Huayu started from the fairy sword

Chapter 275 Academic discussion with Bingbing!

Wang Bingbing couldn't wait to ask: "How much? Why don't you talk?"

Cao Jun looked carefully, no more, no less, exactly 55 centimeters, and then replied: "55 centimeters."

Wang Bingbing turned around and looked at Cao Jun curiously: "Is 55 cm normal?"

Cao Jun threw the soft ruler aside and replied: "It must be normal. Generally, it is about 54 cm to 58 cm, and it is okay."

Hearing Cao Jun's words, Wang Bingbing breathed a sigh of relief, laughed at himself and said, "I just said I don't have a big head."

At this time, Cao Jun and Wang Bingbing sat together under the dim light like a pair of real lovers.

Cao Jun was talking non-stop, Wang Bingbing listened intently, his eyes sparkling.

Of course, Cao Jun is quite serious, and almost always chats with her about performance knowledge.

Although Wang Bingbing's lines are good, she has no serious learning and acting after all, and she is definitely not suitable for the acting methods of a professional actor.

In the eyes of laymen, there are three schools of performance, namely experience school, method school and expression school.

As the name suggests, the requirement of the "experiential school" for performance is: start from the self and live in the situation of the character.

The experience school is the most misunderstood performance school in China. The current popular understanding of the experience school is basically wrong.

Only the "self" can complete the real experience, that is, "real hearing, real seeing, real feeling".

If you are already imitating an imaginary image, or putting yourself in a performance state that is different from your normal life, it is impossible to complete the authentic experience.

Therefore, it must be emphasized that "starting from the self" is the basis of the entire process of shaping the role of the experiential school, not one of the stages. That is to say, the experiential school requires actors to "always start from the self" throughout the performance process. .

The "method school" is inherited from the experience school, which also requires actors to achieve a subconscious real response, but there is one significant difference, that is, the method school allows actors to replace communication objects, while the experience school does not.

The reason is very simple, the method school allows straight male actors to imagine the opponent as a woman, while the experience school requires you to find the part you love from the same sex.

This is because the experiential school believes that replacing the communication object is not conducive to capturing the subtle changes in the opponent's reaction, especially for stage performances, where a play is performed for dozens or hundreds of times, and replacing the communication object will easily make the actors lose the freshness of the scene in the repetition , which finally ossified the performance.

However, in filming, actors do not have a real communication partner every time, and the most realistic performance only needs one, and there is no need to repeat it repeatedly.

Therefore, in film shooting, it is sometimes necessary for actors to replace communication partners, but it is also harmless. There are many successful examples of American film actors using method school.

However, "Expressionism" does not emphasize starting from the self, but emphasizes first constructing a "role image" in the heart, emphasizing imitation.

At the same time, expressionism does not advocate subconscious living in the situation, but emphasizes "jumping out" to make decisions and designs.

Some people say that the experience school is Stanislav and the expression school is Brecht. In Cao Jun's personal understanding, the first half of the sentence is correct, but the second half is wrong.

The "alienation" advocated by Brecht is a performance effect, which is more achieved through screenwriting and directing rather than a performance method.

In his own acting practice, Brecht hoped that the audience could be alienated, but still required the actors to experience.

However, some performers in our country, in order to find a theoretical basis for their own performance methods, just pulled Brecht as a banner, and many people were deceived.

There are clear distinctions between the pursuits and methods of each faction, but in actual performances, it is impossible to be 100% pure.

It is impossible for an expressive actor to be completely indifferent to real feelings, and it is impossible for an experiential actor to be completely devoid of design.

So "an actor of a certain school" means that the actor agrees with the aesthetic pursuit of a certain school and mainly uses the methods of a certain school, not that he does not use other methods at all.

In addition, due to the lack of systematic performance teaching in China, most actors do not follow a certain school, but explore their own performance methods in practice.

Many film and television superstars in Xiangjiang, including Zhou Xingchi, Zhou Runfa, and Tony Leung, all found out a performance style that suits them through practice, and carried it forward.

It is worth mentioning that excellent actors are often more emotional than rational, and they need to comprehensively use the methods of various schools, so actors may not be able to explain their own acting schools clearly and accurately.

Therefore, Cao Jun has never made a special request. Wang Bingbing has to choose a fixed performance method. Instead, he starts from himself. If he can experience it, he will use the experiential style, and if he cannot experience it, he will use the expressionist style and the method style. The methods are combined to play the role of Xiao Shui.

In the process of listening to Cao Jun's teachings, Wang Bingbing feels that he has learned a lot, and it can be said that he has benefited a lot.

Talking like this, the distance between Cao Jun and Wang Bingbing became closer and closer, so close that they could hear each other's breathing.

The two stared at each other, and Cao Jun found that Wang Bingbing's eyes were full of tenderness...

Cao Jun got closer and closer, looked down at Wang Bingbing, took a breath, then lowered his head, ready to ask for a kiss with Wang Bingbing, Wang Bingbing also raised his head, closed his eyes, and brought his lips closer.

The lips of the two gradually approached and finally kissed together...

Kissing with Wang Bingbing feels very good and sweet, and Cao Jun is also intoxicated by it.

The happy time is always very short. Cao Jun and Wang Bingbing stopped after kissing intermittently for more than ten minutes.

Wang Bingbing snuggled into Cao Jun's arms and joked with a smile: "Brother Jun, didn't you say that you can't fall in love before the age of 25?"

Cao Jun replied with a smile: "Yes, but I am already 26 years old."

Wang Bingbing said dumbfoundingly: "I'm not talking about you, I'm talking about myself."

Cao Jun pretended to be serious and said: "It's good that you know, so you have to pay the company liquidated damages."

Wang Bingbing let out an "ah" and looked at Cao Jun in disbelief: "Is falling in love with you a breach of contract?"

Cao Jun said solemnly: "Of course, I didn't run the company, but my father. If you fell in love with me before the age of 25, it must be a breach of contract."

"The reason why I dare not fall in love is also because I am a signed artist of Huayi. They stipulate that I cannot fall in love during the contract period. If it is known that I am in love with you, I will also breach the contract."

Wang Bingbing was at a loss for words, and was silent for a long time before looking at Cao Jun with tears in his eyes: "Then you won't betray me, will you?"

Of course, it's normal for Wang Bingbing to think this way. After all, in the entertainment industry, many companies and artists have made a lot of news because of contract issues.

Cao Jun smiled and comforted him: "Don't worry, why should I betray you? If I betray you, don't I also betray myself? As long as you don't tell me, and I don't tell you, who will know?"

After hearing Cao Jun's words, Wang Bingbing breathed a sigh of relief: "That's good, I thought you were going to report me, and I was shocked."

Cao Jun smiled and said: "What you said, don't you have any trust in me?"

Wang Bingbing realized that he had said the wrong thing, and quickly apologized to Cao Jun with a smile: "Brother Jun, I didn't mean that, you misunderstood me..."

ps. Thank you book friend Yuxiao Swordsman Dong Yuchao for your reward and encouragement, and thank you to everyone who subscribed and voted, thank you everyone.

(End of this chapter)