I really can't act
Chapter 275 Don't Offend That Director
Chapter 275 Don't Offend That Director
The conversation that day seemed to be in line with the wishes of the third master. He mentioned Fang Yi's original words at the internal meeting of the Directors Association not long after.
He said, "Everyone can be a director for 3 minutes - a kid said it, I think it's very interesting, Chinese movies should not become something old guys play around, there must be fresh water coming in, history proves that every time When we face change, we always need to inject fresh blood first."
"And," he paused, trying to emphasize his tone, "we must also treat this force correctly within ourselves, and comrades must correct their thinking."
After all, he didn't know if he was in a hurry, or he was using the topic to express his dissatisfaction, so he left directly.
The directors who looked at each other in dismay were left behind.
These people discussed with each other, and some asked: "The new official took office three times. This is the third year that the third master has been established by the organization. He is an old official. Is he finally going to make a big move?"
Others explained: "Last year, the box office of domestic films was too bad, which made the third master lose face. It is said that some leaders attach great importance to the achievements in this area, and focus on the work of the cultural front... So I left Han Sanping alone for a meeting and asked him to do a long-term job. report."
"He must be under a lot of pressure. He can't fail to see hope for two consecutive years. Otherwise, the third master may take the blame and resign and replace him with a new capable person."
Everyone said something to each other, and gradually pieced together a truth that everyone relatively recognized.
The conclusion is that it is impossible for the total box office of domestic films to explode.
However, it is possible for a single film to win the box office, or to have generally good results in other places abroad.
When China Film Group makes a report at the end of this year, it will also have an appearance, creating a trend that the situation is not good, but it will soon be great.
Since the founding of New China, even when we were in the caves, we have attached great importance to the film as a tool of public opinion. Of course, at that time there was no condition to do it, so we used drama as a simulation, and we had to arrange new ones according to current events every day. Disadvantages.
In Snow's Journey to the West, it is recorded:
"There is no more powerful weapon of propaganda than the theater club, nor is there a more subtle weapon."
"It is often the drama club that dispels the doubts of farmers and wins their trust."
"They come to the show in droves, and they volunteer for the publicity."
Therefore, it is not an exaggeration to say that movies are the front line of the cultural front.
The reason why Fang Yi's root is right and Miaohong is that the first principal of the Central Opera was the old soldier who engaged in culture in the red zone, and the person who ran the drama club that Snow said.After the founding of the People's Republic of China, Central Opera was also the only affiliated school, and its administrative level was higher than other schools.
Later, some things happened, which made everyone trust the central opera and the people who came out of the central opera.
In these long years, there are countless people who have contributed to domestic films. It may not be his turn that Han Sanping can be called "Master". Director Xie Jin is so good, and he didn't call him "Jin Ye", "Xie Ye" .
Why do you call him "Third Master".
Because Han Sanping pulled back the development direction of domestic films within the scope of his personal ability.
Han Sanping was transferred to Beijing Studio in 94. In the year before that, the mature Hollywood blockbuster "The Fugitive" was introduced for the first time in China. Perhaps the plot in the film is now very old-fashioned, but in those days, when the audience watched When the protagonist Jin Bo fights for his wife and the police force, he unfolds a tight-paced anti-hunting and hunting plot, and then the two parties work together to expose the pharmaceutical company behind the scenes, gun battles, chases, explosions, air battles...
Compared with the Chinese people at that time, the plot was really shocking.It's like a person who is still playing Tetris and has come into contact with a 3A masterpiece for the first time.
Then the Hollywood movie "True Lies" was introduced. The governor showed off his muscles, single-handedly killed the criminal group, took off and landed the Harrier fighter jet vertically, hovered over the skyscrapers in the business district, and swept the enemy with machine guns...
The paper was downbeat: "For the first time, we know what a blockbuster looks like."
Under such circumstances, Han Sanping, starting from sitcoms and biopics, promoted and launched a large number of feature films that reflect the social outlook.
Let domestic films survive the golden decade of Hollywood's 90 years, and cultivate a group of intermediate forces.
He left so simply that someone finally remembered to ask, "Who is that kid?"
"Fang Yi."
"I haven't heard of it, which one is the master?"
"Still in school."
The speaker instinctively raised his vigilance: "Too young... The new blood in our industry must be at least thirty or forty years old. At his age, isn't he going to be the emperor all the way in the future and become the king?"
"But... the third master seems to appreciate him."
"Damn, what school is he?"
"Central drama."
"Oh, my junior brother, that's okay." The voice of the person speaking suddenly softened, "We should have this kind of fresh blood coming in, as seniors, we must be tolerant and not hit others...Next time at the alumni gathering, I'm going to get to know my relatives, I hope this circle will be more tolerant."
——"Everyone can be a director for 3 minutes?"
"What nonsense is this!"
In Jin Province, Chen Kaige saw this sentence when he got up in the morning.The magazine he was looking at was the internal brochure of the Directors Guild, with a pitifully small circulation, full of technical posts written by a group of old guys.
