North American Gunslinger Detective

Peter didn't follow up with Diana this time, but continued to watch the surveillance in the surveillance car.

Peter: "Jones, did you hear anything?"

Jones: "No, they shouldn't be talking in the living room, maybe in the bedroom inside."

Peter: "Go ahead."

Both Jones and Peter were listening with headphones, while Jimmy sat bored by the back door, took out the revolver, and started playing with bullets.

This kind of monitoring is not available for a long time when studying and taking tests in the academy, mainly to let the agents know how to use it.This kind of long-term monitoring made Jimmy a little irritable, so he could only take out the revolver to practice his hands, and relieve his irritable mood by the way.

What Jimmy didn't notice was that while Peter was listening to the monitor, he glanced at Jimmy from time to time. His reloading technique was too terrific. If it were someone else, he wouldn't use this kind of operation of throwing bullets into the cylinder one by one with one hand. , The key is that the speed is too fast, installing a round of 6 bullets in two seconds is a bit too much.

Jimmy loaded the bullets, retracted the revolver under his armpit, and said to Peter and Jones: "Let me take a look. I don't know what Seaman is doing in the house. Jones, give me a bug, and I will see if I can get in."

Jones gave Jimmy a bug, very small. "Click the switch when you put it in."

Jimmy opened the door with a bug and left the monitoring car.

Jimmy walked slowly to the bottom of the apartment building. While walking up, he looked at Seaman's room. Seaman was busy in the bedroom where the paintings were placed. It seemed that he must have made some movements. Now he was moving the paintings from the corner to the bed, stacking them. Get up and put two piles.

Jimmy twisted the doorknob, the door was locked, Jimmy hadn't learned how to unlock the lock, so he could only give up, the only thing he was sure of now was that those paintings were indeed in this room, and what he saw from his heart were Seaman's paintings one by one It's very obvious when you put them together.

Jimmy looked up at the hidden camera, shook his head, then turned and went downstairs, first went to the coffee shop and bought three more cups of coffee, and then came to the monitoring car. "Sorry, the door is locked, there is no way to get in, and the bug cannot be installed."

Jimmy returned the bug to Jones, and then gave Jones and Peter a cup each. Because he didn't know their tastes, Jimmy bought three identical lattes.

Jimmy already knew that Seaman was going to act, and the action of sorting out the painting just now obviously had some follow-up actions, and now it depends on how he does it.

Half an hour later, a van parked downstairs of Seaman. From the surveillance, it could be seen that Seaman was walking downstairs with a stack of paintings in his hands. The driver of the van also got out of the car and opened the side door.

Peter took off his headset, drew his pistol and said to Jimmy, "Go."

Jimmy opened the back door, came down with Peter, and walked slowly towards Seaman's villa. Seaman was on the 4th floor, and it took time to walk down. Jimmy and the others were more than 20 meters away from Seaman's apartment, and walking slowly was enough time .Jimmy opened his eyes in advance, staring at Seaman who was coming down the stairs, and just met him at the door.

Peter yelled "FBI", but before he yelled the next one, Seaman let go, and the painting fell to the ground, while Seaman turned around and wanted to run back to the apartment.

Jimmy stepped forward, grabbed Seaman's clothes, and pulled him down, "Stop. FBI."

When Jimmy went to catch Seaman, Peter stretched out his hand to support the picture frame, but he still couldn't save all of them. Two of them fell to the ground and the picture frames were scattered.

Peter took a look at the painting, "It is highly similar to Rachel's painting, Seaman Mays, I suspect that you are related to the theft of the Denley Gallery, and now I want to arrest you. Jimmy, copy it."

Jimmy took off the handcuffs from behind his waist and put them on for Seaman.For Seaman's normal and thin body, Jimmy is already a strong man, and resistance is ineffective.

Jones followed behind, with a camera, and took pictures of the painting that fell to the ground and the painting that Peter was holding on to.

Peter stretched out his hand to pick up the portrait, and said: "This is not all, there should be paintings in the room. Jones, you take the suspect back to the station, I will apply for a search warrant, Jimmy, guard the door of Seaman's apartment, don't let anyone Go in and destroy the scene."

He put several paintings back into the surveillance car, then took a taxi and left, while Jones controlled Seaman to the surveillance car and locked it in the co-pilot.

Jimmy was more at ease, he only needed to watch Seaman's apartment, but when he turned around and saw the van driver was still there, he didn't take advantage of the chaos just now and ran away, yes, it was easy.

Jimmy thought about it, and went over to make a routine inquiry to the driver. This is a moving company's car. After recording the driver's ID, phone number and license plate, Jimmy was about to let the driver leave. With this information, the following If you have anything to do, you can contact him directly. If he escapes, that's even better, and you can issue an arrest warrant directly.

He thought the matter was over, but the driver suddenly gave him a surprise. The driver gave him an address, the destination of the delivery, and a mini warehouse next to the Hudson River.

Unexpected harvest, Jimmy asked the driver to leave, and he didn't rush to tell Peter about it. It won't be too late to start the warehouse after the search warrant is obtained. That Parker Denley, the owner of the gallery, must have a problem, but he doesn't know Peter. Will their subsequent interrogation be able to connect him.

With a few paintings as evidence, it was very easy for Peter to apply for a search warrant. This time, he brought along a few members of the action team and evidence experts.

After cleaning Seaman's apartment, he found other paintings from another room, ten of which were quite a few, and all of them were there.

Returning to Federation Square, Peter did not directly arrange to notify the painter Rachel and the gallery owner Parker, but the recovery of the painting was not finished. According to the previous clues, it was obvious that this employee was not the final boss, and there were people behind.

Peter did not interrogate Seaman in the interrogation room, but in the conference room, only he and Seaman were in it, and Jimmy didn't know what they talked about.

Regarding the address of the mini warehouse provided by the van driver, Jimmy has already provided it to Peter. I believe that an old agent like Peter must know how to use it.

Jimmy is at least a little depressed. Strictly speaking, this case has nothing to do with him. Although he believes that there is something wrong with Seaman and took photos, other people can also judge it. After all, there are only a few employees. As long as they go back and collect information, Naturally, it can be seen that Seaman's expression was a little nervous at that time, it was nothing more than saving half a day's time.

This kind of action of analyzing clues purely by brain, monitoring the suspect, and finally arresting him was a bit too much torture for Jimmy.