I really can't act

Chapter 208 Preparing for the Acceptance Speech
It is not far from the backstage of the red carpet to other areas of the film festival, and you can actually walk. But as the face of the country, the diplomats are full of style.

This film exhibition has a total of seven topics, including "Yesterday and Today of Japanese Films", "Chinese Film Week", and "Film Week of Young Directors". The first thing to browse is "Yesterday and Today of Japanese Films".

The staff of the Japanese side, maybe they were spies or something, saw the Chinese vehicles get off one by one, and both sides guarded the safety of their leaders.

Until they saw Fang Yi.

"wow~"

These Orientals couldn't help exhaling, then looked at each other and chuckled - who could not be surprised.

The director introduced: "This is Fang Yi, a famous young actor in our country. This time, a new film is released in your country. I saw his fans gathered outside the venue."

Coincidentally, it may be that the crew of "Love Has an Afterlife" caused the commotion. Fans outside the venue called Fang Yi's name in Chinese—Japanese and Korean fans easily give up on stars, but they are also quite crazy after chasing stars, and they don't care about the outside world at all. Opinion.

The Japanese personnel present had different expressions. After shaking hands with Fang Yi, they all showed helpless and convinced expressions when they came into close contact with him.

The Japanese side commented in a low voice, "Is it really an actor from China? But I only know Jackie Chan."

"Such a look, it can't be a young actor. If you work in Johnny's & Associates, you will be known all over the country in two or three months... Oh my god, the eyes are so big. Are you worthy of China?"

"Maybe it's an actor trained by the national system. It's normal for one of 14 billion people to be better than us."

"Is that so? Is this the winner of a national beauty pageant?"

Most of the diplomats stationed in Japan can understand Japanese and laugh secretly in their hearts, but they don't show it on their faces like the Japanese side.

Finally, Prime Minister Hatoyama arrived at the scene.

He took the initiative to reach out his hand towards the Chinese side, and couldn't help noticing Fang Yi.After talking with the director for a while, he skipped over the others and said directly to the other party:
"It must be a well-known actor in China."

"Yes."

"You are so young, are you currently an idol artist?"

"Movie actor."

"Eh? Is that so?" Hatoyama hesitated, and he pushed out a young man beside him, who was also considered handsome.

"I thought you were an idol artist just like Miura Haruma."

The young man immediately said to Fang Yi, "I'm also a movie actor."

Sure enough, whether it is in China, Japan, Korea, or in Europe and the United States, idol is not a nice word.

Haruma Miura has starred in the well-known movie "Love in the Sky", and the female lead Yui Aragaki is more familiar to Chinese people, and she is the empty wife of many people.

With the help of simultaneous translation, the two sides communicated in a stumbling manner, and even Fang Yi talked about the movie with the male idol of Dongyang.

After Fang Yi introduced the plot of the film, Miura repeatedly "Si Guoyi". This buddy is also a lover of literary films-most actors have a literary dream, and they want to improve their style after earning money.

Fang Yi has the best of both worlds.Miura was naturally quite envious.

The history of oriental film is quite brilliant. There have been world-renowned directors such as "Akira Kurosawa" and "Takeshi Kitano", especially Akira Kurosawa, whose works "Seven Samurai", "Rashomon" and so on are now It's not unusual to look at it, but it was a genius-like idea in that era.

In 1972, after making the previous film, Kurosawa was invited by the Soviet Union to shoot the Russian film "Dersu Uzara" regardless of the cost. Once it came out, it won the Moscow International Film Festival Award and the Oscar for Best Film. Best Foreign Language Film Award.Both camps in the Cold War are full of reputation points,

For many ancient Chinese entertainment, Oscar is the finale.

At the same time, due to various reasons in China, there was no right to annotate various film techniques in the cultural circles—in fact, Akira Kurosawa’s so-called initiative mostly absorbed his local shooting techniques, and some of these techniques were borrowed from Magic City movies in the 30s.

