I really can't act

Chapter 351 The Swinging Fist Adds More Changes to the Leader Bai Shoufei
Pushing up production costs brings higher box office expectations.Since it is no longer possible to throttle expenditure, we have to open source.

Fang Yi's current popularity is concentrated in Asia, but he is not an absolute unknown in other film markets.

The movie "Love Has an Afterlife" did not stir up a splash in the American and European markets. It was regarded as an oriental movie with Buddhist elements, and the number of people who rated it on IMDB was pitifully small.

"Love Letter" is different. With the support of ethnic minorities in the United States, Europe and other places, the performance of the single theater is good, and the attendance rate is higher than the average level, which makes Hugo a little famous in these places.

Of course, Burberry's advertisement is also a factor. This is the first time that, apart from John Lone, an oriental face appears on a large scale in the windows of big names such as Fifth Avenue and Champs Elysees.Fang Yi's face is very recognizable, with sharper corners than that of ordinary Orientals, and it does not have the huge nose of Caucasians or Aryans.Beauty transcends culture and language at this time.

Then, "Return to 17" can properly take care of overseas groups, just like "Love Letter", it should make some shots without cultural barriers.

The Jiaolong submersible is such a prop.

For Fang Yi, it has the same function as a truck driver's shipwreck.Demonstrated a sense of adventure that all can understand.

——The fourth day of the Lunar New Year.The streets of Jinling are still arranging all kinds of festive decorations, and the most prosperous Xinjiekou is dyed red. People seize the last opportunity to visit relatives and friends, toss themselves, and make good use of the last holiday time.

The crew of "Returning to 17" also fell into the festive atmosphere.Fang Yi came back with a lot of souvenirs to present to the staff of the film crew. Guo Fan picked up his things at the door, but Fang Yi got vacuumed pastries from Guo Fan, which is said to be a local delicacy.

Guo Fan said, "It's specially reserved for you."

Fang Yi complained while packing his things, "There will be pastries everywhere, isn't Jinling different from others?"

Guo Fan replied, "Director Fang, what we lived was an atmosphere... After all, the New Year's Eve is still making movies. In order to eliminate mental fatigue, big red envelopes will be given out, as well as snacks worth tens of dollars. "

"Who is giving things away? It's not a lot to send so many people for tens of dollars."

"Liu Yifei."

Fang Yi nodded.

Unexpectedly, Guo Fan said, "There is also director Yu Feihong."

It seems to be unexpected.

"It's gone."

"and also……"

"Who else?"

"Liu Mi."

Guo Fan gave him a look you know, which made Fang Yi helpless.

Then, Guo Fan explained, "Of course Liu Yifei is helping you maintain the hearts of the crew. Director Yu Feihong often communicates and learns with people in various teams in private. The master gave small gifts, which were not expensive, but they were frequent, and now it happened to be the start of work, and she was going to give it... but it just happened to happen."

Is it such a coincidence?
"What did she send?"

"coffee."

Long-term memories emerged from Fang Yi's mind. When he was shooting a magazine picture, Liu Mi gave everyone a small gift in his name, and that gift was coffee.

In this way, Fang Yi does owe Liu Mi love, and coffee is also love.

She wouldn't choose this on purpose to remind herself.

Fang Yi chose not to think too much about it. The first scene he directed after the new year was Liu Mi taking the lead. In any case, the filming itself was the most important thing.

—— Yu Miao is an annoying character, a little sister who draws a knife to the weaker.

The absolute protagonist of the movie is Fang Yi, and only he has a more complicated inner drama, followed by Yu Feihong and Liu Tianxian, who play different age groups of the original partner, which happens to correspond to "Love Is After Life", which can be regarded as a series of movies A little easter egg.

"Back to 17" is a commercial film that needs box office. Fang Yi has already added enough character complexity, so there is no need to add more. Therefore, other characters are more face-like. Can you play annoying characters? Not so obnoxious, even understandable, which is something the actors themselves need to figure out off the set.

Bai Yu didn't want to act as a cowardly nerd, but unfortunately he failed to challenge successfully, so what about Liu Mi?
The filming location was changed to the road outside the school. The crew called in three faucets, and with a single command, a heavy rain was created immediately. The winter sun was not warm at all, and it looked gloomy under the color adjustment in the later stage.

Liu Mi was holding a very small umbrella in such a heavy rain, and the rain kept wet her shoulders. Fang Yi drove past her in a Maybach.

Since everything is a dream, the movie has an implicit setting.That is to say, the character of the character does not change, only the environment changes, and the environment makes people with the same character have different behaviors.

This setting is an opportunity for actors not to be hated.For example, a person may become snobbish because of the deterioration of the environment, or he may remain kind because he lives in a greenhouse.

How it will change depends on what kind of sunshine and dew you give.

Yu Huanshui, who had a new life, devoted himself to his career and gained a sense of accomplishment that he had never been able to obtain before, so the children rarely saw him.

Now when Yu Huanshui passed by the school, he accidentally discovered that this was his child.

So one person and one car drove forward in the heavy rain at the same time, and the car slowly approached the people.

"Crack!"

This section was shot with a drone, using a top-down angle.After Fang Yi confirmed that there was no mistake in front of the monitor, he announced that he was ready to shoot the next one.

He first told Liu Mi: "You are a smart actor, are you ready to act this part? My daughter was shocked when she saw her father, and then she cried and threw herself into his arms. You'd better behave pitifully." , so that the audience will forgive you..."

When Fang Yi said this, he suddenly felt that something was wrong. Looking back, Liu Tianxian took off the neck brace, and "inadvertently" stretched his muscles and bones.

"Do you understand it?"

"understood."

Fang Yi got into the car and kindly advised her, "You understand, you must be pitiful. I can't explain exactly why you were crying. I don't want to stipulate anything..."

Liu Mi suddenly asked, "Allow me to play freely, Director Fang."

"How do you play?"

"I think she'll hate you instead of asking you to pity her."

Fang Yi: "After all, this character loves Yu Huanshui, that's her relative."

Liu Mi wiped off the water droplets on her face, "So, I hate and love at the same time."

"Hate and love? Such complicated emotions... Liu Mi," Fang Yi said seriously, and advised her as a friend, "Can you really grasp it? You may not know that if you act badly, you will be hit hard. Your confidence as an actor."

Liu Mi smiled and said, "Fang Yi, how do you know I can't."

So the Maybach approached this person again, with two cameras facing Fang Yi and Liu Mi respectively. There was a layer of car glass between them, which was unfair and one-way transparent.

As the car window slowly fell, Fang Yi's face appeared in front of Liu Mi.

The wind blew her umbrella away, and the heavy rain fell on Liu Mi in an instant. This is a plot that did not appear in the script.Fang Yi said his lines a few seconds later than the scheduled time, "Don't you recognize me?"

"Why is it raining, get in the car."

He quickly opened the door again, and just as he touched Liu Mi's hand, he was thrown away. The rain also wet Fang Yi's body. Under his unbelievable gaze, Liu Mi clenched her fist and waved towards him.

(End of this chapter)