Actors start from the college entrance examination

Chapter 227

Su Ze stepped onto the podium, faced the expectant eyes, and said in a loud voice: "Hello, everyone, I am Su Ze. I am honored to have the opportunity to stand here and share some personal experience with you."

"Boss Su, come on!"

"Brother Ze, we support you!"

"Brother is so handsome!"

The audience applauded like thunder, especially the performance class students, who took the lead in cheering, and the atmosphere reached a climax.

After quieting down again, Su Ze continued: "Mr. Chen Gang asked me to share my experience. I am both honored and apprehensive. After all, I am still young and have many shortcomings. Many of you here have something worthy of my study."

"But since I have the opportunity to stand here, I will talk to you about the deeper understanding I have experienced in the past few years. As for right and wrong, the benevolent sees the benevolent and the wise sees the wisdom. Please correct me."

"Fuzheng?" Principal Hao couldn't help but scolded with a smile, "You're so polite!"

Lin Hongtong also laughed, a veteran cadre is a veteran cadre, very strict.

"What I want to share today is..." Su Ze turned on the projector, stood next to the big screen and said, "How to get into the show quickly."

As soon as these words came out, the audience was instantly quiet, and everyone's eyes were burning. This is dry stuff.

"I think the action of entering the play should essentially be a series, or a series of combined punches. From the actual situation, each actor actually has a different way of entering the play."

"If it is specifically split, there should be three processes: emotional memory, familiarity with the script, and concentration."

Su Ze talked eloquently, these are the experience gained from the system, and he shared it without any secrets today, hoping to help more students.

"If we regard a certain emotion presented by an actor as a flower that blooms through the body every time. Then we need to build our own emotional bank, and use our sensitive heart and experience to support its operation."

"For example, when we perform the impulse to kill, it is actually very easy to go astray into a hysterical or crazy performance state."

"However, when many criminals commit crimes, their hearts are extremely calm, and they are even excited and looking forward to it. This is the biggest difference between a murderer of passion and a serial killer."

"I personally like suspenseful themes, and I am more willing to interpret the complicated side of human nature. Take murder as an example, how to accumulate such extreme emotions?"

Su Ze looked around the audience, feeling a lot of anticipation, and said with a smile: "It's very simple, beat the mosquitoes!"

"Close your eyes and imagine that you are lying under a tree alone to enjoy the shade in the dog days. At this time, a mosquito is flying around your ears. Do you want to kill it with that buzzing sound?"

"Is the urge to kill particularly strong?"

"This is the emotion of destruction!"

Everyone nodded, especially the first-year freshman, who suddenly realized that this is still possible?
Headmaster Hao nodded secretly, this kid is not fake, he is just a dry product, very good.

"What you need to do now is to store this emotion and then bring it into the character. Learning to collect this emotion in life is the ability and quality that our actors need to possess."

"That's what observing life is all about."

Su Ze continued: "It's definitely not enough to just have emotions. The next step is to deeply analyze and understand the script."

"The processing of this part is more about the need for the actors to divide the script into sections. The so-called sections need to extract the main plot actions in the script, familiarize themselves with and get through the relationship between actions and actions."

"I am a methodist myself, and I am more used to expressing inner emotions with details. The richer the details, the fuller and more three-dimensional the characters."

"So actors must pay attention to reading the script, especially reaching a good cooperation state with their opponents."

"The process of everyone's research is not only about the characters of the script, but also about the recognition and resonance between each other. Only when the team has cohesion can it have combat effectiveness?"

This sentence is 100% written with emotion. Looking back on the experience of the crew in the past two years, whether it is a spoon or my sister, whether it is a psychological crime or chasing the murderer in the night, every team is very dedicated. If there is no staff to pay, there will be no All eyes on the actor.

Principal Hao took the lead in applauding, recalling the scene of reading scripts at Renyi every day, what a simple and happy time it was!
"The last and most critical part." Su Ze said seriously: "It is concentration."

"I think there are mainly two dimensions in the field of performance: external attention and internal attention. External is divided into: attention time and attention size."

"Hey, is this a cheat book?"

"Do you have a pen?"

"What are you waiting for? Hurry up and write it down!"

Many students started to record without saying a word, which is a killer feature that will never come again when the opportunity is not lost.

"An actor's experience either comes from his interaction and relationship with external things, or acts on his own heart, thus presenting a behavioral expression."

"Let's talk about attention time first. The essence is a process of quickly switching the focus of actors."

"In a room, if I give you 30 seconds to observe an object, and then turn off the lights, please describe the characteristics of the observed object immediately."

"Then the time is shortened, please use 20 seconds to focus on a detail, then turn off the lights and describe again."

"By analogy, how fast can it be in the end?"

"Two seconds!"

"You can still give me an accurate answer."

There was a commotion in the audience, and then it quickly fell silent. Su Ze continued with satisfaction: "I understand the size of the attention circle is a process for an actor to self-consistent with his personal space."

"During the performance, especially the supporting roles, or actors who are not in the scene on the same stage. It is easy to lose attention during the process of not having a part in the scene, but once lost, the quality of the character will be slack, and refocusing is a waste of energy .”

"I can provide a method: At this time, we imagine a spotlight that hits down from the top of the head, and the character stands in the center of the light."

"The actor itself seems to be in a state of solitude, and the aperture is like a shell. You can practice controlling the size of the imagined aperture."

"Let your attention be adjusted according to the number of scenes, as if in a standby and active state, so as to effectively save more energy."

As soon as these words came out, the audience was boiling.

"This is the legendary one-second entry?"

"Probably not, it feels more like a state of performance!"

"Good guy, that sounds awesome."

"It feels so difficult!"

"Nonsense, can't it be called a stunt?"

"So Brother Ze is acting like this?"

Su Ze and the others calmed down and said seriously: "The so-called internal attention is more the process of the actor concentrating on mobilizing his emotions, centering on what he sees, hears, touches and feels in the virtual environment."

"I firmly believe that getting into the game quickly sounds like an instant feeling, but the real requirement is inseparable from long-term training and hard work."

"The career of an actor seems simple, good-looking, can speak lines, just stand in front of the camera and you're done?"

"I believe this is an artistic act that can only be polished by the spirit of a craftsman."

"Please respect the profession of an actor!"

(End of this chapter)