only monsters

Chapter 1525 No. 142: Not a fairy tale
"Based on true events" is both a statement to avoid disputes and a clever way to improve the audience's inner evaluation.

In reality, there are many people who believe that "artistic creation requires logic but reality does not", and there are also many people who will associate the program with its prototype when they are still not satisfied with the experience.

As the popularity of the program continues, these people often play a role in keeping the topic at a bottom line, and even bring new momentum to topics related to the original event.

But by this point, most of these people have understood the difference between creation and reality, and know that the word "adaptation" in "adapted from real events" can mean retaining only a little bit of the original prototype, or restoring it exactly as it is.

and so……

How much reality does this drama, which was created because of the attack a few days ago and has a structure that seems like a coc game module, contain?

Omer did not think that Miss Arturo, who was in charge of the music, would deceive him. Since he came here for the performance of the moon symbol of the alien universe, the part of the moon symbol in the theater should be a relatively thorough restoration.

But that part is not all of the theater.

【Paradise Lost by the Evil Theater Mechanical Device】

If you look up slightly, you can see the title of the play in white letters on a red background displayed in a translucent UI. The layers of pale and iron gray that are spreading are eroding the ground, doors, tables, and walls, and countless strange mechanical human bodies are poking out from them.

This also declared that this temporarily safe safe house was no longer valid, and the next choice was one of three: fighting, escaping, or fighting and running.

With vehicles, horse girls, and fighting angels and demons with amazing physical fitness, the chase should have been the easiest part, and there would be no pressure to continue running away. However, the moment the melodious piano music sounded, this idea became unrealistic.

Even though piano, trumpet and drums were added at this moment, Omar, who had some musical appreciation ability, would not ignore the cello sound that was always there.

Because of this, he accepted with ease the firepower supremacy displayed by Federico Giallo in front of him.

Guns, source energy, and the battle angels at full firepower left a far greater impression than before.

Powerful, brutal and deadly, the offensive built with swift and fierce firepower even formed a stalemate with the spread of the opposite side. This burst of firepower was far better than the performance of Remuel that Omar had seen at work. It allowed him to have a deeper understanding of his code name "Undertaker", but he also saw that the man always had that cold poker face.

He does not take pleasure in destruction.

But his first priority is probably to extinguish the development of these threats.

This was what he was thinking at the moment. On the other hand, Nishizaki Yutaka, who had left a considerable distance behind after saying a few words early on and tried to find weapons support but was persuaded by Omer, also showed a very clear inner feeling.

He didn't want to fight, or even get involved in such an incident.

This was in line with his purpose - he only wanted to deal with the Light Chaser Club, and Yue Chi was the leader of this club cooperation organization, and although he was also very important, he was ultimately not the focus of his attention.

This time he came along only out of the moral obligation of a friend and a partner in the incident, and came to accompany him. Although Omar said it was unnecessary, he still came. At that time, he probably thought that the investigation itself was probably a boring thing, nothing exciting -

——I never thought that I would go to the ‘infamous’ Gulanjiner Theater to experience the test project.

This senior Yutaka Nishizaki... is probably the type who would avoid horror games.

Omar had already thought so, seeing his hurried and rapid words a few minutes ago.

At that moment, I accepted his departure calmly.

That's what my subconscious mind does, it's not bad.

This horror theater, which once made good operas come and go but made Arturo choose to stay, is about exploring the fear in the hearts of every audience member, but it is not limited to simple fear.

Just like the "Studies on Hysteria" published by Freud, which was loved by the first generation of Gulangiel Theater, the book not only made a detailed analysis and explanation of the symptoms and causes of hysteria, but also proposed the trauma theory that "everyone contains some psychological energy that must find a way out, and when encountering contradictions, it will lead to pathological symptoms."

This theory points out another fact on the other hand: everyone has the potential to get sick, or even is already on the road to getting sick.

This is extremely inspiring for the development of horror theater, especially for playwrights' script compilation.

The book included dynamic and economic factors in the causes of hysteria, emphasized the important role of emotional life, especially sexual desire, and made the already extreme performance at the time reach a vulgar but hugely resonant climax.

Any repressed desire, action, thought, and emotion is essentially related to sexual desire and its roots can be traced back to childhood - this research theory was obviously severely suppressed by playwrights, which led to the emergence of so many vulgar plays in the same period, either explicitly or implicitly.