The link is not so much about "Yesterday and Today of Japanese Movies", it is better to say that it is just remembering "Yesterday".

The Chinese side proposed to go to the "Young Directors Film Week", and the young directors from China shined brilliantly. There are three works, while in Toyo, this number is zero.

idiot!

How can young people be directors!
Hatoyama was not interested in movies he didn't know, he stayed politely for a while, and suddenly asked Fang Yi: "What's the name of the movie you're showing here?"

"'Love Has an Afterlife'."

"A good name, all good feelings, entrusted to the next life to realize, this is very in line with the aesthetics of our Orientals, I want to watch your movie, can I?"

Of course, Fang Yi couldn't say no.

It is impossible to lose the chain at the film exhibition, temporarily vacated a theater for the two big shots, and drove away the people in the first five rows, and replayed the "Love Has Afterlife" that had been playing for a while.

Because the exhibit is Yu Feihong's version, the so-called multi-line narrative version, fans are not angry, because many people didn't understand it before, and it all depends on the appearance of the hero and heroine.

Soon, Hatoyama couldn't understand it anymore. Although he tried his best to maintain an appearance that I had a high artistic sentiment and could appreciate it, he still talked to the director slowly and in a low voice.

This is exactly what the director wants.He couldn't stand it either.

Don't think that the big guys just like to watch literary films because they play big chess every day-artistic films are really a very small genre.

He doesn't like watching literary films. His favorite movie is "Fist of Fury", yes, Bruce Lee's "Fist of Fury".

Later generations recalled watching this film at least twice. One of them, Bruce Lee kicked and smashed the plaque of "Sick Man of East Asia" in the film, applauded and laughed happily: "Bruce Lee is really a hero!"

When Monk Fang appeared in the movie, and when he caught a glimpse, a familiar sound of emotion sounded in the auditorium.Then they applauded involuntarily, even the bosses of the two sides were no exception.

They kept looking at Fang Yi's face on the screen and in reality, and even stopped talking about state affairs for half a minute.

Fang Yi has heard applause many times, but this time is the most special.

After the film was shown, everyone felt that it was different from the previous participating films, but after thinking about it carefully, they couldn't tell the difference, but it was instinctively different from the Chinese films they imagined.

What they are looking forward to is a film plot of a rural agricultural society unique to China, so that they can look at it with sympathy and even curiosity.This is the real aesthetic, and it is imposed on us.

And the end of the film implies that different ethnic groups in the new era no longer have hatred, but unite together.This makes foreign fans not used to it.

At the end of Guoshi's film "No One Less", because there is a scene of raising the national flag and singing the national anthem, which contains obvious meanings of blessing and hope, it is considered to be flattering to politics, so it was rejected by Cannes.

The old Mouzi was so angry that he wrote a long article to the chairman of the jury, Jill Jacobs, and released the two films "Not One Less" and "My Father and Mother" from Cannes, announcing a "break" with Cannes. Did not run for election again.

You must know that the national teacher is a direct descendant of Cannes, and when he came to Cannes, he was picked up by a special car, and he was treated as an international leader.

Hatoyama came to engage in film diplomacy with a purpose, so he naturally wouldn't criticize Fang Yi's values, but he still said:
"It's different from the films I've seen before."

"Yes, it is indeed different."

The director also sighed with emotion, and said meaningfully, "It's different."

After Hatoyama left, the temporarily formed small team would naturally be disbanded. Director Fang Yi said: "You can also see that since he wants to present the award, it is impossible to award it to other people. You should prepare your acceptance speech... I have been in Dongyang for a long time, and I have never seen young people being sought after, I hope you can continue to work hard."

　Thanks to the mother-in-law on the side of the road for the reward; thanks to lxgpc for the reward; thanks to the book friend Sister Qian for the reward of the beautiful knight.Thanks to book friend Xuan Yanxi for the reward, thanks to the book friend with weak knees for the reward, and thanks to the book friend Xuanjiang for the reward.

　　
　
(End of this chapter)