Entertainment: I can refine my acting skills every day

Chapter 102 100. Hu Wan's Character Biography! !

"Director, otherwise, just sit inside and I will learn from you."

Su Chen opened the door and turned on the lights in the room.

"I don't sit anymore, I don't sit anymore, after sitting for a day, my back hurts."

Feng Xiaogang waved his hand: "The young man will work hard with director Jiang Wen, and he will have a bright future."

After walking two steps forward, he thought about turning around again: "You are Director Jiang's...student?"

"Director Jiang also taught me a lot."

Su Chen stood at the door: "But I'm not a student either. I'm one of the screenwriters of this show, director Xiaogang."

"Oh, no wonder, no wonder."

Feng Xiaogang took another two steps: "Go back quickly and film well. I remember you. When the film comes out, we have to see how you perform."

Su Chen also nodded with a smile.

He knew that Feng Xiaogang was actually a little afraid of Jiang Wen.

Because Jiang Wen and Feng Xiaogang are always chatting with him, it’s not that the relationship is bad, it’s just that the styles are different, and everyone’s opinions on making movies are somewhat biased.

Jiang Wen hated Feng Xiaogang a lot, and Feng Xiaogang couldn't beat Jiang Wen again, so he was in a hurry.

Feng Xiao just asked Sun Honglei and Ge You to add a line to "If You Are the One" filmed last year.

Give Jiang Wen back.

Su Chen remembered that line, Ge You said: "Then let's call it the puppet army compound next time."

This sentence was said to Jiang Wen.

The businessman played by Sun Honglei said: "Can we not overturn a boat of people with one shot?"

Jiang Wen said before that Feng Xiaogang's film is not called a movie, it is fake art.

So Sun Honglei's lines in "The One Who Sings, The One" is: "Pseudo-art is also art, you have to be in business and talk about business."

"If you don't, don't take other people's money. If you take the money and scold the money, it's called injustice."

Anyway, Feng Xiaogang and Jiang Wen were very happy in private, and they came here to make a cameo appearance as a friend, but in normal times, they would always stab each other intentionally or unintentionally.

They are both great directors, and there is no big feud, and there is no playing tricks between the two of them.

It is also quite interesting to play the battle of ideas about movies.

……

On the second day after staying here, Su Chen took the initiative to find Zhou Runfa and told him what he thought.

Zhou Runfa spoke very well and said that there was no problem.

He also hopes to get in touch with Su Chen more, but there is no Su Chen scene during this period, so they are still relatively unfamiliar with each other.

Just having this opportunity, he invited Su Chen to go to the set by car with him every day.

In a few days, they became familiar with each other.

Moreover, not only with Zhou Runfa, but also with Ge You.

It was only after getting in touch with him that he knew that Ge You really had no airs in private, just like an ordinary Peking uncle.

……

In the blink of an eye, five days passed.

Tomorrow, I will fly to Guangzhou. Once the whole crew arrives, filming will start immediately.

Three days ago, the art group and the setting group had split their hands to go to Kaiping Diaolou to set up the scene.

Su Chen has not been idle for the past two days.

He was going to write a profile of nearly [-] characters for Hu Wan.

Having been reborn, Su Chen actually didn't want to play this role exactly according to Chen Kun's previous routine.

He wants to start trying to break through.

Play your own role.

In the script, the role of Hu Wan is Huang Silang's henchman. Similarly, he has another position, he is in charge of the affairs of Goose City.

In other words, Mr. Huang may not really care who is the magistrate of Goose City, but Hu Wan does.

Because before Zhang Mazi came to Goose City, Hu Wancai should be the county magistrate behind Goose City.

Su Chen thought for a while, and began to conceive of Hu Wan's biography.

"My name is Hu Wan."

"Actually, I don't believe Hu. My surname is Fang."

"I heard from my father that the year I was born, bandits came, occupied the county town, and robbed my mother."

"My mother was wronged in the bandit tent during the day, and she stole food to feed me at night."

"At that time, the women who were captured by the bandits almost ran away, but the mother did not."

"She ran away, and my father and I had to starve to death."

"Afterwards, General Cai led his troops, and his pistol captain Zhang Muzhi rose up, and my father led me to escape from Zhanluan to Goose City."

"My father is honest, guarding the door for Mr. Huang."

"At that time, many people laughed at my father, saying that my father was Huang Silang's dog."

"I was very angry and fought with them, but I was beaten badly by their poor people."

"Dad came home with half a catty of fat at night, and he watched me eat. Under the oil lamp, Dad looked a bit tired, but he smiled and said to me, what's wrong with being a dog."

"When a poor man has no food to eat, but a dog can eat meat, do you want to be a dog or a poor man?"

"I thought about it and asked Dad: Can a dog bite a person?"

"I saw my father's eyes were red. He touched my head and said: It's not good to be an ordinary dog. If you bite someone, you will be beaten. You have to be a vicious dog."

"The year my father died, I was 14 years old, and I started guarding the door for Mr. Huang."

"Looked at the iron door for four years."

"In order to show my loyalty to Mr. Huang, I changed my name."

"Hu Jiafang, sounds like Huang. I am guarding the door for Mr. Huang, and I am not worthy of the surname Huang. Therefore, I changed my surname to Hu. Mr. Huang is very happy to hear that."

"He said it was a bit wasteful for me to watch the door, and asked me if I would help him bite people."

"I thought of the group of people who laughed at my father, and I asked Mr. Huang: What if I bite him to death?"

"Master Huang thinks I'm stupid."

"He said that if a person beats a person to death, he will pay for his life, but if a dog kills a person, it can only be said that the person deserves it. Who told him to provoke the dog?"

"He asked me if I understood the reasoning behind it."

"I seem to understand."

"So, I started to learn to bite people."

"At first, when I bit people, people would still resist. Later, there was a lot of blood in my mouth, and people started to be afraid of me."

"Sometimes I don't even need to open my mouth, people will offer me favors."

"It was only then that I understood what Dad said."

"He is so honest that he can only watch the door, but I am different."

Su Chen wrote here, feeling a little emotional.

Such things as character biography are actually just to increase the actor's sense of faith.

Why do you have to write it yourself? It is to increase your own impression.

What Su Chen wrote above is equivalent to Hu Wan's memory.

Because this character is original, Jiang Wen's script only has lines, but when the actor is speaking the lines, what mood should the actor be in?

Then this biography of the characters is needed for support.

Every line in the play, the starting point, is Hu Wan's life.

A character's experience and past determine what the character says now, as well as his expression and mood when he speaks.

For half the night, Su Chen finished writing Hu Wan's biography, and kept staring at the biography.

He needs to keep these contents in mind over and over again.

Until twelve o'clock in the morning.

Su Chen was interrupted by the system reward in his mind.

"Today's system rating: B-"

"Life attribute reward: font +2, character observation skill +2.
"Acting skill rewards: inner drama +2, villain acting +1."

(End of this chapter)