Huayu started from the fairy sword

Huang Bo said frankly: "Mr. Zhou's mountain is too high. In fact, I don't dare to play Monkey King. I'm afraid I won't be able to get over it."

It's normal for Huang Bo to be worried.

Because of the role of Monkey King, there are Liu Xiaolingtong in the front, Zhou Xingchi and Zhang Weijian in the back, and each has its own characteristics.

Although Huang Bo has acting skills, he is not sure if he has a way to act in a new style.

Cao Jun asked curiously: "Then how do you plan to act?"

When reading the script before, Huang Bo thought about what the Monkey King in his mind should be like.

He felt that Sun Wukong had been imprisoned for five hundred years, so he should be a man with thinning white hair and a nervous look...

After hearing Huang Bo's thoughts, Cao Jun said affirmatively: "Very good, I think your idea is very good, just act like this!"

Huang Bo was dumb for a while, and said "oh" after a while.

In this way, the bald Monkey King appeared.

In the crew of "Journey to the West: Conquering the Demons", Huang Bo is a complete pistachio, often making people laugh, and also a person who pursues perfection.

During the filming process, Huang Bo played Monkey King's resentment fiercely and cunningly, and played it very well.

Huang Bo's acting skills are really not covered, the actor is the actor, in just 10 minutes of performance, the whole show, from the beginning to pretend to be kind, Chen Xuanzang, played by Cao Jun, took away the golden seal of Tathagata suppression.

In the end, Cao Jun didn't fall for the trap, and Jin Chanzi's IQ was certainly not covered. Huang Bo's desperation after his hope was shattered was truly vivid.

To frighten Chen Xuanzang, to trick Chen Xuanzang into taking the bait, Huang Bo joked about his own experience: "I think back then, I had two watermelon knives in my hand, and cut from Nantianmen to Penglai East Road, back and forth. For three days and three nights, blood flowed like a river. But I just raised the knife and dropped the knife, and I didn't even blink!"

After finishing speaking, Huang Bo picked up three sugar canes and chopped them up. However, Cao Jun, who had already seen through everything, took out durians and placed them in front of Huang Bo.

In desperation, Huang Bo rushed out of the cave, and when he was whipped by the rattan whip in the cave, he was so pitiful immediately, every second was a drama.

Unexpectedly, all of this was planned by Huang Bo from the very beginning, aiming to trick Cao Jun into removing the real sealed lotus at the entrance of the cave, making him an extremely treacherous person.

In this scene, Monkey King is about to rush out of the cave.

For this one scene, Huang Bo gave Zhou Xingchi more than 30 versions, some of which were dancing, some were wild, some were singing, some were embarrassing, and some were sincere.

Zhou Xingchi and the staff, including the heroine Shu Qi, were amazed by Huang Bo's endless creativity.

As an actor, Cao Jun is not surprised, because he and Huang Bo have cooperated three times since the movie "Crazy Stone", and he knows Huang Bo's strength.

In order to conceal his resentment, the Monkey King played by Huang Bo did not hesitate to praise the Tathagata he hates the most in his heart: "So the Sutra of the Great Sun Tathagata is really good, it's really seconds, it's really croaking."

In addition, there is such a scene where Huang Bo teaches Shu Qi to dance in the cave.

In fact, this was just after shooting the last scene. Huang Bo thought the camera had been turned off. He felt the pressure of filming and wanted to relax. …

So, Huang Bo unscrupulously led Shu Qi to dance. His enchanting dancing posture made Shu Qi laugh.

Huang Bo didn't expect that Zhou Xingchi happened to capture their operation, and decided to keep this part of the dance.

As a director, Zhou Xingchi knows exactly what he wants, the shots he shoots are not so fragmentary, and the cuts in the end are not too many - it's a simple reason, he has filmed dozens of movies and has too much experience up!

However, Zhou Xingchi also made a lot of on-site adjustments, and a lot of things would pop up temporarily, which is very similar to Huang Bo.

Huang Bo will not follow the script so strictly, he belongs to the kind of actor who is not easy to be satisfied.

On the set, Zhou Xingchi said the most to Huang Bo: "Mr. Huang, how about we?"

After Huang Bo finished the performance, he asked, "How is it?"

Zhou Xingchi said, "What do you think?"

Huang Bo said: "I think it's not bad!"

He said, "That's good."

Huang said, "How about another method?"

He said, "That's fine."

Cao Jun didn't dare to underestimate the fact that he was cooperating with a powerful and hard-working opponent like Huang Bo, so he worked up his spirits.

In the early and mid-term of the film, Cao Jun played a very cute Tang Monk with long unkempt hair. Sometimes he was frightened by the fish demon, and sometimes he was scolded and bullied by the exorcist played by Shu Qi, and he had to bite the bullet Facing the ferocious pig demon, it can be said that he has suffered all kinds of hardships and setbacks.

It is worth mentioning that although Zhou Xingchi is the director of the movie "Journey to the West: Conquering the Demons", he is actually on the set, playing almost every role.

For almost every role and every scene, Zhou Xingchi will first demonstrate a performance to the actors, and then let them learn to act.

This time he gave Cao Jun the most demonstrations. Cao Jun was tortured quite badly this time, and it was really difficult for him.

There is no way, everyone has different characteristics, you say that it will not work to let Zhou Xingchi play Ge You, and it will not work to kill him, and vice versa!It's all the same, Shu Qi is about to collapse.

But how?The torture was miserable, but also the excitement was miserable.

There is a scene that Huang Bo played back and forth dozens of times, some crying and some laughing, all in different ways.

And Zhou Xingchi is recognized as the king of comedy by everyone, his understanding of comedy is something that Huang Bo and Cao Jun can't learn after so many years of hard work.

What Cao Jun and Huang Bo learned is the method.

For example, for comedy, Zhou Xingchi will never stop at one point.

Cao Jun and Huang Bo usually shoot comedies, which creates an embarrassing point, thinking that the audience will definitely laugh here, that's enough, and at most they can play with a little detail.

Zhou Xingchi will not, he will continue all the way.

For example, in the scene between Cao Jun and Huang Bo, I originally took out a few sugar cane to chop.

After the filming, Zhou Xingchi said: "What if you take out another durian at this time?" He took another shot, and then he said: "What if you take out another banana?"

In the end, it became that particularly funny plot.

There are also attitudes. For example, when Huang Bo was an actor in the past, it was difficult to hear the director say: "You can do it again in another way." This sentence actually excited Huang Bo.

Prior to this, when Cao Jun was the director and collaborated with Huang Bo on the film "People on the Journey: Lost in Thailand", there was no such requirement.

Zhou Xingchi's requirements for Cao Jun and Huang Bo are also different.

Zhou Xingchi will not ask Cao Jun to do something.

He himself has been an actor, and he knows very well that Cao Jun has the right to choose by himself—whether it is his own design or the director's arrangement.

However, Cao Jun will definitely not dislike Zhou Xingchi's guidance to him. It is very simple, if he has good ones, why not use them?
Zhou Xingchi is very interesting, because many directors sit behind the monitor, but he is not. He likes to sit opposite Cao Jun and observe Cao Jun's subtle performances.

At the beginning, Cao Jun was very uncomfortable, but later he found it more and more interesting.