bad, i'm a fool

Reflections at the end of the second volume
Hello readers, I am Beer Dolphin.

At the end of the second volume, it came to my favorite part of nagging.

This is really a volume full of twists and turns, not only for Han Dongwen, but also for me.

From April when I went abroad without a mobile phone card, it was unexpectedly interrupted for a period of time, and the ups and downs of returning to China at the end of the curly period were not smooth. Even the PV that just ended, I knocked down in the quarantine hotel with my hair that hadn’t been cut for a month. of.

Under such circumstances, readers and friends who have read so far deserve my most sincere thanks.

From the second volume to the present, there are 180 five chapters and 45 words. There is always some emotion at the end.

What I feel is that, compared to the somewhat mixed first volume, the second volume has more or less written some temperament and style that I want to see more.

I also want to sigh with emotion that the progress on the outline has been delayed a lot by my way of writing.

This volume is called the Tribulation of the Kings, but what about the Kings?

Right, even when I sorted it out myself, I could only smile helplessly.

But I still think it's better to write what you want to write.

I said in the first volume of the testimonials that this is my first book, and I feel that "I do what I want" book, and I have always positioned myself as a lover, the kind that has not been deeply cultivated in the market .

So for me, especially in the case of no achievements in this book, the first passion for writing is naturally not a good meal.

what is that?

You must be familiar with it. When we read all kinds of novels and online articles, our hearts will always be surging, and we will always construct a story of our own in our minds.

In this kind of brain supplement, there will definitely be climaxes and famous scenes that I like most.

Such scenes and pictures are the core of writing enthusiasm.

Everyone's energy and situation are different. For me, it is a lucky thing to have the opportunity to shape the characters, pave the way for the plot, and finally truly describe the famous scene that I have been looking forward to for a long time.

The same is true of Xiao Hongdou guarding the palace gate, and the same is true of Han Dongwen beheading the sick people.

To be able to create a story that allows these plots to appear is what I want to write.

A person with little shaping guarding the palace gate will not be effective.

A villain with pure facial makeup has set up a dilemma for the protagonist, but it is just step by step.

To make these plots have the effect I want, I have to spend pen and ink to shape these characters.

This can be regarded as a cycle that I often fall into when I write down nearly 80 words.

In such a predicament, there will naturally be doubts that it is too watery. I am really sorry for my lack of skills.

Everyone is willing to take care of me to practice pens, of course I am very grateful.

Let's talk about the book itself.

This book is not a well-prepared book-this is not to say that I don't have an outline, but after I wrote it, I discovered that in addition to the outline and plot, perhaps for long web articles, the setting is also important. One of the points of attraction.

From the third stage of Douzhili to Douzong, from the fortune teller to the fool, the existence of a framework is not only a sharp tool to grasp the plot, but also better communicate with readers.

If not, there is no certainty about Han Dongwen's current level, who can beat who he can beat, and who he can beat.

If he wins someone in the text, he will inevitably have a mustache in the mouth of the mechanical descendant, which is not appropriate.

The lack of settings is something I am not prepared for, and it makes me think about how to make a patch to make it better.

If I can't type it out, at least I can know the next book and make the settings in advance, which is also a good thing.

As for this book, the accident in April has been interrupted for too long, and the naked eye can see that there are no recommended resources. Perhaps the only way out is to rely on the help of readers who love power generation and have read it so far to recommend one or two.

But this is my fault haha, no matter how I say it, I have to bear it.

Thinking about it from another angle, it’s not too much to put others in prison?
So you see, although the beer dolphin wrote with suspicion of water injection, it is still conscientious.

I don’t know if there are any new readers after April, please tell me how you found this book, and where are you still recommending?
Speaking of recommendations, there is one thing worth mentioning.

When I was chatting with a book friend, he praised my humble work, so I cheekily said, why don’t you recommend your friends to read it?

He said he pushed, but it was not easy to push.

I asked why, he thought for a while and said, after hearing the recommendation from a friend, the first question was, what is this book about.

Hmm... through the emperor's struggle for hegemony?

"Oh, tricks and the like, 8 is too good, I want to see something cool."

This is the first type.

"Oh, the kind of layout, yes, what does the protagonist rely on?"

This is the second type, so the second type of question also needs to be answered.

Hmm... relying on players?

What?
Ah, this emperor is the emperor of the game, which means that he has entered the game, and then depends on game understanding and players.

"Oh, 8 is too good, I want to read some history."

This really makes people dumbfounded. It can only be said that under such a contradictory premise, this book seems to be only defined as being cold and cold before it can be imported, and it can be regarded as a place that was not thought of when it was set.

I can only say that I hope my words can have some flavor, so that such a theme of mixed cold and summer can be read.

I hope that the characters in my works can make people feel real and affectionate, and they can call themselves group portraits without shame, with a little loveliness and a little thickness.

Then, please look forward to the next content of "Broken, I'm a Faint Lord". If there are recommended monthly tickets, please add a little more. After all, recommended resources are hard to get, so let's use it as a poverty alleviation, thank you.

[Volume III: Godless Kingdom]

(End of this chapter)