How did I become an old artist?

Chapter 61 It's like a sunset, it's like a rainy day, and it's like a long rainbow running through the sun!
Ru kiln is the first.

No matter what kind of porcelain it is, it will be inferior to the authentic Ru kiln porcelain.

There have been several international auctions of Ru kiln porcelain antiques, almost all of which were sold at sky-high prices exceeding [-] million yuan.

Handmade Ru kiln porcelain is also widely spread among the people.

However, there are too few genuine Ru kiln porcelains.

Many people only know that Ru kiln is azure or pink blue, but they don't know the details of Ru kiln at all.

The most authentic Ru kiln porcelain is as jade-like to watch, and it is a kind of enjoyment to watch.

After the Ru Kiln Porcelain Appraisal Conference began, a total of seven highly respected judges appraised the Ru Kiln Porcelain participating in the competition.

Three of them are national-level Ru kiln porcelain art masters, and four are provincial-level Ru kiln porcelain art masters.

The seven old men sat down on the judging table, feeling a huge sense of pressure.

The other craftsmen sat on the chairs outside and sat around.

According to the realm of fantasy novels, these seven old men represent the pinnacle of Ruyao realm, surrounded by young people.

On the day of the competition, there were still many reporters from provincial TV stations, and this time even reporters from CCTV also came.

Before the competition started, a beautiful host wearing a cheongsam was still chanting the written host speech:

"The state owns the state law, and the line has its own rules. The marketization and standardization of intangible cultural heritage has always been the goal pursued by every craftsman."

"Nowadays, Ru Kiln porcelain products on the market are mixed with good and bad."

"This exchange conference aims to formulate a set of strict appraisal and evaluation standards for Ru kiln porcelain through selection and selection."

Zhao Chen sat on a chair outside the venue, dragging his chin in boredom.

The rules of such a competition are very simple. The seven masters of Ru Kiln Porcelain first quickly browsed through all Ru Kiln Porcelain.

Then, ten to twenty pieces of porcelain are judged, and they are used as standards in turn to be exhibited to other craftsmen.

There are a total of 120 entries, which will be judged in two days, and there is still plenty of time.

Two of the groups are responsible for 60 pieces each.

The host is still introducing the identities of Ru kiln porcelain art masters. These people are very powerful craftsmen.

Those who can be judged as national or provincial art masters must have real talents and real learning.

They are completely different from those self-proclaimed masters on the Internet.

Liu Hanlin is also among them, and Liu Hanlin is a national Ru Kiln porcelain art master with a high status.

The craftsmen looked at these masters with yearning expressions in their eyes.

Not long after, the selection began.

One piece of porcelain is delivered to the table, and each master will judge a piece of porcelain, and then make comments and scores on the glaze color, details, cracks, etc. of the porcelain.

A piece of porcelain will pass through the hands of at least three masters, some of which are like marking a college entrance examination.

Lu Wenzhi is a master of Ru kiln porcelain art in China, from Ruzhou, and has a very high status in the porcelain circle.

The reason why the Ru Kiln Porcelain Exchange Conference is so popular this time is because three master artists, Lu Wenzhi, Liu Hanlin and Zhang Hong, were invited.

As a result, all the manufacturers of Ru kiln porcelain business or the craftsmen of Ru kiln from all over China signed up to participate in this exchange meeting.

However, just the initial screening, more than half of the people were screened out, leaving only 120.

Ding Wu, president of the Porcelain Association, was both nervous and excited.

This Ru Kiln Porcelain Exchange Conference is the first large-scale cultural event organized by him as the president of the Porcelain Association.

If it is successfully held, it will be another highlight of his political achievements.

Lu Wenzhi looked serious.

His attitude towards porcelain has always been meticulous.

He will carefully inspect and judge every piece of porcelain.

"The No. 70 Tianqing round bowl is irregular, and the surface of the bowl is curved. There was a problem when molding the blank. The color is also wrong. There is no agate in the raw material of the glaze. It is not Ru kiln porcelain, it is a defective product."

"The No. 71 pen washer has too many cracks, and the furnace fire is obviously not well controlled. Not to mention the cicada wing pattern, it doesn't even count as ice cracks, it is a defective product."

"The No. 72 three-legged incense burner has a very good shape, but the glaze is not very good. There are two places with white spots, which is also a defective product."

Every master was surrounded by more than a dozen craftsmen, and everyone felt a little nervous after hearing Lu Wenzhi's words.

Lu Wenzhi's vision is very vicious, and any problems on the porcelain can be easily found.

