palm surgery
Chapter 264
Following his order, the boy holding the scroll of divination took half a step forward, slowly unfolding the scroll in his palm, and then recited aloud: "Divination Qimen, Wushen, Qijiu."
The exam questions of the five and eighteen subjects of the Fuyuan Division are all randomly selected, so even if they take the same subject, nine out of ten questions that different people encounter are not the same.
Wushen, [-].
This question has not been asked for a long time.
Yuan Buqi stood up, raised his hand slightly, and the gossip disc behind him made a "click" and slowly moved away to the sides, revealing the appearance behind him.
Behind the disc, there is a row of huge wooden frames covered with dense grids.
His right palm swayed slightly, and the grid numbered Wushen Qijiu was pulled open out of thin air, revealing the contents inside.
Yuan Buli stepped forward and took out this test question belonging to He Lingjiang.
"This question is not easy. In the time limit of three sticks of incense, is He Qiniang ready?" Yuan Buyi held the scroll in his palm and asked He Lingjiang, who was standing at the bottom.
He Lingjiang smiled slightly: "The boss asked the question."
Yuan Buli nodded, waved his sleeves, like a gust of wind, several doors in the hall were closed, and the hall suddenly became dark.
He held the scroll with his right palm and gently sent it forward, and the scroll was suspended in the air. With the movement of his hand, it slowly unfolded into the sky, glowing with a faint light in the dim hall.
It was a volume of "The Return of the Wind and Snow".
When twilight came, the mountains seemed vast and vast, and in the depths of the endless mountain road, there was a corner of a thatched hut, showing that this place was not empty.
In the midst of the heavy snow, there was a woodcutter carrying firewood on his back, trudging through the mountains against the wind and snow, heading back towards the thatched hut.
Behind him, he still fell a little far, and there seemed to be a hidden crisis.
Yuan Buyi made a seal on his hand and pointed to He Lingjiang's forehead.
She only felt a sway in front of her eyes, and then there was a biting pain on both sides of her cheeks.
The whistling cold wind rolled the snowflakes and cut them in her face.The broken snowflakes rushed in front of her face, making her unable to open her eyes for a while.
It was obviously early summer, but it was snowing heavily in front of me.
He Lingjiang squinted his eyes and looked around.
The vast twilight, the empty mountains, and the swirling snow.
Is she in the picture?
From where she was standing, she was so vast that it was hard to tell where she was going.The winding mountain road in the previous picture scroll and the thatched hut with a corner exposed are even missing.
Is this to let her find her way home in the wind and snow?
Array of pictures?
But if it's a formation, you have to put on the eight formations of break, life, injury, du, Jing, death, shock, and open.
Look around, the sky and the earth are dark and gloomy, you can't see the grass and trees when you look down, and you can't see the stars when you look up.
Looking around, there is no difference except white or white, there is no boundary, she is the only one left, it is a point between the world.
He Lingjiang closed his eyes and felt the direction of the wind. In the empty mountains, the sound of the wind blowing snowflakes was exceptionally clear.
She couldn't help frowning, the direction of the wind was changing.
Although this kind of change is subtle, but the cycle is repeated, but it can be very different from the direction she originally thought.
He Lingjiang opened his eyes, but suddenly collided with a pair of green eyes.
Above the snow field, in the dark, there is a thin and dark-haired wild animal, which is approaching here.
is a wolf.
It turned out that the blurry picture that was falling far behind the woodcutter was actually a hungry wolf...
On a snowy night, the appearance of wild wolves seems to be a normal phenomenon.
The woodcutter who came home late, the ferocious hungry wolf, no matter how you look at it, one party will be unlucky.
Yet she stood there, not moving.
Hungry Wolf stared straight ahead, getting closer and closer to her, and finally seemed unable to resist the temptation of his prey, and pounced in He Lingjiang's direction.
But she didn't blink, the hungry wolf's figure brushed past her and fell to the ground. After that, her eyes turned red, and a splatter of blood splattered next to her feet.
Not far from her, in the snow-covered area, lay a dead rabbit.
The hungry wolf caught the prey, so he buried his head to eat it, the hare's torn corpse reflected in her eyes.
He Lingjiang looked at the situation in front of him, his eyes were slightly deep, then he squatted down and reached out to brush the snow that was splattered with hare's blood.
However, no matter how she flicked, that layer of blood was floating on the snow.
She reached out to touch the wolf, her fingers only passing through it.
She couldn't help raising her eyebrows, this painting is still false?
