pianist from the sea

Chapter 212 Complete End!

Op25-9, Butterfly.

This piece of work is not long. Normally speaking, the performance of this piece of work should only take about 1 minute. It can be regarded as a group of short works that are extremely rare among Chopin's etude works.

It's just that although this piece looks relatively short and seems a bit simple, it is actually not the case. Among all Chopin's works, this piece can be regarded as a group of relatively difficult works that require a sense of strength.

在众人的视线之下，傅调在肖邦op25-8上并未停留许久，便直接从25-8，走到了25-9.
His fingers swept across the piano slightly, and an extremely relaxed and joyful piano sound flowed out of his hands.

If a camera captures his playing hand, you can definitely see that Fu Tiao's hand is almost completely touching the keys, and the strength of the arm is completely relaxed, allowing the fingers to lead the arm forward.

And the vertical strength of his fingers on the keys was not obvious, just a slight hook with his fingertips, and the sound came out of his hands directly.

All of these make this work like a toy. You even feel that Fu Tiao's hands are completely motionless, and the music can flow out of his hands.

There is no obstacle at all.

Listening to all this, it even makes people feel that this work seems very simple, anyone can play it.

but……

As long as you have tried this piece yourself, you can clearly feel a completely different point.

That is, this work is definitely not as relaxed as what Fu Tiao is playing now.

This kind of relaxed feeling is not something you can do if you want to, but you really have to be able to perfectly control this piece of work in order to be able to show the ease of playing.

And it is not easy to master this piece of work, it is much more difficult than if you can practice it normally and get it to be performed on the stage.

The people off the stage watched Fu Tiao's performance, they didn't know what they should think about now, they just watched in a daze.

Chopin's etudes are indeed the touchstone for Chopin players.

Only those who can really master Chopin etudes can be regarded as the top batch of Chopin players.

But fortunately, the time of this work is not long, just a short 1 minute.

This 1-minute shock to everyone is far stronger than all previous works, but it has not yet reached its climax.

When Fu Tiao dropped the last note of Chopin's etude Op25-9 and started to play Chopin's Op25-10, Chopin's octave etude, everyone's brains were completely blown away.

"Huh? This speed?"

"Wait, this sense of control?"

"I didn't understand, wait a minute, isn't he tired at all?"

"His arm?"

"..."

Although no one dared to say anything at this time, when they saw that Fu Tiao entered Chopin's octave etude without any pause at the end of Chopin's "Butterfly", they felt stupid .

Chopin's octave etude is not particularly difficult in terms of difficulty, but the problem is that this work is an octave etude.

Octave etudes, as the name suggests, are all octave works.

And what kind of problem does the octave etude have?

That is……

acid.

The most likely problem caused by octave etudes is the soreness and pain in the player's arms.

Your fingers are stretched and tensed, not the more musical movements of the previous works, so your arms need to be fully tensed.

Only in this way can you make your music have texture and power.

Arms tightened and he pressed down on the keyboard at an extremely fast speed, up and down tens of hundreds of times in a second, so all the audience on the side of Fu Tiao looked at Fu Tiao's arm, and they even saw afterimages.

The afterimage caused by Fu Tiao's arm moving up and down.

You can't see exactly how he pressed the octave in his hand, you just feel that the world in front of you is even a little blurry, and Fu Tiao is bombarding the piano in your hand like a typewriter.

From the first work to the current octave etude, more than 20 minutes have passed.

Whether you are an ordinary person or a top pianist, normally you should be tired when you are in this place, especially when you finished playing a butterfly, your arm itself has produced a little soreness swelling.

At this time, the best way for you is definitely to raise your hands on the piano first, calm down your emotions, and after thinking about it, play the work in your hands again.

This will not only give the arms some rest, but also calm the audience's emotions.

It's just that no one thought that Fu Diao didn't have any rest at all.

Just like a beast that doesn't know how tired it is, it directly smashed out the sound of Chopin's octave etude.

The octaves are extremely clear, and the image of the music interpretation is completely in line with everyone's ideas about the octave etude. The whole piano roars painfully under Fu Tiao's hands.

Listening to all this, everyone didn't know what to say now.

I don't know whether to say that Fu Tiao is young or that Fu Tiao is powerful.

Especially the group of elderly people, the group of older people.

Watching Fu Tiao's performance, they even felt a little bit of envy.

This is the vitality of young people. Such a vigorous vitality is simply longing for.

Many people are too lazy to think about the music of Fu Tiao at this time. When Fu Tiao was already in the octave, it directly blasted their defense line with enough strength and vitality, making them just want to spread out on their seats. , listening to Fu Tiao's performance.

Musical, perfectly expressed.

trick, no bugs.

