I really can't act

Chapter 424 Where is the real genius
The theme of the advertisement is very simple, which is a re-imitation of the movie "Love Letter": Fang Yi is wearing a brown coat with a light blue scarf, Martin boots, and his eyes are calm... The most important thing is the pair of glasses.

The production team carefully selected a pair of retro round-frame glasses, put them on Fang Yi's body, and asked him to look for the expression when he played "Yin Chuan", so that he would always look melancholy in the heavy snow, so that Successfully restored a more mature "Yin Chuan" in image.

The camera he is holding in his hand is the Nikon D7000, which was launched in 10. It is the current generation of magic camera, and it is the same level of Canon product endorsed by Yui Aragaki.

In order to find a suitable snow scene in Tokyo, the entire shooting scene was moved to Mount Fuji.October is the season of the so-called "first crown snow". The meteorological department at the foot of the mountain observed for the first time the snow piled up near the top of the mountain, and there are still a few scattered pieces of autumn maple leaves distributed around the site, dotted with strands of dark Red, people can't help but want to go out, this is undoubtedly an excellent composition.

Especially the person in the camera is Fang Yi.

He is not only professional in filming, but also does not point fingers when he is on other occasions, and performs completely according to the script designed, which makes Anno Hideaki very satisfied.The shooting process was also very fast, it only took more than two hours, Anno Hideaki announced:
"knock off."

Everyone then carried the equipment down the mountain, but they walked very slowly, like tourists who were not enjoying themselves enough.

Anno Hideaki raised his head and asked Fang Yi: "Fang Sang, what do you think of this script? Will it be too simple... But the reason why I shot this way is to do the opposite, because I believe that your temperament is enough to impress audience."

Of course Fang Yi thought it was good, and listed several reasons why he felt good.

Japan's TV advertising industry is highly developed, and it is one of the best in Asia in terms of advertising creativity. In order to win the audience's attention in a short period of time, they often design cool shots or plots with reversal power.

But Hideaki Anno's script is quiet:
Fang Yi is walking on the snowy path of Mount Fuji. He keeps raising his camera to take pictures of the beautiful scenery. Every time he presses the shutter, the advertisement freezes the current frame and cuts it into a photo; the content of the photo is not the Mount Fuji he took The scenery, but himself.

Apparently, he was secretly photographed.

The photos came out one by one, and each one showed Fang Yi holding the camera, standing, squatting, half lying down, picking up maple leaves...

Finally, he finally realized that someone was secretly taking pictures of himself. He frowned at the camera, and suddenly smiled because he found something.

The camera zoomed out, and it turned out that the photographer also used a Nikon. Fang Yi's figure was deliberately blurred to the point where he was only a brown mass, and gradually approached the photographer—could he have come to call the police?
Think of his smile in the last scene.

Ah, it must be here to greet and strike up a conversation.

It seems that a winter encounter caused by filming happened.

It is like that poem, "The bright moon adorns your windows, and you adorn other people's dreams." Fang Yi's climb to the snowy Mt. Fuji itself has also become the scenery of other passers-by.

Anno Hideaki said: "The coming winter snow will completely cover Mount Fuji, and the temperature will drop rapidly in November, forming a scene of 'jade fans hanging upside down', and tourists will come up in an endless stream; March is the season for viewing cherry blossoms again, the pink and white cherry blossoms are like girls, we Japanese call this 'girl cherry blossoms'..."

"However, what are more beautiful than these scenery are the tourists who come from afar... After all, scenery is common, but people are rare, don't you think so?"

When Anno Hideaki said these words, the other staff present could not help but nod.

Working with such a well-known actor is an experience worth remembering in life, and the filming was so enjoyable that everyone just went to Mount Fuji to play as if they were borrowing public funds.

Anno Hideaki later invited Fang Yi to participate in his solo exhibition in Tokyo. He felt very sorry to learn that Fang Yi was going to fly back to China tonight.

In the nanny car to the airport, he asked about Fang Yi's criticism of the Japanese film industry in his lecture at Ritsumeikan University.

Anno Hideaki said to himself: "I feel that we can't please the audience endlessly. The reason why the industry has become what it is today... It seems that it can no longer produce interesting things is the bitter fruit of flattering the audience. Fang Sang, I often ask myself, where are the people who are different, where are the real talents, where are the people who dare to challenge the status quo, we need him."

His eyes fell on Fang Yi.

It means that Fang Yi may be this person.

It should be said that after the release of Fang Yi's first few films, he has indeed gained a lot of fame in the film industry, and he is very popular in Asia. Otherwise, it would be impossible to give a lecture at Ritsumeikan University.

Little days are very seniority-based, and little idols have no qualifications to come to such occasions.