Her current position is already a fictional world in the painting, but after the hungry wolf appeared, there was a big living person like her standing in front of her, her breath did not change, and her behavior did not make any sound, it was weird Extremely.
It turned out to be the superposition of two spaces. The scroll space overlaps, and the visual synchronization tends to be consistent, but the hearing is not common.
No wonder she could hear the sound of wind and snow in her ears, but she couldn't hear the sound of hungry wolves eating hares.
She lowered her eyes and stared at the pool of blood at her feet. It seemed that the scene she was in and the "Wild Wolf Hunting Picture" belonged to two different picture scroll spaces.
He Lingjiang's eyes were a little deep, since this "Wild Wolf Hunting Picture" was superimposed, then, wouldn't the picture in front of her be not the full picture of "The Return of the Wind and Snow"?
She looked around, the endless snow and mountains, and she, from the outside, looked like a snowstorm and a traveler.
And that mountain road and thatched hut that disappeared without a trace are in another picture scroll space, right?
The two completely different paintings, "The Woodcutter in the Wind and Snow" and "The Cottage in the Deep Mountains", are superimposed on each other to finally show the appearance of "The Return of the Wind and Snow".
No wonder this place is so white that it can't see any margins. It turns out that this place is the entire space of this picture scroll.
Therefore, no matter which direction she went from or how far she went, she would definitely not be able to get out of this snowy field, and she would definitely not be able to find the mountain road thatched hut she was looking for.If she kept looking here, she would undoubtedly be looking for fish.
What to do now is to break open this space with ideas.
She looked at the hungry wolf who was burying his head and eating happily in front of her.
As the woodcutter in the painting, his technique is limited by the laws of space.She is now carrying firewood on her back and a hatchet hanging from her waist. If a jackal is approaching, she must pick up the knife and fight.
But being in two different spaces, the hungry wolf does not change with one knife, doesn't it instantly reveal the fact that the hungry wolf is another layer of phantom?
If so, then this hint is too obvious, right?
He Lingjiang frowned, but did Yuansi put the clues in front of him so brightly?
When they see a hungry wolf, most people's first reaction is to kill it.
Could this picture be the opposite?
At the moment of killing the wolf with a knife, the space boundary was also broken, and the two pictures merged into one without knowing it.
While killing the wolf, the person in the painting ignores the fact that the two spaces are superimposed...
He Lingjiang looked at the hungry wolf in front of him, then looked down at the hatchet at his waist, and moved his fingers slightly.
The exam questions of the five and eighteen subjects of the Fuyuan Division are all randomly selected, so even if they take the same subject, nine out of ten questions that different people encounter are not the same.
Wushen, [-].
This question has not been asked for a long time.
Yuan Buqi stood up, raised his hand slightly, and the gossip disc behind him made a "click" and slowly moved away to the sides, revealing the appearance behind him.
Behind the disc, there is a row of huge wooden frames covered with dense grids.
His right palm swayed slightly, and the grid numbered Wushen Qijiu was pulled open out of thin air, revealing the contents inside.
Yuan Buli stepped forward and took out this test question belonging to He Lingjiang.
"This question is not easy. In the time limit of three sticks of incense, is He Qiniang ready?" Yuan Buyi held the scroll in his palm and asked He Lingjiang, who was standing at the bottom.
He Lingjiang smiled slightly: "The boss asked the question."
Yuan Buli nodded, waved his sleeves, like a gust of wind, several doors in the hall were closed, and the hall suddenly became dark.
He held the scroll with his right palm and gently sent it forward, and the scroll was suspended in the air. With the movement of his hand, it slowly unfolded into the sky, glowing with a faint light in the dim hall.
It was a volume of "The Return of the Wind and Snow".
When twilight came, the mountains seemed vast and vast, and in the depths of the endless mountain road, there was a corner of a thatched hut, showing that this place was not empty.
In the midst of the heavy snow, there was a woodcutter carrying firewood on his back, trudging through the mountains against the wind and snow, heading back towards the thatched hut.
Behind him, he still fell a little far, and there seemed to be a hidden crisis.
Yuan Buyi made a seal on his hand and pointed to He Lingjiang's forehead.
She only felt a sway in front of her eyes, and then there was a biting pain on both sides of her cheeks.
The whistling cold wind rolled the snowflakes and cut them in her face.The broken snowflakes rushed in front of her face, making her unable to open her eyes for a while.
It was obviously early summer, but it was snowing heavily in front of me.
He Lingjiang squinted his eyes and looked around.
The vast twilight, the empty mountains, and the swirling snow.
Is she in the picture?