Strength and energy, full of youthful exuberance.

Isn't this the Hexagon Warrior?Is there anything else that can be found to compete with Fu Tiao?

Even the strongest group of people, such as Zimmerman and Argerich.

If they were asked to play Fu Tiao's ballads and other works in the first half, they might still have a little energy to play.

But if we say, let them play a marathon of etudes like Fu Diao in the second half.

They may have a richer feeling than Chopin played by Fu Tiao, and may even perform superbly live.

But it is absolutely impossible for them to have the mental strength of Fu Tiao, without any rest at all, and play directly from the beginning to here.

They must be in the middle to brew their emotions in name, but actually rest their fingers.

Thinking of this, many people couldn't help but smile at each other.

This power still has strength, isn't it a bit of a foul?
Zhao Chengzhen's face couldn't help turning dark.

He thought about his own strength.

If you let him play Chopin's etudes, he will have no problem. After all, as a winner of the Chopin International Piano Competition, his performance is not bad, and he can even be regarded as No.2 among young people playing Chopin .

However, if we let him and Fu Diao interpret it like this now.

He thought about it...

He can't.

It's not just because his interpretation is not strong enough, even if he works hard to reach the strength of Fu Tiao's Chopin etudes, he still can't play it as easily and freely as Fu Tiao.

This relaxed and freehand style can only be seen at the concert site, and you can't hear it from the recording at all.

This also makes performances like Fu Diao more precious.

"Fu's strength..."

People from the Paris Conservatory of Music glanced at Zhao Chengzhen, hesitated for a moment, and then said: "The strength is really very good, probably there are not many opponents among young people, right?"

"Well, there is no opponent at about 30 years old. Lang Liangyue is still good when he is about 40 years old, but Lang Liangyue's Chopin performance is really hard to describe, so if we only talk about Chopin, Fu's strength, under 50 years old should be Unstoppable."

"Further up are some old people. Although they may be stronger in Chopin than Fu Tiao, their physical strength can no longer keep up with their performances. It's a pity..."

A person beside him whispered, looking at Fu Tiao a little bit reluctantly, racking his brains to think about who else could defeat Fu Tiao.

It's just that the more he thinks about it, the more he feels how powerful Fu Tiao is now.

He really couldn't think of anyone at a similar age who could beat the current Fu Tiao.

Even if you add up to 20 years, there are very few such talents.

The other person looked at Fu Tiao and couldn't help feeling a little anxious.

"By the way, in June and July next year, in the All-European Conservatory of Music Exchange Competition, if the German-Austrian School shamelessly lets Fu tune in, what will we do with the French School? Can we just die?"

"how is this possible?"

Someone sneered and interrupted his words.

"Whether the German-Austrian music school will be so shameless or not is another matter. If I guess correctly, Fu should focus on performing at the music festival in June next year. He won't have time to pay attention to the All-European Conservatory of Music at all." It’s too cheap for an exchange contest.”

"Yeah, it would be great if Fu Tiao really wouldn't attend..."

Everyone looked at Fu Tiao and didn't know what to say, they could only discuss in a low voice and then shut up.

The All-European Conservatory of Music Exchange Competition is an exchange within the European Conservatory of Music. It is also a competition for the three schools of German-Austrian music, French music, and Russian music to see who can train the strongest students.

Of course, some people from the beautiful country came to participate, but they didn't pay much attention to it, basically they came to give it away, so this can be regarded as an exchange of the three major schools of music.

Some people wondered whether Fu Tiao would choose to use his status as a famous pianist to beat those ordinary children, let them see the dangers of society, and at the same time show off the great strength of the German-Austrian school of music.

However, some people think that Fu Diao will not go. After all, from June to September every year, this time is the time when summer festivals are held in various places in Europe, and it is also the busiest time in the whole of Europe.

There are top music festivals everywhere waiting for big guys to attend.

For example, the musicians in the Ruhr area of ​​Germany, the contestants who can participate in this music festival are basically the best group of people in the world.

For example, Barenboim, Pollini, Zimmermann, Argerich, Hamelin, Kissing...

Those who are famous all over the world will gather in the Ruhr area to participate in this Ruhr Area Piano Festival.

At the same time, there is not only the Ruhr Piano Festival, but many other festivals.

For example, the Berlin Forest Music Festival, a top music festival that invites the Berlin Philharmonic to sit.

There is also the Barcelona Music Festival in Spain.

Every year from June to September is also the most active period for musicians. Unlike the current winter, the most active musicians are people like Fu Diao.

Some people may wonder why Lang Liangyue is not invited to these music festivals?Isn't he the top pianist in the world?
The reason is actually very simple...

Please excuse me.