Fang Yi's films have literary aspects, but they also display techniques, which is a direction of thinking in the current confused Asian film industry, that is, literary genre films.Pure genre films are too vulgar, and the industry doesn't like them; pure literary films are courting death, and audiences in the local market cannot accept them.

What does it mean to be unstoppable?
When you watched an American drama for the first time, did you feel that the pace of the plot was so fast that you couldn't sort out the clues?You can't remember so many characters, you don't know what the contrast of light and dark in this scene is implying, what you need is a very straightforward line, such as "I love you", not "I like it when I look away , his gaze resting on me".

You thought you were chatting.

What does this line mean? It's really inexplicable nonsense!

Therefore, Fang Yi's approach is very ingenious. He takes into account the fragmentation of the market, so he can always make two-tiered movies, allowing ordinary movie fans to enjoy the story, and allowing high-end movie fans to appreciate the details. He has achieved a balance. Even the old troll can't bite his slit.

In addition, he himself spends money to fund the development of his country's film system... All kinds of behaviors are almost the best imaginable in life for young directors from other countries.

Fang Yi felt that Anno Hideaki really admired him, so he considered and considered his next words:
"The market development in different countries is different... For example, you have some unique types of works in Japan. I mean animation, which is also successful internationally, but success is also Xiao He, and failure is Xiao He, because it is too mature in this era. Too much control over the preferences of the audience, so that revolutionary progress cannot be achieved, it seems to be complacent."

He said, "It's different in my place. Instead of flattering too much, it is better to say that more flattering works are needed to cultivate the audience's liking. In such a market, flattering the audience itself is also worth encouraging, And dare to challenge..."

Anno Hideaki was puzzled: "Why do we have to work so hard to cultivate the audience's preferences? They are a group of obsessive otaku who use works as a spiritual refuge to escape life. We should educate them! Just don't let them get what they want! Just don't shoot them I want to see it!"

Fang Yi didn't argue with him: "Probably I'm not great enough, and I don't want to educate the audience."

Anno Hideaki was even more anxious than him, and kept shaking his head, "No, no, you're not like this." Since there was a translator between the two, the efficiency of the conversation was very low, and he couldn't help thinking over and over again.

Recalling Fang Yi's words "the market is different", I gradually came to my senses:

"Fang Sang, you consider the overall situation and teach students in accordance with their aptitude! Different markets have different positions."

Then his eyes lit up, "So, if you are Japanese, you must be more radical than me, you must be upside down, and you will definitely get rid of the ills of the industry..."

"So you wanted to tell me this!"

"It's really worthy of being a dragon among men! I've, realized it!"

Fang Yi was taken aback, he just said some plausible clichés, how could it be a call to arms.

Did the translation polish it for me?
But Anno Hideaki bowed to him sternly, 45 degrees, the movement was extremely exaggerated in the narrow compartment, and he said in a deep voice, "Arigado!"

"I will uphold your will and continue to strive on the road of not being flattering! Those flattering people... I will teach them a lesson sooner or later!"

When Director Fang returned to the mainland, Anno Hideaki was so excited that he had already written a long article on his Japanese blog, which he called "Jubanqi". All the old guys who are fighting on wheels will be demoted.

And he, Hideaki Anno, is not as good as him, but he is also qualified to climb to the top of the mountain.

The different answers of the two directors aroused the interest of directors in the circle, and mainly in the Japanese circle.

After all, Hideaki Anno posted it, and the title is so exaggerated.

"After discussing with the mainland director Fang Yi, I became more aware of the shortcomings of the film industry in my country. I think it is because there are no masters now... because the entire history of the so-called art world is the history of the birth of masters. .”

"When a master is born, art develops rapidly; when a master dies, art will never be promoted by mediocrity. They just keep repeating and making works that please the market. They have no creativity at all, and they don't need to live for 100 years. As long as ten or twenty years pass, no one will remember them."

"I am not as talented as Fang Yi, especially in industrial ambitions, but I also have the same tenacious will... For me, now is the time to make up my mind."

The sincere blog post attracted the original critics to turn into solidarity. After the broadcast of the NHK documentary, a new round of criticism was launched, and a series of heavy Japanese directors participated.

------

Director Fang initiated a daze in his studio in the capital.

The Nikon commercial has not yet been produced and aired, but the manufacturer released some shooting highlights. This is obviously a very ordinary commercial shooting scene, but a lot of scumbags emerged, most of them in Japan.

crazy brush:

“Lack of electric poles here~”

"Isn't the accompaniment "one last kiss"?"

"I think dark red maple leaves represent a crimson sky!"

"Top Secret: Nikon's supplementary plan!"

