I really can't act

Chapter 211 First Class Chinese
Fang Yi stepped up step by step with great strength. He knew that this episode might have to be played repeatedly, and the significance of the responsibility was not only for him alone.

If he has a greater development in the future, people will say that this young man was already extraordinary at that time, which is the first milestone in his life; if he drives high and low, people will also say that this is at least his Leave us a beautiful moment, and then accompanied by sensational music.

In 1984, the fledgling Zhang Minming sang the song "My Chinese Heart" at Yangma's Spring Festival Gala, and it became popular all over the country. Fan letters from all over the country filled the mailboxes, and the postman kept delivering them every day... ...Looking at it today, Zhang Minming's entire life peaked in that year. He is now a successful businessman, but he is hardly a successful singer.

However, what Zhang misses the most is still the year when he sang "My Chinese Heart". He sang the same song again and again, wanting to return to the time when thousands of people were chasing after him.That is greater happiness than earning money.

——The moment Fang Yi raised his head was played on the screen, with the cold moonlight behind him and the flying ginkgo leaves. Romanticize emotional expression.Under the live broadcast of several major TV stations, quite a few people can't forget this scene at this time.

At the turn of the millennium, Toyo newspapers issued a selection of "the greatest literary masterpiece in your heart" to all citizens. The candidates included "Manyoshu", "I Am a Cat", "Rashomon", "Snow Country", "Genji "Story" and so on; I thought it was necessary to argue again, because there are masterpieces of each period, and it is even more difficult to distinguish the superior ones in literature.

However, the result was beyond everyone's expectations. "The Tale of Genji" was elected as the "greatest" with crushing votes, and this book is the culmination of the "sorrow" emotion of the Orientals.In our mainland countries, due to many reasons such as geographical location, social history, etc., we never think that pure emotional literature can be compared with huge works. As a support, it presents a relatively neat emotional orientation-the central opera rehearses "Thunderstorm" every year, but this drama is actually using the relationship between men and women as a metaphor for the oppression of human nature in the old era.

Even if it is "Dream of Red Mansions", if the research is a little more advanced, it will not talk about the emotional entanglements between Jia Baoyu and the girls. Instead, starting from the textbook, the intention is lofty, saying that this is a book based on family history. The Rise and Fall of a great literary tome that reflects the changing times. It's not that "Red Mansion" doesn't write about emotions, it's not that the writing is insincere, it's just that mainlanders are more willing to look at problems from a macro perspective, and even look for problems preconceived.

This is our mindset.

But the Orientals are not like this.Perhaps it was too depressing during the shogunate period, or the islanders in the earthquake zone were more sensitive by nature. Affected by the concept of "sorrow for things", the word "love" took on an overwhelmingly important position.In the works of Oriental people, whether it is film and television works or animation, there is often a strong sense of impermanence and fatalistic thoughts, and sometimes even abuse for the sake of abuse. Oriental people follow this set.

"Love has an afterlife" this film.

Whether it's the heroine who is getting old and just relying on an inexplicable obsession, she is unwilling to get married; or the heroine is so reincarnated that he insists on being a lonely ghost just to say goodbye to the heroine.

They all met the pain points of the Orientals.From the Tokyo International Film Festival to the present, "Love Has an Afterlife" has significantly more movie views than other films due to its similar culture and the outstanding appearance of the main creator.

This is not the first time this phenomenon has appeared. Zhou Jielun's self-directed and self-acted film "The Unspeakable Secret" is very popular in South Korea and Japan, especially South Korea. It is almost a representative of domestic romance films in the new era.

Fang Yi straightened his suit and let out a button on his neckline, and heaved a sigh of relief.

Everyone was watching him, except for the people in the theater and the cameras, there were millions of people watching him.

他 说:

"I hope that more people will see my films and enter the cinema - human beings have boundaries, but human emotions do have something in common, which is also the basis for films to transcend national borders and be released all over the world. Drill wood to make fire, and wear this set of clothes today..."

By the way, he lighted up his watch inadvertently.

"From the murals in the mountain caves to the moving film; from 'My Fair Lady, a Gentleman's Love' to the frank saying that I like you very much, human beings have common emotions, and since the beginning of civilization, the core has never been It hasn't changed. There must be a moment, a movie that touches your heartstrings, and it can't be forgotten many years later, just like a primitive man was shocked and instinctively used precious paint to paint , produced the first relic of art..."

"I wish I would be this person, and my film, would be this film."

After he finished speaking, maybe what he said was really good, or his momentum was in place.

Of course, the most likely problem is the speed of the translation. It is not easy for domestic artists to applaud immediately, while the Oriental artists are still listening to the translated sentences, gradually widening their eyes, and applauding sparingly.

Hatoyama also listened to the whole process, he has not left the stage yet, he couldn't help smiling after hearing "Common", looked at each other with the Director, and they clapped their hands tacitly.

Under the leadership of the two of them, everyone finally let go of their courage, and expressed their welcome regardless of whether they liked it or not.The applause was like a wave, and it didn't stop for a few minutes.

Following Fang Yi's curtain call, the two guest presenters also left the stage, chatting and laughing behind Fang Yi.

"Fang Yi?"

Hatoyama suddenly shouted.

Fang Yi looked back and saw Hatoyama's outstretched hand, "You can know the elegance when you hear the string song. It is because there are people like you in China and they are so young that I think we should cooperate with China. I saw it today, and I believe in myself even more. Nothing wrong."

The director who was in charge of the translation added a sentence, "I also want to thank you, some things are not convenient for us diplomats to do... It will be different if you do it. You have shown a Confucian cultural image. Yes, the first-class Chinese they imagined by the Orientals are of great benefit to us."

Fang Yi naturally waved his hands again and again, not daring to respond.

The director said again: "I have stayed in Dongyang for a long time, and I will be transferred back to China in a few days. Maybe we can meet again. If you encounter any troubles in the future, you can come to me. Maybe I will A little thin."

"After all, if you are dismissed, I will not be honored."

Fang Yi and the director exchanged contact information.In the background, I met many local newspapers in the East and TV stations holding microphones with various logos.

He even saw Yang Ma's main stage.

Good guy, maybe they all know that there are Chinese people who will win the prize ahead of themselves.From the capital to Tokyo, it takes two or three hours, not counting commuting on the road.

Award, award, you are a fair campaign, but what is fairness?

He turned over the base of the trophy and saw his name written on it:
Fang Yi.

(End of this chapter)