a logical one. It is independent of the Lunar New Year file and has its own school.

And "Journey to the West: Conquering the Demons", which made the Spring Festival file completely independent, relied on its amazing box office results.

On the first day of the Lunar New Year, "Journey to the West: Conquering the Demons" won a box office of 7896 million yuan, which surpassed the 7350 million yuan of "Gravity" and broke the box office record for Chinese-language movies on the first day of its premiere!
At the same time, it is also the second highest score on the premiere day of mainland film history, second only to "Transformers 3" at 1.023 million yuan!
However, February 2, the first day of the Lunar New Year, is a Sunday, so the first-week box office of "Journey to the West: Conquering the Demons" was 10 million in one day, which did not break the first-week box office record in mainland film history!

But even with just one day's box office results, it still won the weekly box office championship!

Then, in the second week of the release of "Journey to the West: Conquering the Demons", that is, on the 2nd to 8th days, the film directly hit a super high box office of 5.75 million yuan!
In one fell swoop, it surpassed the RMB 3.75 million of "Lost in Thailand", breaking the record for the highest box office in the second week of mainland film history!
At the same time, it also broke the single-week box office record of 3 million yuan in mainland film history created by "Titanic 4.67D"!
Especially on Valentine's Day, February 2, the single-day box office of "Journey to the West: Conquering the Demons" reached 14 million yuan!

Not only surpassed the RMB 3 million of "Transformers 1.12", broke the single-day box office record in mainland movie history, but also brought Chinese-language movies into the era when the single-day box office exceeded [-] million!

In the next three weeks, "Journey to the West: Conquering the Demons" earned RMB 3.34 million, RMB 1.42 million and RMB 6274 million in box office, winning five consecutive weekly box office titles!

At the same time, it has also become the fifth film in the mainland to break 3 billion at the box office after "Avatar", "Inception", "Transformers 5" and "Lost in Thailand"!

　Thanks for the 100 rewards from "Shi Shi Hong Ren Liu Feng" and "Little Tiger in the Devil World"!

　　
　
(End of this chapter)