Also, combined with the news that Fang Yi delivered the giant EVA model, Fang Yi was called "the ace pilot of the suzerain country".

"eva" is an epoch-making animation work in Japan, which has influenced a whole generation.The reason why Nikon let Fang Yi and Anno Hideaki cooperate is also the meaning of a strong alliance. I didn't expect that everyone just wants to play tricks now.According to the imagination of these bastards, when the commercial is finally broadcast, there will be many strange labels on Fang Yi's body.

It is not impossible for someone to combine "Jiang Wei" and "First Machine" in the future; who would have thought that Liu Tianxian could be linked with "Tang Sanzang"?

The assistant knocked on the door and informed Fang Yiren that he had arrived.

"understood."

Fang Yi got up, ready to meet several partners of the new brokerage company.

Sister Zhen spent a lot of effort in establishing "One Heart Entertainment", and recruited all the elites in the industry.

Lu Yao, the former production manager of Berna Films, three generations of his family have been engaged in film and television work, and he has a good network.After Hong Kong director Chen Kexin decided to go north to develop, he was the first partner he found in the mainland.

Chen Jie, the former senior broker of CAA China Branch.He is said to be an agent, but actually he is more of a producer. He is an acquaintance with Ning Hao and has been in charge of the promotion and planning of the "Crazy" series. The American parent company of caa is very powerful, with countless big names under its umbrella, such as Big Brother Cheng, International Chapter, and even Liu Tianxian's development in the United States.

But the Chinese branch is not doing well.

Chen Jiaying, the former vice president of Eighteen Brokerage Co., Ltd., focuses on artist operations.Shiba Brokerage Company is a company independently established by Wang Jinghua after she left Huayi and Chengtian Entertainment. Its artists include Chen Daoming, Hu Jun, etc...

Well, it's really annoying to introduce.All in all, this is a group of elite wage earners with rare shares.

They are not convinced by the real sister, and are dissatisfied with the distribution of benefits - the real sister is nothing more than a more skilled wage earner, why are you arrogant?

Although there is nothing wrong with saying that, who told her to know Fang Yi first.

Fang Yi had read the profiles of these people before, and he had heard about them after being in the industry for so long, so he called out their names one by one to say hello.

Then it was my turn, Zhenjie interjected:

"Do you want to introduce Director Fang?"

Everyone is no longer a child, so naturally they kept saying that they don't need it, they don't need it.

They were asked to visit Fang Yi's current film and television studio, to give them a little shock and convince them from now on.This place has far exceeded the size of a studio, and is planning to upgrade it to a comprehensive film and television company.For Fang Yi, the production team may not be very valuable, but it took him the most time to bring it out.

On the contrary, Fang Yi has little interest in the so-called brokerage business.He doesn't lack any possible brokerage fees, and he doesn't need anyone to help him pull resources.

There will be new projects in the future, and "Fang Jiajun" will not be absolutely considered-everything depends on the needs of the work itself.

For this reason, Fang Yi's agency contract is still in the hands of Zhenjie, instead of moving to "Yixin Entertainment" to create big news; in addition, he also asked Yixin Entertainment's registration and office address not to be in the Swoosh Building, and to find another address.Space is separated from Fang Yi's production team, so as not to be confused with the outside world.

It was these people who worked hard for a long time, and finally managed to save a shape, and repeatedly called and prayed for the name of the main god, which made the main god Fang interested...but it was not necessary for him.

After Zhenjie led a group of people to visit, she found a suitable time and said:
"The investment, production, and distribution are all here, and we are only responsible for contacting the actors and taking a commission... I mean, the current distribution situation is fully worthy of their respective contributions. I hope that after today, I will not hear dissatisfaction. "

——The effect was very successful. Walking on the avenue under the clear autumn sky, Zhenjie was in a great mood.

She believes that Fang Yi will be the unshakable Fang Patriarch by virtue of scarcity, and will take absolute control; but the real sister who is hardworking and hardworking can be the second person.

No one can threaten her anymore.

Shaking Bai Qiqi's fat, life has shown her a kind side.

　Literature and art is a circle.Now many 3A games are also being filmed.The most famous one is Naughty Dog Studios.

　　Game producer Hideo Kojima has talked about how the next game could disrupt both movies and games.

　　In a program interview, Jiang Wen also said his views on games, which means that these things are analogous and just a carrier of creation.

　　Anno Hideaki is an animation director. He introduced some stream-of-consciousness from literary and artistic films into the animation, so the eva style is very unique, so I won’t go into details here; The best director award (not the newcomer award), and "New Ultraman" was also produced last year, but these two films are not traditional monster films or special effects films, so the evaluation is quite polarized.

　　
　
(End of this chapter)