musicians of old

Chapter 464 Unimaginable

Chapter 464 Unimaginable
"Hehe, Poglerich, you may still have thought about one question."

"No matter what method you want to take, hold the power of evaluation in your hands to promote the understanding person, and make all the later promotions to the top of the official organization bear the brand of 'supported by you'. The main body of those promotions will always be the artist himself. Things are always an 'artistic' thing."

"As for the changing trend of art genres, the evaluation system of artistic value, and what qualities artists possess in different eras can achieve promotion faster, this will always be based on the authority of the Bologna School and my Church of the Holy Sun. It is impossible for your special inspection hall keep up"

The incandescence around the office surrounded the dark vortex-like desks, and King Janin Nineteenth wrote a secret reply letter with a burning quill.

"My church basically agrees with the president's viewpoint and cooperation plan."

"Actually, since that Fanning brought up the trend of impressionism, since last year, there has also been a vigorous new art movement in my San Porto art circle. This group of people called themselves "Perto" separatists".

"They disassembled all the composition and line relationships in realistic works, refined the elements geometrically, and used techniques such as 'repetitive composition', 'special deformation', 'deconstruction and reorganization' to form an abstract, concise and Bright and powerful two-dimensional expression effect, its representative figures include Klimt, Moser, Aubrich, etc., some of them are knowledgeable people who have studied the "key".

"In addition, "Expressionism" which has a strong relationship with "candle", "Cubism" which is related to "key" and "yan", and "beastism" which is related to "Jin" and "pool". Various avant-garde schools also Deserving the attention of official organizations, they not only expand the boundaries of art, but also expand the boundaries of occult application."

"The wave of contemporary art has clearly appeared in front of the field of vision. However, they will no longer be arranged one style after another as in the past. After that, there may be a very complicated coexistence situation."

"The position of the master of Romanticism has not yet been determined, and Impressionism is still on the cusp. In fact, the works of the late Romanticism are also avant-garde in sound, with Impressionist colors and many tonally ambiguous processing methods. In addition, it should be realized that "avant-garde music" is only a general term, and now there are signs of various subdivided developments."

"Discovery and support need to be done in several steps. At present, the creation of these people is limited to some small works, and the ears of more artists or the public cannot adapt to this radical auditory effect. The first step is to use some secondary occasions first. , launch several avant-garde "Boethius Artist" nominations, or discover encouraging "bold sonic pieces" in the music of some Romantic masters."

"However, I personally think that the most important thing is how to find a theoretical basis for these new techniques. The role of inspiration in avant-garde music creation is no longer the traditional form that ordinary people imagine."

"Theoretical basis." The Pope turned his gaze to a stack of books immersed in the darkness.

To be precise, there are nine books. It is the tutorials of "Harmony", "Counterpoint", "Musical Form Analysis" and "Arrangement Method" that the former Director Fan Ning of the North Continent gave after the "Introduction" lecture. There are two volumes, and there is also a "Chorus Teaching and Conducting" which records the "Ning-style teaching method".

His "Ge" is already on the way to the "New Moon". Apart from his works, these theoretical textbooks can now be found in almost every school and on the desk of everyone who studies music.

Some scholars can't help but think: Since Fanning can extract the creative theories of the past few music periods, let him refine the creative theories of avant-garde works, can he do it?
A lot of people are arguing.

Some people say yes, some say no—the "atonality" in the avant-garde is originally the "law of harmony and counterpoint" after breaking the traditional 24 major and major scale systems. How can we summarize the new "harmony" " and "Counterpoint"?
There is also a view with more support that even if Fanning can come up with new theories to explain avant-garde works in the future, then this set of theories will definitely not be universally compatible with the traditional theories to explain "sound". It is inheritance, not innovation, but only "adding new things to explain new things".

So the overall conclusion is pessimistic. Atonal music is now more often called "chaos" or "emotional venting". Some conservatives reject this "chaos", while some innovative people embrace it. "Chaos", some people will use "chaos" to achieve more mysterious side ambitions.

Of course, everyone also admits that if they want to bring this "chaos" under rational rules, at least Fanning himself is the most hopeful. Delusional.

This is the reason why the high-level academic and ecclesiastical schools are still in the stage of secret research on avant-garde music, even though this is a powerful "bend" to snatch the art evaluation right of the special tour hall.

"Generally speaking, the most important interests of the 'main way' at the moment is the question of when and where the 'torch bearer' will be born in the romantic period."

"Fan Ning in the Northern Continent has almost become a new symbol, and there are also such geniuses as Scheler in the Southern Continent. When will I find such a musician in the Western Continent? He may not have been born yet, and he may still be learning. , or it may be one of the 'moths' or 'grooms' who are unknown today, but I believe that such a person will not fall into the territory of the Lydian gang, and he will definitely appear in my Janu on the sacred ground of Sri Lanka."

Nineteenth King Janin shook his head thinking about this, and as the reply was sent out, the two levels of light and darkness gradually returned to balance, and the office returned to its usual state.

There was another "dong dong" knock on the door.

"Please come in."

"Your Majesty the Pope, just sent a new work, which was handed over by the bishop of Tucville on behalf of Lavoisier."

"Oh, he sent it over too? Let's take a look." The Pope's eyes lit up.

Lavoisier was once preached by the old Bishop of Sessler. Strictly speaking, his main occupation should be an organist.

For the "Little Mass" before the baptismal festival, only three works have been selected so far. If Lavoisier can dedicate an excellent organ work, he is very happy to add it in.

"What song is this? How many copies are there? Are you sure there is only one? Are you sure it belongs to him alone?"

Seeing that the priest who entered the door was actually carrying two briefcases in each of his left and right hands, the Pope could not help frowning.

"It should be. Anyway, these are what Bishop Tucville sent over."

The priest's tone was not very sure, he arranged the score books one by one on the table in order.

"The Mass in B Minor?"

"Why doesn't this man write organ music? It seems that he has written a complete mass? It takes a lot of effort to write such a large religious genre. I don't know if it can reach the level of Anton Konner's "" f"

Turning to the first page of the "Sutra of Compassion", Yaning Ge Nineteenth suddenly stopped speaking, and his whole body shook slightly!
With the power of the pope, it is hard to imagine what kind of inner hearing the notes written at the beginning formed in his mind! !

(End of this chapter)

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like