The Gulangi Ner Theatre was like this a thousand years ago, which was due to the chaos and filth of the times. But a thousand years later, in the context of a society based on the rule of law and civilized life, how was the Gulangi Ner Theatre established and how could it survive countless reports?
The answer is to no longer stick to the extremes of a single field, but to choose richer desires and a more diverse self.

That's why Arturo Giallo stayed here. That's why she was the only cellist here, which showed how much the theater owner valued her.

So it's time to reintroduce Arturo Giallo, a person from another world who came to this world with Rhodes Island Pharmaceuticals Co., Ltd. He has extremely high musical attainments and his code name is "Shaping Heart".

She had received music education that "music is the order discovered in chaos", but her actual experience and self-pursuit in life were more inclined towards another concept:
【Music is the flowing will and the language of expressing oneself】

She casts spells with her instrument, which looks like a self-plugged cello but is actually a staff, bringing out the innermost nature of all people, just as a cloud that accumulates too much water will turn into rain.

The desires deep in the human heart are accumulated and then released in this way. Regardless of whether it is good or bad, she gives all hearts an equal opportunity to express themselves.

This is exactly why her code name "Art Master/Virtuosa" underwent a huge change in meaning when translated into Dongyan language, and it is also the reason why her attitude towards Omer suddenly changed after she started the story.

Although he possesses magic that can make the buds in the heart of the iron tree bloom and can easily shape the minds of those who oppress him, the world is big, and the world outside the world is even bigger.

It was not the first time that Arturo encountered existences whose piano music could not touch her soul, but most of those existences were quite old. After all, she was a musician and the audience were guests.

The guests appreciated the music as a matter of course and did not reject it. Few of them would put up many defenses for their souls before appreciating the drama.

Those who can still defend against the sound of the piano in this situation often have a mind that has been tempered through thousands of trials and tribulations, and they use their strong self-control to suppress the interference of music and magic.

——It sounds outrageous, and it is indeed outrageous.

Arturo has seen such idealistic masters more than once in this world, and these masters are often old guys. It is obviously the first time that he has seen one who is almost twenty years old.

Of course, what she played at that time was just the prelude. Even if there were some abnormalities among the others, it was not enough to make Omer truly on an equal footing with those old guys, so she took the initiative to bring up this dramatic test.

You have personality. I want to play the violin for you.jpg
She was actually pulling it herself.

"Don't you find it troublesome?"

The tight double-breasted trench coat and the furry owl face on the head fully demonstrate the coolness of spring.

Although 0.01% of everything is a mechanical simulation, the crucial % is actually an evil genius named Andre de Lord who fell here from another world.

He has the same name as the playwright known as the Prince of Terror who wrote and rehearsed for the Grand Guignol Theatre thousands of years ago. It can even be said that it is the same person manifested in a different time and space.

This man, whose body has long been alienated in the alienated world, would rather stay in the theater of desire, filth, and blood as an inhuman even if there is a chance to recover. He is undoubtedly the "bird man" mentioned by Arturo.

"Is it really necessary to remove the master track and play the violin myself?" he asked, with his neck tilted 80 degrees to the right.

Although it is clearly a mechanical body, it still faithfully restores the amazing cervical rotation degree of the monkey-faced owl. Coupled with the pale face and black pupils, it seems to be a funny styling choice to create a gloomy and terrifying feeling from the appearance.

Whenever he treats people like this, he can give the other party a visible sense of oppression, but those who feel this are often the audience, police and reporters.

On the other hand, the theater staff were not at all disturbed by this. I don't know if they were used to it or if they just had an unusual mentality.

Just like Arturo at this moment:
"The background sound was not well recorded last time, so wouldn't it be appropriate to do it again?"

After confirming that the AI ​​Assist had synchronized with the current soundtrack, Arturo put down his bow. However, he did not look at the monkey-faced owl that was staring at him. Instead, he looked at the young man who was being forced to retreat by the female companion, and grinned.

"And don't you think that gentleman is quite interesting?"

"The woman next to him is more interesting, as for him..."

"As the offspring of a devil and a human, I reject the fact that I am smeared with desire. How disgusting."

"Oh~ Is the impression so bad?" Arturo exclaimed happily.

"Those who were able to endure it before didn't have this reaction. What's the difference between him and you? His age?"

"People who like fairy tales are extremely hateful no matter how you look at them."

(End of this chapter)