Lu Wenzhi looked at the porcelain in his hand, slightly disappointed.

He originally thought that he could see some excellent works of folk craftsmen in this exchange conference.

But things backfired.

Due to the rapid development of porcelain industrialization, the number of craftsmen is gradually decreasing.

Moreover, it is very difficult to refine the best handmade porcelain, and rare handmade Ru kiln porcelain is even rarer.

Lu Wenzhi continued to review.

The No. 74 Ru kiln brush washer is very good. Although it does not reach the level of treasures, it can be regarded as a masterpiece and can be rated as ordinary.

After that, the No. 75 Ru kiln round bowl is also good overall, rated as ordinary grade.

Then, No. 76 Ru kiln was put up.

When this piece of Ru kiln porcelain appeared, the craftsmen around Lu Wenzhi all focused their attention on it.

Everyone is an expert and lives with Ru Kiln almost every day.

Therefore, people are very clear about the color of Ru Kiln.

This Ru kiln is what all Ru kiln craftsmen pursue, the color of the slightly gloomy sky after the heavy rain.

Teal sky.

"What a beautiful glaze!"

"Look at the texture, it's really the same as jade!"

"Is it made by a machine, or some chemical material?"

"There is no machine that can do this. This is a Ru Kiln treasure!"

"It was made by the master chef, the glaze is absolutely perfect!"

Everyone immediately started talking.

There was a lot of noise from the noise, several craftsmen were attracted, and reporters from two TV stations also kept filming the scene of Lu Wenzhi.

When he saw the sky-blue gooseneck bottle of Ru Kiln in front of him, Lu Wenzhi's originally calm gaze finally became a little more excited.

He sat up straight, with a rare smile on his face.

The glaze on this gooseneck bottle is so pretty.

Beautiful beyond imagination!
Just appearing on the stage is enough to attract everyone's attention.

Lu Wenzhi picked up the magnifying glass from the side and began to observe carefully.

"This glaze color is perfect, the most ideal azure color. To be able to burn such a color, it must either be fired in a kiln worth millions of adjustable temperature and humidity, or fired on a rainy day."

"This craftsman has a heart."

Lu Wenzhi praised.

"The glaze is also very beautiful. The top-quality agate glaze is used. The color and touch are really amazing!"

Lu Wenzhi was immersed in the beauty of the gooseneck bottle.

The more he looked, the more solemn his expression became.

This piece of Ru kiln porcelain can reach the highest rating of "treasure".

Because it is perfect in all aspects, without the slightest flaw.

Such rare Ru kiln can also be refined by state-level Ru kiln masters such as Lu Wenzhi and Liu Hanlin.

But it wasn't just the perfection of this piece of Ru kiln porcelain that shocked Lu Wenzhi so much.

But because of its uniqueness.

The color is bluish in the middle of green, like clear lake water, because of the effect of agate on the glaze.

The porcelain surface is moist and soft, with a little pinkish blue inside, which is due to the reflection of light when the glaze color is solidified and fat-cured.

The cracks are fine and dense, like the crab claw prints left by crabs walking on the beach, and like the lines of cicada wings.

Under a magnifying glass, you can still see tiny bubbles as sparse as morning stars.

The glazed surface looks like the setting sun and the evening glow, the blue sky after the rain, and the long rainbow shining through the sun.

The blush under the azure color makes the whole porcelain vase as beautiful as a work of art.

These characteristics are easy to say, but they want to be perfectly presented on a piece of porcelain.

difficult!
It's as difficult as climbing the sky!
Since the Southern Song Dynasty, for nearly 1000 years, countless craftsmen have been unable to reproduce the difficulty!
And now, this piece of porcelain just so abruptly appeared at a Ru Kiln Porcelain Exchange Conference.

Moreover, Lu Wenzhi could tell that this piece of Ru kiln porcelain was newly fired not long ago.

"Lao Liu, Lao Zhang, come and have a look!"

"This piece of Ru kiln porcelain is absolutely perfect!"

Lu Wenzhi's body trembled a little, and his voice was full of excitement.

Liu Hanlin glanced at it and saw that it was the gooseneck bottle made by Zhao Chen, so he knew the reason for Lu Wenzhi's excitement, so his expression was calm.

Zhang Hong walked over with a puzzled face.

In the distance, Zhao Chen looked at Lu Wenzhi's excited appearance, and felt a little emotional in his heart.

The ancient Faru kiln has indeed disappeared for too long, so it is worth exciting.

However, this master doesn't need to be so excited.

This body trembles a little bit.

Don't give away the Ru kiln porcelain I fired
(End of this chapter)