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Chapter 1522 NO139 Of course he has never been here

Chapter 1522 No. 139: Of course he has never been here
Life lies in movement, which many parents will say when urging their sedentary children to move.

And when the child grows up and becomes an adult but stays at home for a long time, these words will become a boomerang, either flying towards the parents or continuing to be used by the parents to educate the grown-up children.

Of course, the Omers were different.

He was more like a parent in most cases, and when it was Morrison's turn to educate the children, the vampire couldn't say anything about life being about exercise.

So this sentence often only appears in the family conversations that Omar observes.

As for having a group of iron-gray humanoids repeating this at a high frequency during the chase...

This place can be called rare.

Yes.

At this moment, Omer and his party were running.

To be precise, it was Sirius Symbol, Omer Linton, and Federico Giallo who were running, while Nishizaki Yutaka, who was relatively weak in physical fitness in the team, was directly given a hovercraft by Omer - he drove it quite well, and lived up to the rumors that Omer knew.

"Omo!"

He even had the luxury of driving at high speed in the aisles and shouting distractedly while turning.

On the other hand, Omar is very frugal with words:
"I am listening."

"Shouldn't this play be a reproduction of the scene at that time!?"

"indeed."

"Then what are these weird things?" Nishizaki looked back at the red-eyed figures whose bodies seemed to be melting, with bionic skin and metal bodies scattered together. "They look like bionic skeletons. Is this an AI rebellion!?"

"Bionic men are androids, and rebellion is rebellion. However, there are many reasons for rebellion, and madness is a more common one."

"Crazy? Yue Chi can also use viruses?"

"Probably, but it doesn't seem necessary. After all, he came directly to Miss Arturo for help, not to destroy the theater."

"Then we have to find him first, right?"

As he finished speaking, the long ride had reached the end. After turning a corner again, Nishizaki Yutaka saw a large group of bionic people fighting each other in front of him.

The sight of circulating fluid and released skin splashing around had an impact that was no less than that of blood and flesh flying everywhere. He subconsciously wanted to brake, but he was grabbed by a scaly claw with pale lines on it, and was forced to continue moving forward in a slightly unbalanced and bumpy manner.

"Don't stop." The owner of the claw said in a deep voice.

"Should we charge? No, I want to ask why we have to run? Can everyone take care of those guys?"

The moment he said this, he hurriedly looked at the road and turned the handle. It was a technical job to pass at high speed in the chaos of the corridor, especially when both sides of the battle had long-range weapons.

The 3D version of the barrage game is a test for every passerby, enough to make him concentrate and stop talking. The rarely seen demon-like Omer stretched out his four wings and changed his flame-breathing mouth instantly.

"The premise is that you should be prepared to go to a psychiatric hospital for treatment after the end. Are you willing to spend that money and suffer that?"

Two arms, no longer as sharp as those bony ones, suddenly burst out in the direction of Sirius and Federico, forcing the latter two to immediately raise their hands to grab them while pushing off the ground and bending their legs.

Although they had never received any training in this area, as everyone had good adaptability, this suspended dodge close to the ceiling was successfully completed. They crossed the obstacle in a few seconds and dispersed again.

"What does this mean? Are there mental risks in dealing with those things?" He slowed down the speed of the balance bike a little, turned his head to see those bionic people who were fighting each other being overwhelmed and quickly assimilated by the strange things chasing them. Their appearance began to fester and melt, and their eye lights turned from blue to red. Nishizaki Yutaka shook unconsciously and accelerated again to catch up.

"What's the principle?"

He asked Omer, who did not return to his human form honestly, but continued to run on the ground with his nearly three-meter-tall demon body, his sharp claws still sliding in the air, and he didn't know what he was looking at.

"A curse, or perhaps a blessing, a kind of unconscious power..." As if realizing that this explanation was too vague, he glanced at Xi Qi with his white eyes in the dark flames, "Do you know anything about the Old Ones?"

"What?"

"Cthulhu and Hastur, these two guys are quite popular on the dark web by broadcasting their effeminate anthropomorphic characters live. You must have heard of them, right?"

Although some people don't want to admit it, these two are indeed on their way to becoming idols, enough to appear in the topics of conversation among Nishizaki Yutaka's colleagues.

"It's not that I don't understand this, I just want to know what this has to do with those Outer Gods!"

"It's easy!"

He suddenly braked and drew two streams of air, one on the left and one on the right, to slow down the two people who were running too fast.

"Stop first, we've gotten rid of that group," he said, and then simply gestured to the terminal panel to show the three people the map of the theater. "We are here now. Going forward is the theater's staff area."

“The preparation and design of all flesh puppets are supervised by the playwright, while these employees actually carve, prepare, and even control them. Therefore, in most of Gulan Jinel’s horror plays, this place is considered a temporary safe house.”

"You know so much about it?" After jumping off the hovercraft, Nishizaki Feng looked back at the corridor which had indeed become much quieter. "No, you haven't explained your relationship with the group of Outer Gods yet. How can it be so simple? Was what you just said a topic?"

"Yes, two, but don't worry."

“That’s where the connection is.”

As he said that, he took a step forward, raised his hand, turned the door handle of the iron door in front of him, twisted it down, and kicked it open.

It's all in the drama, it doesn't matter whether you kick the door or not.

Nishizaki Yutaka, who was somewhat aware that the drama itself was a bit like a running group, was not the host, so he naturally didn't care about Omer's brute force operation. He just walked straight forward, and together with Sirius and Federico who followed closely behind, they saw the pocket-sized factories full of posters, statues, figures, and slogans painted in green or yellow colors, hanging high in their respective workshops.

"..."

More than one person was stunned. Omar, who kicked open the door, couldn't help but have facial nerve twitches.

Knowing that there are believers of the Outer Gods here is one thing, but knowing what kind of jobs the believers have is another.

He had thought that this place was as cold, damp, sticky and disgusting as the works handed down from generation to generation by the Outer Gods, just like the usual writing style of Howard Phillips Lovecraft, who was nicknamed Craftsman in Dongyan.

I have also thought that modern cultists might behave unusually normal, just like the main characters in this theater's plays - apparently normal mentally ill patients, and it is not wrong to simply call them minefields.

This can be a very ordinary room, with no problems at first glance. Of course, idol fans don't care at all, and it doesn't hurt to put some more plastic figurines and obscene models. After all, the live broadcast suits of those two are indeed of high quality, and a cute girl and a mature lady should also be likable.

But I still didn’t expect it.

Beautiful girl figures can be placed together with fat boy models, and mature woman pillows can be placed together with decorative pieces that simulate tentacles.

The cultists are indeed cultists. The degree of their insanity has broken through his logical inertia, which made Nishizaki Toyoichi turn around and complain:

"Why are you reacting like this? Haven't you been here before?"


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