Come on, these music festivals have their own budgets too, okay?They will not invite the world's top pianists without restriction, especially these famous pianists, they all cost money.

There was a centenary music ceremony in the Golden Hall in Vienna before, celebrating the 100th anniversary of the Golden Hall. Almost all musicians were invited to participate, and the only one who was not invited was Lang Liangyue.

Because it's so expensive!The price of inviting Lang Liangyue alone is more than enough to hire two or three orchestras.

That is to say, the rich and powerful Munich Radio Orchestra has money and can spend money for Lang Liangyue, which makes Lang Liangyue agree to come to Vienna's Golden Hall to celebrate her centennial birthday.

The world can achieve a level like Lang Liangyue...

none.

If we simply discuss the commercial value of musicians, he is the number one in the world.

Fu Diao now also shows the possibility of such commercial value.

All the tickets were sold out at the beginning, this kind of strength is really terrifying.

Those people from the French school now look at Fu Tiao and hope for something.

That is, Fu Diao felt that his strength was different from that of ordinary music students, and that his relationship with the German-Austrian School was not very good, and he did not want to contribute to the German-Austrian School, and...

Fu Diao may be invited by a music festival to represent a certain city in the festival.

This way Fu Tiao won't compete with them for a useless, ordinary championship.

After all, they have a leader this year, Zhao Chengzhen, who is very likely to win the championship.

But Fu Diao didn't have a concrete concept of everything they thought.

He didn't know about the so-called European Conservatory of Music Exchange Competition, and he didn't know about music festival invitations.

Now he just wants to interpret the work in his hands to completion.

After Chopin's Octave Etude is over, there is Chopin's Winter Wind.

There is really nothing to say about Fu Diao's Dongfeng, but the moment the simplest sounds at the beginning fell, everyone got goosebumps.

His control over music can be regarded as super god, incomparably terrifying, shockingly terrifying.

Even monophonic is the same.

There is a saying that the smaller the place, the more you can see the gap between each other.

For example, in the work of Chopin's Dongfeng, more than a dozen people played the same beginning, and there were only a few notes, even if you are a beginner, you will know a few notes.

But the feeling played by a great person is completely different from the feeling played by an ordinary person.

It's not because of the piano, but because the level of technology is not up to standard.

The winter wind played by some people sounds dry, haggard, and lifeless.

It might be right in one way, but it always feels like something is missing.

However, the Dongfeng played by some people is insolent, full of strength, and possesses the indomitable will to fight against all creatures.

Probably true, but also weird.

Everyone has a different understanding of Dongfeng, and the feelings expressed in the simplest sounds are also completely different.

And Fu Tiao is the winter wind on the sea.

The wind rolled the waves, the winter wind that almost capsized the ship.

Power roared in everyone's ears. Even though everyone was sitting on the chairs in the concert hall, and there was no sea around the concert hall, they just felt a wave of shaking and fear for no reason.

It was as if this concert hall would break anytime, and they would fall into the sea along with the concert hall.

A trace of fear could not help but emerge in my heart.

And all this is just a simple beginning, as if the front and back are completely connected. After the winter wind of Fu Tiao is over, Op25-12, which is the last piece of Chopin's No. 25 etude, the sea completely overwhelmed everyone's expectations. The imagination of the sea.

The power of the winter wind has not yet passed, and when some people are still immersed in the winter wind and cannot extricate themselves, the sea appears in front of everyone like a miracle, completely tearing apart the sense of security that everyone relied on, and throwing them into the sea among.

Fu Tiao's power is constantly rushing towards his hands, pushing the power of the sea forward.

Everyone listened to Fu Tiao's music now, and even couldn't help feeling a burst of confusion and fear in their hearts.

They don't know what they should do now. They feel like sailors thrown into the sea. Even if they want to struggle in the sea, they have no way to resist the power of the sea.

The power in the music and the power of the sea made them even feel the pain of not being able to breathe.

But the beauty behind this power made them want to stop.

This is the charm of Fu Tiao, and this is the unique Chopin music of Fu Tiao.

The room was extremely quiet, only the sound of Fu Tiao playing.

Under the sound of the performance, everyone tried their best to hold their breath and not let the rushing beauty of the music flood their nostrils.

It's really too strong, so strong that it's hard to breathe.

They didn't even know how to describe Fu Tiao's performance, they could only sit there silently, listening to Fu Tiao's performance.

Waves rushed toward the crowd one after another, and on the verge of suffocation, Fu Tiao sent them into the sea as if he had a feeling.

Like the waves licking their heart-to-heart, after giving the last layer of waves, they left slowly.

So far, the second half of Fu Diao's concert, the collection of Chopin's etudes.

completely over.

(End of this chapter)