The Directors Guild is not a pheasant organization. In the early 90s, in order to communicate with Hong Kong film directors, mainland filmmakers Zou Shangfeng was approved and established a semi-official organization, the Directors Association.
The president and vice president are appointed in rotation. Chen Kaige has served as the vice president twice, and he is a big shot among them.After more than ten years of development, the Directors Association has also become a deep-seated force in the small circle of directors.
Now under his nose, Fang Yi's face popped out, one could imagine how he was berating Fang Qiu.
Chen Kaige shook his head in displeasure, and said to himself, "At this age, in order to study film, my hands are red from the cold, and I am eager to learn advanced experience at home and abroad. I am respectful and respectful, and I dare not go beyond..."
"Movies are so sacred to me."
His gaze continued to be on Fang Yi's face.
He felt a little jealous, but didn't want to admit it.
Around the 80s, the 26-year-old director Chen was finally admitted to the director department of Beijing Film and Television. His acting and figure were laughed at by his classmates until long after he entered the school.
The only thing that made him stand up was Chen Kaige's writing skills and ability to think. It was the first time he proved himself in front of the whole class, but he stuttered and told a good story.
The students said, "Chen Kaige, so you still have this ability."
Yes, except for making movies, I don't know anything else, so movies are all my value, and they must not become popular goods.
Chen Kaige took the initiative to contact the reporter, planning to talk about his opinion that night.
However, the sun was sinking, replaced by moonlight shining on the imitation cornices of the Warring States Palace. After a while, even the moonlight was gradually hidden in the clouds. It was dark, but the work of the crew was still in full swing. The stern Director Chen showed doubts.
Where are the reporters?
Who dares to let my pigeons go.
Director Chen's gaze moved harshly among the crowd, and finally stopped at his wife.
He got up and went straight over. Before asking, his wife said, "I'll send you off."
Chen Kaige's face was livid, "How can you care about me? Huh?"
"Old Chen, the filming of "The Promise" failed three years ago. You promised me at that time. From now on, I will be in charge of the production and off-site. You are only in charge of making the movie, and don't care about other things. The more you manage, the worse it gets."
"But what about Fang Yi?"
"I'd rather you offend the old man than you offend the young one—if you have to offend, wait until he fails."
"What if he keeps succeeding?"
Chen Hong and his eyebrows frowned, "Then why offend him?"
When filming "Changjin Lake", Director Chen half-jokingly half-seriously said that he would not cooperate with Wu Jing in the future (Wu Jing often has to change the play).
But after Wu Jing learned about it, he didn't give him much attention.This circle still speaks of strength, and five billion is the confidence.
(End of this chapter)
The conversation that day seemed to be in line with the wishes of the third master. He mentioned Fang Yi's original words at the internal meeting of the Directors Association not long after.
He said, "Everyone can be a director for 3 minutes - a kid said it, I think it's very interesting, Chinese movies should not become something old guys play around, there must be fresh water coming in, history proves that every time When we face change, we always need to inject fresh blood first."
"And," he paused, trying to emphasize his tone, "we must also treat this force correctly within ourselves, and comrades must correct their thinking."
After all, he didn't know if he was in a hurry, or he was using the topic to express his dissatisfaction, so he left directly.
The directors who looked at each other in dismay were left behind.
These people discussed with each other, and some asked: "The new official took office three times. This is the third year that the third master has been established by the organization. He is an old official. Is he finally going to make a big move?"
Others explained: "Last year, the box office of domestic films was too bad, which made the third master lose face. It is said that some leaders attach great importance to the achievements in this area, and focus on the work of the cultural front... So I left Han Sanping alone for a meeting and asked him to do a long-term job. report."
"He must be under a lot of pressure. He can't fail to see hope for two consecutive years. Otherwise, the third master may take the blame and resign and replace him with a new capable person."
Everyone said something to each other, and gradually pieced together a truth that everyone relatively recognized.
The conclusion is that it is impossible for the total box office of domestic films to explode.
However, it is possible for a single film to win the box office, or to have generally good results in other places abroad.
When China Film Group makes a report at the end of this year, it will also have an appearance, creating a trend that the situation is not good, but it will soon be great.
Since the founding of New China, even when we were in the caves, we have attached great importance to the film as a tool of public opinion. Of course, at that time there was no condition to do it, so we used drama as a simulation, and we had to arrange new ones according to current events every day. Disadvantages.
In Snow's Journey to the West, it is recorded:
"There is no more powerful weapon of propaganda than the theater club, nor is there a more subtle weapon."
"It is often the drama club that dispels the doubts of farmers and wins their trust."
"They come to the show in droves, and they volunteer for the publicity."
Therefore, it is not an exaggeration to say that movies are the front line of the cultural front.
The reason why Fang Yi's root is right and Miaohong is that the first principal of the Central Opera was the old soldier who engaged in culture in the red zone, and the person who ran the drama club that Snow said.After the founding of the People's Republic of China, Central Opera was also the only affiliated school, and its administrative level was higher than other schools.
Later, some things happened, which made everyone trust the central opera and the people who came out of the central opera.
