musicians of old

Chapter 617: Log about Keys

Sheeran uses a lot of uncertain particles in her narrative, even though she hopes to reach a definite conclusion.

Fanning felt the same weird atmosphere revealed in some of the previous incongruous details, the weird dream on the train on the way home, the changing displays inside the "Composition Cabin", the Eagles' old house that he failed to visit, and the resurrected Key No. 1. Coincidentally, Roy had the same feeling when his Aunt Hermosa died of a deformity and her identity gradually began to overlap with the previous "Sylvia".

Fanning feels that certain memories and cognitions are being distorted and smeared with color "filters" that do not match what they "should be".

In other words, he felt that history was rotting and deteriorating.

Moreover, this process has been greatly accelerated since he came into contact with the abnormal zone, and even affected the ordinary world outside the abnormal zone.

"Mr. F of the Abnormal Zone Scriabin. The Apocalypse Secret Realm God's Descent Society"

"B-105 Lighthouse Illuminated Church St. Sebastian"

"Those revelations, the revelations left by Saint Sebastian, the revelations left by Bach, the Father, about the theme of God and the Trinity."

On the one hand, Fanning felt confused about these incongruous events, but the enlightenment he gained from the B-105 lighthouse was completely cleansed tonight after it was upgraded to the "New Moon". He simply squatted down on the balcony, facing the shallow sand pit where succulents were planted, and he stretched out his index finger and began to write and draw in the sand.

"Eternal Fire", "Endless Fugue", "Old Days"

Hiram discovered that Fanning had written the divine names of the three witnesses.

As Fanning was writing, things around him began to change like a shuttle. The scribbled words in the sand turned into light golden fonts on the wooden altar. He had already brought Sheeran into the Dream Enlightenment Church.

As he fell asleep, the papers scattered at the foot of the long table and chairs rolled up like a tornado, and the pages of words left on the altar a few days ago when he was sorting out his chaotic memories, including the three names of gods he had just written, all turned into golden powder.

Paper pages and golden particles were flying all over the sky, gathering together, and finally, formed a row of ancient books and manuals on both sides of the corridor.

  At this moment, Fanning made it clear that "The Eternal Fire", "The Endless Fugue" and "The Old Days" are the trinity recorded in the secret history of the Holy Sun Church!

The God of the World Source "Eternal Fire" is the Holy Father, the God of the Quality Source "Endless Fudi" is the Holy Son, and the God of the Instrument Source "The Old Days" is the Holy Spirit. When they have the same status and enjoy the same honor, they are the Trinity!

This was the revelation about the "great achievement" of seeing the glow with one's own eyes that Johann Sebastian Bach had given him during the previous investigation of the Abnormal Zone!

At present, Fanning feels that he has a strong desire to follow Bach's instructions and achieve "great achievements".

On the one hand, the activities of the God's Advent Society, Mr. F's strange words, He Meng, Gang and his father's unknown whereabouts all made him feel uneasy. On the other hand, he really needed to find a faster helper to confront the Special Patrol Office and Poglelich! Maybe his strength was improving fast enough, but it was far from enough to face such an authoritarian and powerful authority!

  However, many doubts still linger in Fanning's mind regarding the Trinity. It seems that the wreckage of the "Old Days" is in his hands, and its pollution has been temporarily suppressed by the "God Theme";

The "Unfalling Fire" always hangs high in the sky, at the head of the World Source God;

"Endless Fugue" refers to the God of Quality Bach. It is difficult to judge whether His state after His ascension is good or bad. After all, His deeds are too secretive in the Holy Sun Church. There may be some hidden secrets, but at least Bach should not have fallen for the time being and is still in the house. Fanning prayed to Him for the invisible power, and there was a certain response.

  So, it should be "even"?

Why didn't it happen immediately?

"The problem may be with 'The Old Days'. The God of the Source of the Instrument went crazy later. 'The Old Days' is still a wreckage and has fallen from the dome. How can we restore the seat of 'The Old Days' in the House of Residence? Should we continue to carry out the instructions of 'reproducing the music of Blue Star' at the beginning of the journey? My reproduction is not enough, I have to continue to reproduce it?"

"Or does the realization of the Trinity require a certain opportunity? A certain node? Or a special ceremony? Oh, and there's also the issue of the 'Key of Time' - because both the 'Originalists' Trinity theory and the 'Disenchantists' Time Synthesis theory are just a way of interpreting the 'Prism'. It is very likely that the conditions for creating the Trinity and collecting the three Keys of Time need to be met at the same time?"

Fanning recalled the strange scene in the cemetery just now.

"The key to timing. That's right."

Fanning walked toward the row of "books" in the corridor.

These "collections of books" are actually the result of Fanning sorting out his confused memories during the investigation of the Abnormal Zone after he was promoted to "New Moon" tonight.

In addition to the memories of the various events he experienced, as well as the revelations of the "God Theme" and the "Trinity", another very important part is his memory of Vincent or Fan Chenxun's work diaries.

"Log about Keys"

Fanning reached out to one of the rows.

He remembered that there was indeed a diary entry about "key", but the expression was too abstract and he was confused when he read it before because he had a preconceived notion that it referred to the "key" used to pass through the door.

Now, the word "key" may refer to the special substance called "key of time".

Then it still makes some sense to read it——

"The key cannot be held or used. The key, like the spirit, does not have reality, but at least the spirit can be stored in the body. I think this leads to an unexpected result, that is, in theory, wanting to "seize" a key - let's use the word "seize" to express our purpose - is actually very different from the "high threshold" we usually think of. It's just in theory. This does not necessarily require a secret treasure hunt, a fierce battle, or a more dramatic process, but requires a genius thought, a shocking declaration, or a masterpiece that creates or reveals the truth, just like the ingenious proofs of certain theorems by mathematicians in history. This also explains why the witnesses may not necessarily be able to seize the key, why the Special Patrol Office has searched everywhere but has not found the whereabouts of any key, and why my partners are so cautious about usurping the key of the dangerous person. Even they cannot keep the key stably. I have touched one of them with my own hands, but I didn't think this substance was so special at the time."

This diary entry gave Fanning some divergent associations.

Could it be that Bach's BWV 1080 "The Art of Fugue", that is, the "divine theme" he obtained, itself has become a reference to Key No. 0 in this world?