I can really play with it

Chapter 135 The Editor's Ceiling

How popular is this video on Station D?
In this way, everyone may understand.

In station D, the game area is not the top stream area of ​​station D. On the contrary, the living area, animation area, and funny area are the evergreen trees of station D. Most of the UP owners with millions of fans are rooted here. several channels.

In the game area, it is very difficult for any up master's video to be in the top five of the overall ranking list.

But this time Cheng Xuetong did it in the shortest time.

Thanks to the quality of her video itself, many elements from other areas have been integrated into this video, as well as the very deep theme of this video itself.

Many passers-by and viewers who usually don't pay attention to the game area can also click in, and they can understand it without pressure after clicking in.

This is called "out of the circle".

It can only be said that most ordinary people hate this kind of behavior that breaks the rules and the environment from the bottom of their hearts.

"There are already so many injustices in real life, why should the game field for ordinary people's entertainment be infringed?" 』

This is one of the top comments under this video.

Players in the comment area are very united and spontaneously @LOLofficial below, as well as some game anchors and up hosts they usually follow, hoping that they can also speak out and add fuel to this incident.

The first person to come over was C Xiaoyu's recorder.

As one of the protagonists of this incident, C Xiaoyu had his own recorder early in the morning.

Even C Huang was the first few people in the anchor circle to try the mutual drainage combination of anchor + recording and editing.

The effect is also quite good, and his recording and broadcasting editors now have more than 70 fans on station D.

I have to ask why only a fraction of Cheng Xuetong started doing it first?That, of course, is because of video quality issues.

King C's recorders mainly rely on quantity to win, and the volume is full, so the content is not much inferior. They simply cut out the key parts of each game of King C, without doing more post-processing.

The number of fans should be inferior to that of Cheng Xuetong, a ceiling editor with both quality and quantity.

It can even be said that before the ID "Xinhu Tongzi" appeared in the public eye, the anchors all imitated the above-mentioned model.

Directly use wages to recruit recorders to post the overall video every day. Some qualified anchors will find recorders with editing skills and ask them to simplify the daily games and only cut out the key parts of a game.

At this stage, the workload of the recording and broadcasting staff is actually quite heavy. After all, the anchor basically has to play double-digit games every day.

Even if you remove the less exciting games, it's still a lot of work for several games.

This form of cooperation is no longer the previous model of simply paying wages and recruiting.

The recorder has also become an independent individual. After obtaining the authorization of the host, he is responsible for his own profit and loss, and starts to operate seriously. This content is screen recording, but the ownership is 100% owned by his own account.

Once you have a fan base, you can get some promotional endorsements, and you don’t need to share with the anchor, which is a good way of income.

However, the emergence of the up master Hitomi Xinhu has once again raised the upper limit of this model.

The anchors and recorders discovered that there was such a recorder who could gain more than 100 million fans in a short period of time.

The key is that this is still a live powder.

What is this concept?
An active D station account with more than 30 to [-] fans can stably obtain a much higher income level than ordinary wage earners through playback volume, exposure, and promotional endorsements.

Then this Xinhu pupil with more than 100 million yuan, how much can she earn every month?
Everyone feels excited when they think about it.

The success of a model usually leads to a wide range of followers. Everyone wants to become a "big recorder" like Hitomi Niito, who can count money lying on the sofa by editing a few videos every day.

Isn't it also editing some live broadcast routines?Isn't it just adding some special effects elements?
If she can do it, so can I!

Therefore, during this period of time, video clips imitating the style of Hitomi Niito began to increase on station D and even other platforms.

But none of them had the same effect as hers.

In other words, this statement is too conservative, let alone 100% copying, even [-]% of the effect is not there!
Many viewers can actually tell at a glance that they are imitating, and they will also click in to take a look with great interest, so the playback volume of this kind of video is actually not bad.

But clicking in is indeed clicking in, but the completion rate of the video and the collection of likes and coins are extremely dismal.

The amount of attention is even less moving!

Now that the short video model has matured, what is the use of high playback volume?

The revenue of video depends on various indicators. If those indicators are not enough, the playback revenue of video will be maintained at an extremely low level.

Not to mention that the amount of attention as a basic market has not increased, and the days of receiving endorsements and promotions are even far away.

So where did the problem arise?

First of all, there are very few comments and bullet screens. Although many viewers have the habit of prostitution, they will not be stingy with their comments and bullet screens when they see content that they find interesting or particularly unnatural.

This thing doesn't need to pay anything, just post it if you want.

Through the few barrage and comments, imitators can find that everyone's opinions are very unified.

"It's not interesting. 』

"It's tasteless. 』

"Imitation is imitation, don't be ridiculous. 』

To sum up, the effect is far worse.

How can a person who is used to eating big fish, big meat and delicate seafood still be able to eat rough tea and light rice?

The key point is that the big fish and meat on the other side are still "satisfied"!

The imitators are finally starting to take this seriously, and they don't want to give up just yet.

So they let go of their arrogance and prejudice, and stopped thinking that Hitoko Niito's success was due to luck and timing, and began to seriously analyze and deconstruct her videos.

After this deconstruction, they finally discovered something.

Where did this person get so much messy material?
Those video special effects, background music, classified new and old stalks, as well as various dubbing and animation clips, etc.

There is no bottleneck in her creativity. There are new jobs almost every day. Every video follows current events, and her surfing speed is insanely fast.

With this kind of strength, the "daily life of a sow" in the cut department is watched regularly every day, right?
They finally felt the gap like a dimensionality reduction blow.

How to imitate this?

They are not sure about copying the heaven-defying headlines of each issue, because every time they see them, they feel very heaven-defying.

The key point is that people's videos are even faster. It is common to have two or three shifts a day, as if they are either surfing or editing videos 24 hours a day.

Not to mention that she is still a girl with a great voice and a lively comment section.

Combining the above factors, the quality and quality are not as high as others, but the quantity and quantity are not enough. How can I share the cake with others?
She is the overlord and the ceiling in the field of personal live broadcast editing, as it should be.

If anyone wants someone to challenge her position in the future, at least it must be a team.

That's what the imitators of personal status thought after giving up.

(End of this chapter)