In these long years, there are countless people who have contributed to domestic films. It may not be his turn that Han Sanping can be called "Master". Director Xie Jin is so good, and he didn't call him "Jin Ye", "Xie Ye" .
Why do you call him "Third Master".
Because Han Sanping pulled back the development direction of domestic films within the scope of his personal ability.
Han Sanping was transferred to Beijing Studio in 94. In the year before that, the mature Hollywood blockbuster "The Fugitive" was introduced for the first time in China. Perhaps the plot in the film is now very old-fashioned, but in those days, when the audience watched When the protagonist Jin Bo fights for his wife and the police force, he unfolds a tight-paced anti-hunting and hunting plot, and then the two parties work together to expose the pharmaceutical company behind the scenes, gun battles, chases, explosions, air battles...
Compared with the Chinese people at that time, the plot was really shocking.It's like a person who is still playing Tetris and has come into contact with a 3A masterpiece for the first time.
Then the Hollywood movie "True Lies" was introduced. The governor showed off his muscles, single-handedly killed the criminal group, took off and landed the Harrier fighter jet vertically, hovered over the skyscrapers in the business district, and swept the enemy with machine guns...
The paper was downbeat: "For the first time, we know what a blockbuster looks like."
Under such circumstances, Han Sanping, starting from sitcoms and biopics, promoted and launched a large number of feature films that reflect the social outlook.
Let domestic films survive the golden decade of Hollywood's 90 years, and cultivate a group of intermediate forces.
He left so simply that someone finally remembered to ask, "Who is that kid?"
"Fang Yi."
"I haven't heard of it, which one is the master?"
"Still in school."
The speaker instinctively raised his vigilance: "Too young... The new blood in our industry must be at least thirty or forty years old. At his age, isn't he going to be the emperor all the way in the future and become the king?"
"But... the third master seems to appreciate him."
"Damn, what school is he?"
"Central drama."
"Oh, my junior brother, that's okay." The voice of the person speaking suddenly softened, "We should have this kind of fresh blood coming in, as seniors, we must be tolerant and not hit others...Next time at the alumni gathering, I'm going to get to know my relatives, I hope this circle will be more tolerant."
——"Everyone can be a director for 3 minutes?"
"What nonsense is this!"
In Jin Province, Chen Kaige saw this sentence when he got up in the morning.The magazine he was looking at was the internal brochure of the Directors Guild, with a pitifully small circulation, full of technical posts written by a group of old guys.
The Directors Guild is not a pheasant organization. In the early 90s, in order to communicate with Hong Kong film directors, mainland filmmakers Zou Shangfeng was approved and established a semi-official organization, the Directors Association.
The president and vice president are appointed in rotation. Chen Kaige has served as the vice president twice, and he is a big shot among them.After more than ten years of development, the Directors Association has also become a deep-seated force in the small circle of directors.
Now under his nose, Fang Yi's face popped out, one could imagine how he was berating Fang Qiu.
Chen Kaige shook his head in displeasure, and said to himself, "At this age, in order to study film, my hands are red from the cold, and I am eager to learn advanced experience at home and abroad. I am respectful and respectful, and I dare not go beyond..."
"Movies are so sacred to me."
His gaze continued to be on Fang Yi's face.
He felt a little jealous, but didn't want to admit it.
Around the 80s, the 26-year-old director Chen was finally admitted to the director department of Beijing Film and Television. His acting and figure were laughed at by his classmates until long after he entered the school.
The only thing that made him stand up was Chen Kaige's writing skills and ability to think. It was the first time he proved himself in front of the whole class, but he stuttered and told a good story.
The students said, "Chen Kaige, so you still have this ability."
Yes, except for making movies, I don't know anything else, so movies are all my value, and they must not become popular goods.
Chen Kaige took the initiative to contact the reporter, planning to talk about his opinion that night.
However, the sun was sinking, replaced by moonlight shining on the imitation cornices of the Warring States Palace. After a while, even the moonlight was gradually hidden in the clouds. It was dark, but the work of the crew was still in full swing. The stern Director Chen showed doubts.
Where are the reporters?
Who dares to let my pigeons go.
Director Chen's gaze moved harshly among the crowd, and finally stopped at his wife.
He got up and went straight over. Before asking, his wife said, "I'll send you off."
Chen Kaige's face was livid, "How can you care about me? Huh?"
"Old Chen, the filming of "The Promise" failed three years ago. You promised me at that time. From now on, I will be in charge of the production and off-site. You are only in charge of making the movie, and don't care about other things. The more you manage, the worse it gets."
"But what about Fang Yi?"
"I'd rather you offend the old man than you offend the young one—if you have to offend, wait until he fails."
"What if he keeps succeeding?"
Chen Hong and his eyebrows frowned, "Then why offend him?"
When filming "Changjin Lake", Director Chen half-jokingly half-seriously said that he would not cooperate with Wu Jing in the future (Wu Jing often has to change the play).
But after Wu Jing learned about it, he didn't give him much attention.This circle still speaks of strength, and five billion is the confidence.
(End of this chapter)
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