Digging up my own ancestral grave, the school flower insists that I am a tomb robber

Chapter 415 Silk Painting
With the separation of the walls, no powerful monsters appeared,

It was a hidden compartment with priceless cultural relics placed on it, which made Ye Wen's eyes light up instantly, and hurriedly walked in,
Ye Wen first set his sights on a hanging painting. On the bottom right of the painting, there was a middle-aged woman standing sideways, wearing a long skirt with wide sleeves, and clasped her hands like praying.There is a phoenix bird flying in the air above the woman's head, its tail feathers curled up.On the left is a distorted dragon, rising upwards.

At this time,

Ye Wen excitedly said, "This is a picture of a dragon and a phoenix, which expresses the scene where a dragon and a phoenix lead the soul of the owner of the tomb to heaven.

It seems that it is a silk painting from the Warring States period, and this is the earliest silk painting that I have found so far. "

As he said that, Ye Wen wanted to step forward to take down the silk painting. Seeing this, Ye Jin hurriedly stopped Ye Wen,
"Professor, wait for Brother Mu! Don't touch these things yet." Ye Jin said.

Hearing this, Ye Wen hurriedly stopped, "Yes, wait, sir, I forgot about this excitement again."

There was a lesson learned before, if the things above were moved, if some monsters were drawn out, and now Chen Mu is still immersed in the mysterious realm, it will be troublesome at that time.

immediately,

Ye Wen took a magnifying glass and carefully looked at this picture of a dragon and a phoenix,

and said,
"This silk painting uses smooth and strong lines to outline and shape objects. The lines are extremely generalized and concise, vigorous and simple, solemn and powerful, vivid in shape, and have considerable artistic expression.

Although the full-width lines are quite concise, the changes are very rich, and the contrast between density and thickness is appropriate and natural.For example, the comparison of phoenix and dragon with lines, and the comparison of lines with characters are very distinctive.

The lines used in the phoenix and bird are obviously richer and more varied than those in the dragon pattern. The lines mainly highlight the dynamic shape of the wind and the expression of graceful posture. Attention is also paid to the contrast of density and density, and the details are appropriate.

For example, the lines used in the wings are fine and complete, carefully carved, and have decorative elements, while the outlines of the phoenix's claws and tail feathers are rough and powerful, boldly generalized, and you can see the strength of the tail feathers and the thinness and firmness of the cuticle of the claws.

The lines used by the dragon are relatively slender and simple, highlighting its relatively quiet static posture. Compared with the flying momentum formed by the violent ascent of the phoenix bird, it shows the vitality of the phoenix bird.

The shaping of the female characters is obviously also the part that the author emphasizes. He uses very skillful lines to draw the rising female figure standing in the boat. The shape is accurate and vivid, which is amazing.

Outline the external shape of women with highly generalized contour lines. Whether it is a bun, face, body, or arm clothing, it is almost all outlined in one stroke, giving full play to the expressiveness of the lines and using them to create clothing textures. Draw, arrange.

In addition to highlighting the heavy color of the dress chest, cuffs and mopping the floor by dyeing black, the patterned clothing of the dress is also depicted in detail. The appearance of these decorative patterns and heavy ink , is not dispensable, except for the decorative effect,
The expression of the texture of the clothes and the processing of the picture space also play a very important role in arranging and setting off, enriching the artistic expression of the picture.

Moreover, it seems that the feeling is still unsatisfactory. Some parts of the picture are filled with ink, and there are traces of dyeing, which play a considerable auxiliary role in further highlighting the expressive strength of the lines.

Using lines as the main means of expression and using other methods as auxiliary means to create paintings was obviously quite proficient in the Warring States period. "

When his voice fell, Ye Jin also continued, "The whole painting is shaped by line drawing. The lines are straight and powerful, and the lines are simple and smooth. The handling of black and white relations and the arrangement of the characters' positions are all ingenious. In addition, the author made the characters' lips, A little bit of vermilion on the sleeves and other places, and adding decorations on the phoenix bird and figure clothing, all make the work full of strong decorative flavor.

Moreover, Chinese paintings have always paid attention to expressing the inner expressions of characters, rather than just focusing on the shaping of external images. The appearance of this painting feature was already very obvious in the Warring States period. "

heard,

Ye Wen kept nodding his head. He obviously agreed with Ye Jin's words.

then,

Ye Wen's gaze was also on the other treasures, the light in his eyes and the words on his mouth never stopped,

"This is a gold-plated jade-inlaid glazed silver belt hook, and it is also an object from the Warring States period.
This belt hook is made of silver. It is large in shape and gilded throughout. The body of the hook is cast with relief-style animal heads and long-tailed birds. The animal heads are arranged at the front and rear ends of the hook. meandering.

The front of the hook body is inlaid with 3 white jade rings, and the center of each jade ring is inlaid with a hemispherical glass bead.
The front end of the hook is inlaid with white jade and cut into the shape of a goose head, which looks like a singing swan goose with a curved neck when viewed from the side.

The manufacturing process of the belt hook is also very exquisite. Various methods such as gilding, inlaying, and chiseling are used to skillfully use materials of different textures and colors, so that the contrast of different colors is very harmonious, resulting in colorful decorative effects. .

This belt hook has complicated decorations, exquisite and transparent, covered with gold and inlaid with jade, elegant and luxurious. It is a fine product among war belt hooks, extremely luxurious, reflecting the highest level of gold and silver craftsmanship at that time. "

……

As Ye Wen and the others looked through all the cultural relics in the secret compartment,
Chen Mu also came back to his senses from the mysterious realm, seeing Chen Mu regained his senses,
Ye Wen hurriedly asked, "Sir, can the cultural relics in this hidden compartment be taken away?"

heard,

Chen Mu looked at it with the golden pupils, and then said, "Take it!"

With Chen Mu's words, Ye Wen laughed so hard that all the creases on his face turned into chrysanthemums, and carefully put away all the treasures in the secret compartment.

These are the most important treasures of the country, and there must be no mistakes.

At this time, there was nothing else in this hall, so Chen Mu and others left naturally, and walked towards the hall at the end of the opposite corridor.

The moment they walked into the opposite corridor, everyone in the archaeological team clearly felt a fierce aura, which was different from the weird and sinister aura in the opposite corridor.

"With such a strong evil spirit, I feel that the things inside here should be stronger than those on the opposite side!" Ting Chan said.

Queen Jingjue then said, "Get rid of the feeling, the things inside here must be more powerful than those on the opposite side. After entering, try not to move as much as possible. Finding the key to enter the tomb of the Queen Mother of the West is the key, and the rest is not important. .”

"Yes, although the boss is here, it's better not to cause trouble." Heizi also said at this time.

immediately,

When Chen Mu's and others were standing at the door, the fierce aura was obviously stronger and stronger, making people feel palpitations and chills in the back.

As Chen Mu opened the door, more fierce and fierce aura rushed towards his face. If Chen Mu hadn't blocked it with a wave of his hand, this aura would have caused serious illness to the ordinary archaeological team.

In addition to this fierce aura, there was also a bloody aura rushing towards his face.

(End of this chapter)