From where she was standing, she was so vast that it was hard to tell where she was going.The winding mountain road in the previous picture scroll and the thatched hut with a corner exposed are even missing.
Is this to let her find her way home in the wind and snow?
Array of pictures?
But if it's a formation, you have to put on the eight formations of break, life, injury, du, Jing, death, shock, and open.
Look around, the sky and the earth are dark and gloomy, you can't see the grass and trees when you look down, and you can't see the stars when you look up.
Looking around, there is no difference except white or white, there is no boundary, she is the only one left, it is a point between the world.
He Lingjiang closed his eyes and felt the direction of the wind. In the empty mountains, the sound of the wind blowing snowflakes was exceptionally clear.
She couldn't help frowning, the direction of the wind was changing.
Although this kind of change is subtle, but the cycle is repeated, but it can be very different from the direction she originally thought.
He Lingjiang opened his eyes, but suddenly collided with a pair of green eyes.
Above the snow field, in the dark, there is a thin and dark-haired wild animal, which is approaching here.
is a wolf.
It turned out that the blurry picture that was falling far behind the woodcutter was actually a hungry wolf...
On a snowy night, the appearance of wild wolves seems to be a normal phenomenon.
The woodcutter who came home late, the ferocious hungry wolf, no matter how you look at it, one party will be unlucky.
Yet she stood there, not moving.
Hungry Wolf stared straight ahead, getting closer and closer to her, and finally seemed unable to resist the temptation of his prey, and pounced in He Lingjiang's direction.
But she didn't blink, the hungry wolf's figure brushed past her and fell to the ground. After that, her eyes turned red, and a splatter of blood splattered next to her feet.
Not far from her, in the snow-covered area, lay a dead rabbit.
The hungry wolf caught the prey, so he buried his head to eat it, the hare's torn corpse reflected in her eyes.
He Lingjiang looked at the situation in front of him, his eyes were slightly deep, then he squatted down and reached out to brush the snow that was splattered with hare's blood.
However, no matter how she flicked, that layer of blood was floating on the snow.
She reached out to touch the wolf, her fingers only passing through it.
She couldn't help raising her eyebrows, this painting is still false?
Her current position is already a fictional world in the painting, but after the hungry wolf appeared, there was a big living person like her standing in front of her, her breath did not change, and her behavior did not make any sound, it was weird Extremely.
It turned out to be the superposition of two spaces. The scroll space overlaps, and the visual synchronization tends to be consistent, but the hearing is not common.
No wonder she could hear the sound of wind and snow in her ears, but she couldn't hear the sound of hungry wolves eating hares.
She lowered her eyes and stared at the pool of blood at her feet. It seemed that the scene she was in and the "Wild Wolf Hunting Picture" belonged to two different picture scroll spaces.
He Lingjiang's eyes were a little deep, since this "Wild Wolf Hunting Picture" was superimposed, then, wouldn't the picture in front of her be not the full picture of "The Return of the Wind and Snow"?
She looked around, the endless snow and mountains, and she, from the outside, looked like a snowstorm and a traveler.
And that mountain road and thatched hut that disappeared without a trace are in another picture scroll space, right?
The two completely different paintings, "The Woodcutter in the Wind and Snow" and "The Cottage in the Deep Mountains", are superimposed on each other to finally show the appearance of "The Return of the Wind and Snow".
No wonder this place is so white that it can't see any margins. It turns out that this place is the entire space of this picture scroll.
Therefore, no matter which direction she went from or how far she went, she would definitely not be able to get out of this snowy field, and she would definitely not be able to find the mountain road thatched hut she was looking for.If she kept looking here, she would undoubtedly be looking for fish.
What to do now is to break open this space with ideas.
She looked at the hungry wolf who was burying his head and eating happily in front of her.
As the woodcutter in the painting, his technique is limited by the laws of space.She is now carrying firewood on her back and a hatchet hanging from her waist. If a jackal is approaching, she must pick up the knife and fight.
But being in two different spaces, the hungry wolf does not change with one knife, doesn't it instantly reveal the fact that the hungry wolf is another layer of phantom?
If so, then this hint is too obvious, right?
He Lingjiang frowned, but did Yuansi put the clues in front of him so brightly?
When they see a hungry wolf, most people's first reaction is to kill it.
Could this picture be the opposite?
At the moment of killing the wolf with a knife, the space boundary was also broken, and the two pictures merged into one without knowing it.
While killing the wolf, the person in the painting ignores the fact that the two spaces are superimposed...
He Lingjiang looked at the hungry wolf in front of him, then looked down at the hatchet at his waist, and moved his fingers slightly.
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